A new problem arose: if the invalid remained in the house, where should he be moved and where could they put him? There were only two bedsteads in the house: one large double bed in which old Mlekopitaev and his wife slept, and another double bed of imitation walnut which had just been purchased and was destined for the newly married couple. All the other inhabitants of the house slept on the floor side by side on feather beds, for the most part in bad condition and stuffy, anything but presentable in fact, and even of these the supply was insufficient; there was not one to spare. Where could the invalid be put? A feather bed might perhaps have been found—it might in the last resort have been pulled from under some one, but where and on what could a bed have been made up? It seemed that the bed must be made up in the drawing-room, for that room was the furthest from the bosom of the family and had a door into the passage. But on what could the bed be made? Surely not upon chairs. We all know that beds can only be made up on chairs for schoolboys when they come home for the week end, and it would be terribly lacking in respect to make up a bed in that way for a personage like Ivan Ilyitch. What would be said next morning when he found himself lying on chairs?
Pseldonimov would not hear of that. The only alternative was to put him on the bridal couch. This bridal couch, as we have mentioned already, was in a little room that opened out of the dining-room, on the bedstead was a double mattress actually newly bought first-hand, clean sheets, four pillows in pink calico covered with frilled muslin cases. The quilt was of pink satin, and it was quilted in patterns. Muslin curtains hung down from a golden ring overhead, in fact it was all just as it should be, and the guests who had all visited the bridal chamber had admired the decoration of it; though the bride could not endure Pseldonimov, she had several times in the course of the evening run in to have a look at it on the sly. What was her indignation, her wrath, when she learned that they meant to move an invalid, suffering from something not unlike a mild attack of cholera, to her bridal couch! The bride’s mother took her part, broke into abuse and vowed she would complain to her husband next day, but Pseldonimov asserted himself and insisted: Ivan Ilyitch was moved into the bridal chamber, and a bed was made up on chairs for the young people. The bride whimpered, would have liked to pinch him, but dared not disobey; her papa had a crutch with which she was very familiar, and she knew that her papa would call her to account next day.
To console her they carried the pink satin quilt and the pillows in muslin cases into the drawing-room. At that moment the youth arrived with the carriage, and was horribly alarmed that the carriage was not wanted. He was left to pay for it himself, and he never had as much as a ten-kopeck piece. Pseldonimov explained that he was utterly bankrupt. They tried to parley with the driver. But he began to be noisy and even to batter on the shutters. How it ended I don’t know exactly. I believe the youth was carried off to Peski by way of a hostage to Fourth Rozhdensky Street, where he hoped to rouse a student who was spending the night at a friend’s, and to try whether he had any money. It was going on for six o’clock in the morning when the young people were left alone and shut up in the drawing-room. Pseldonimov’s mother spent the whole night by the bedside of the sufferer. She installed herself on a rug on the floor and covered herself with an old coat, but could not sleep because she had to get up every minute: Ivan Ilyitch had a terrible attack of colic. Madame Pseldonimov, a woman of courage and greatness of soul, undressed him with her own hands, took off all his things, looked after him as if he were her own son, and spent the whole night carrying basins, etc., from the bedroom across the passage and bringing them back again empty. And yet the misfortunes of that night were not yet over.
Not more than ten minutes after the young people had been shut up alone in the drawing-room, a piercing shriek was suddenly heard, not a cry of joy, but a shriek of the most sinister kind. The screams were followed by a noise, a crash, as though of the falling of chairs, and instantly there burst into the still dark room a perfect crowd of exclaiming and frightened women, attired in every kind of déshabillé. These women were the bride’s mother, her elder sister, abandoning for the moment the sick children, and her three aunts, even the one with a broken rib dragged herself in. Even the cook was there, and the German lady who told stories, whose own feather bed, the best in the house, and her only property, had been forcibly dragged from under her for the young couple, trailed in together with the others.
All these respectable and sharp-eyed ladies had, a quarter of an hour before, made their way on tiptoe from the kitchen across the passage, and were listening in the ante-room, devoured by unaccountable curiosity. Meanwhile some one lighted a candle, and a surprising spectacle met the eyes of all. The chairs supporting the broad feather bed only at the sides had parted under the weight, and the feather bed had fallen between them on the floor. The bride was sobbing with anger, this time she was mortally offended. Pseldonimov, morally shattered, stood like a criminal caught in a crime. He did not even attempt to defend himself. Shrieks and exclamations sounded on all sides. Pseldonimov’s mother ran up at the noise, but the bride’s mamma on this occasion got the upper hand. She began by showering strange and for the most part quite undeserved reproaches, such as: «A nice husband you are, after this. What are you good for after such a disgrace?» and so on; and at last carried her daughter away from her husband, undertaking to bear the full responsibility for doing so with her ferocious husband, who would demand an explanation. All the others followed her out exclaiming and shaking their heads. No one remained with Pseldonimov except his mother, who tried to comfort him. But he sent her away at once.
He was beyond consolation. He made his way to the sofa and sat down in the most gloomy confusion of mind just as he was, barefooted and in nothing but his night attire. His thoughts whirled in a tangled criss-cross in his mind. At times he mechanically looked about the room where only a little while ago the dancers had been whirling madly, and in which the cigarette smoke still lingered. Cigarette ends and sweet-meat papers still littered the slopped and dirty floor. The wreck of the nuptial couch and the overturned chairs bore witness to the transitoriness of the fondest and surest earthly hopes and dreams.
He sat like this almost an hour. The most oppressive thoughts kept coming into his mind, such as the doubt: What was in store for him in the office now? He recognised with painful clearness that he would have, at all costs, to exchange into another department; that he could not possibly remain where he was after all that had happened that evening. He thought, too, of Mlekopitaev, who would probably make him dance the Cossack dance next day to test his meekness. He reflected, too, that though Mlekopitaev had given fifty roubles for the wedding festivities, every farthing of which had been spent, he had not thought of giving him the four hundred roubles yet, no mention had been made of it, in fact. And, indeed, even the house had not been formally made over to him. He thought, too, of his wife who had left him at the most critical moment of his life, of the tall officer who had dropped on one knee before her.
He had noticed that already; he thought of the seven devils which according to the testimony of her own father were in possession of his wife, and of the crutch in readiness to drive them out…. Of course he felt equal to bearing a great deal, but destiny had let loose such surprises upon him that he might well have doubts of his fortitude. So Pseldonimov mused dolefully. Meanwhile the candle end was going out, its fading light, falling straight upon Pseldonimov’s profile, threw a colossal shadow of it on the wall, with a drawn-out neck, a hooked
