List of authors
Download:TXTPDF
The Minotaur or The Stop In Oran
man a profound instinct which is neither that of destruction nor that of creation. It is merely a matter of resembling nothing. In the shadow of the warm walls of Oran, on its dusty asphalt, that invitation is sometimes heard.

It seems that, for a time, the minds that yield to it are never disappointed. This is the darkness of Eurydice and the sleep of Isis. Here are the deserts where thought will collect itself, the cool hand of evening on a troubled heart. On this Mount of Olives, vigil is futile; the mind recalls and approves the sleeping Apostles. Were they really wrong? They nonetheless had their revelation.

Just think of Sakyamuni in the desert. He remained there for years on end, squatting motionless with his eyes on heaven. The very gods envied him that wisdom and that stone-like destiny. In his outstretched hands the swallows had made their nest. But one day they flew away, answering the call of distant lands. And he who had stifled in himself desire and will, fame and suffering, began to cry. It happens thus that flowers grow on rocks. Yes, let us accept stone when it is necessary.

That secret and that rapture we ask of faces can also be given us by stone. To be sure, this cannot last. But what can last, after all? The secret of faces fades away, and there we are, cast back to the chain of desires. And if stone can do no more for us than the human heart, at least it can do just as much.

“Oh, to be nothing!” For thousands of years this great cry has roused millions of men to revolt against desire and pain. Its dying echoes have reached this far, across centuries and oceans, to the oldest sea in the world. They still reverberate dully against the compact cliffs of Oran. Everybody in this country follows this advice without knowing it. Of course, it is almost futile. Nothingness cannot be achieved any more than the absolute can.

But since we receive as favors the eternal signs brought us by roses or by human suffering, let us not refuse either the rare invitations to sleep that the earth addresses us. Each has as much truth as the other.

This, perhaps, is the Ariadne’s thread of this somnambulist and frantic city. Here one learns the virtues, provisional to be sure, of a certain kind of boredom. In order to be spared, one must say “yes” to the Minotaur. This is an old and fecund wisdom. Above the sea, silent at the base of the red cliffs, it is enough to maintain a delicate equilibrium halfway between the two massive headlands which, on the right and left, dip into the clear water.

In the puffing of a coast-guard vessel crawling along the water far out bathed in radiant light, is distinctly heard the muffled call of inhuman and glittering forces: it is the Minotaur’s farewell.

It is noon; the very day is being weighed in the balance. His rite accomplished, the traveler receives the reward of his liberation: the little stone, dry and smooth as an asphodel, that he picks up on the cliff. For the initiate the world is no heavier to bear than this stone. Atlas’s task is easy; it is sufficient to choose one’s hour. Then one realizes that for an hour, a month, a year, these shores can indulge in freedom.

They welcome pell-mell, without even looking at them, the monk, the civil servant, or the conqueror. There are days when I expected to meet, in the streets of Oran, Descartes or Cesare Borgia. That did not happen. But perhaps another will be more fortunate. A great deed, a great work, virile meditation used to call for the solitude of sands or of the convent. There were kept the spiritual vigils of arms. Where could they be better celebrated now than in the emptiness of a big city established for some time in unintellectual beauty?

Here is the little stone, smooth as an asphodel. It is at the beginning of everything. Flowers, tears (if you insist), departures, and struggles are for tomorrow. In the middle of the day when the sky opens its fountains of light in the vast, sonorous space, all the headlands of the coast look like a fleet about to set out. Those heavy galleons of rock and light are trembling on their keels as if they were preparing to steer for sunlit isles.

O mornings in the country of Oran! From the high plateaus the swallows plunge into huge troughs where the air is seething. The whole coast is ready for departure; a shiver of adventure ripples through it. Tomorrow, perhaps, we shall leave together.

1939

Note

[1] Gogol’s Klestakov is met in Oran. He yawns and then: “I feel I shall soon have to be concerned with something lofty.”
[2] Doubtless in memory of these good words, an Oran lecture-and-discussion group has been founded under the name of Cogito-Club.
[3] And the new boulevard called Front-de-Mer.
[4] Another quality of the Algerian race is, as you see, candor.
[5] This essay deals with a certain temptation. It is essential to have known it. One can then act or not, but with full knowledge of the facts.

The End

Download:TXTPDF

man a profound instinct which is neither that of destruction nor that of creation. It is merely a matter of resembling nothing. In the shadow of the warm walls of