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The Idiot (New translation)
were all talking of the same story told in a thousand variations — how a prince, after causing a scandal in a well-known and honourable family and jilting a young girl of that family, to whom he was already betrothed, had been captivated by a well-known cocotte; had broken with all his own friends and, regardless of everything, regardless of threats, regardless of the general indignation of the public, was in a few days’ time intending, with head erect, looking everyone straight in the face, to be openly and publicly married here in Pavlovsk to a woman with a disgraceful past. The story became so richly adorned with scandalous details, so many well-known and distinguished persons were introduced into it, and so many fantastic and enigmatical shades of significance were given to it, while on the other hand, it was presented with such incontestable and concrete facts that the general curiosity and gossip were, of course, very pardonable. The most subtle, artful, and at the same time probable interpretation must be put to the credit of a few serious gossips belonging to that class of sensible people who are always, in every rank of society, in haste to explain every event to their neighbours, and who find indeed their vocation and often their consolation in doing so. According to their version, the young man was of good family, a prince, and almost wealthy, a fool but a democrat, who had gone crazy over the contemporary nihilism revealed by Mr. Turgenev. Though scarcely able to speak Russian, he had fallen in love with the daughter of General Epanchin, and had succeeded in being accepted as her betrothed by the family.

But like the Frenchman in a story that had just appeared in print, who had allowed himself to be consecrated as a priest, had purposely begged to be consecrated, had performed all the rites, all the bowings and kissings and vows, and so on, in order to inform his bishop publicly next day, that, not believing in God, he considered it dishonourable to deceive the people and be kept by them for nothing, and so had renounced the priesthood he had assumed the day before, and sent his letter to be printed in all the Liberal papers — like this French atheist, the prince had played a false part.

It was said that he had purposely waited for the formal evening party given by the parents of his betrothed at which he was presented to very many distinguished personages, in order to declare his way of thinking aloud before every one, that he had been rude to venerable old dignitaries, had renounced his betrothed publicly and insultingly; and in struggling with the servants who led him out had broken a magnificent china vase. It was stated as characteristic of the tendencies of the day that the senseless man really was in love with his betrothed, the general’s daughter, and had renounced her simply on account of nihilism, and for the sake of the scandal it would lead to, so that he might have the gratification of marrying a “lost” woman in sight of all the world and thereby proving his conviction that there were neither “lost” nor “virtuous” women, but that all women were alike, free; that he did not believe in the old conventional division, but had faith only in the “woman question”; that in fact a “lost” woman was in his eyes somewhat superior to one who was not lost. This explanation sounded extremely probable, and was accepted by the majority of the summer visitors, the more readily as it seemed to be supported by daily events. It’s true that a great number of facts still remained unexplained.

It was said that the poor girl so adored her betrothed — according to some people her “seducer” — that on the day after he threw her over, she had to run to find him where he was sitting with his mistress. Others maintained on the contrary that she had been purposely lured by him to his mistress’s simply for the sake of nihilism, that is, for the sake of shaming and insulting her. However that may have been, the interest in the story grew greater every day, especially as there remained not the slightest doubt that the scandalous marriage really would take place.

And now, if we should be asked for an explanation — not of the nihilistic significance of the incident, oh, no! — but simply how far the proposed marriage satisfied Myshkin’s real desires, what those desires actually were at that moment, how the spiritual condition of our hero was to be defined at that instant, and so on, and so on, we should, we admit, find it very difficult to answer. We can only say one thing, that the marriage really was arranged, and that Myshkin himself had authorised Lebedyev, Keller, and a friend of Lebedyev’s, presented to Myshkin by the latter at this juncture, to undertake all necessary arrangements, religious and secular; that they were bidden not to spare money; that Nastasya Filippovna was insisting on the wedding and in haste for it. That Keller, at his own ardent request, had been chosen for the prince’s best man, while Burdovsky, who accepted the appointment with enthusiasm, had been chosen to perform the same office for Nastasya Filippovna, and that the wedding day had been fixed for the beginning of July. But besides these well-authenticated circumstances, some other facts are known to us which throw us completely out of our reckoning, because they are in direct contradiction of the preceding. We have a strong suspicion, for instance, that, after authorising Lebedyev and the others to make all the arrangements, Myshkin almost forgot the very same day that he had a master of ceremonies, and a wedding and “best men” at hand; and that his haste in handing over arrangements to others was simply to avoid thinking about it himself, and even, perhaps, to make haste to forget about it. Of what was he thinking himself in that case, what did he want to remember, and for what was he struggling? There is no doubt, moreover, that no sort of coercion, on Nastasya Filippovna’s part, for instance, was applied to him; that Nastasya Filippovna certainly did desire a speedy wedding, and that it was she, and not Myshkin, who had thought of the wedding. But Myshkin had agreed of his own free will, somewhat casually indeed, and as though he had been asked for some quite ordinary thing. Such strange facts are before us in abundance, but far from making things clearer to our thinking, they positively obscure every explanation, however we take them. But we will bring forward another instance.
Thus, we know for a fact that during that fortnight Myshkin spent whole days and evenings with Nastasya Filippovna; that she took him with her for walks and to hear the band; that he drove out in her carriage with her every day; that he began to be uneasy about her if an hour passed without his seeing her (so that by every sign he loved her sincerely); that whatever she talked to him about, he listened with a mild and gentle smile for hours together, saying scarcely anything himself. But we know too that in the course of those days he had several, in fact many, times called at the Epanchins’ without concealing the fact from Nastasya Filippovna, though it had driven her almost to despair. We know that, as long as the Epanchins remained at Pavlovsk, they did not receive him, and consistently refused to allow him to see Aglaia Ivanovna; that he would go away without saying a word and next day go to them again as though he had completely forgotten their refusal the day before, and, of course, be refused again. We know too, that an hour after Aqlaia Ivanovna had run awav from Nastasya Filippovna, perhaps even less than an hour after, Myshkin was already at the Epanchins’, confident, of course, of finding Aglaia there, and that his arrival had thrown the household into extreme amazement and alarm, because Aglaia had not yet returned home. And it was only from him the Epanchins had first learned that she had been with him to Nastasya Filippovna’s. It was said that Lizaveta Prokofyevna, her daughters and even Prince S. treated Myshkin on that occasion in a very harsh and hostile way; and that they had there and then in the strongest terms renounced all friendship and acquaintance with him, the more emphatically that Varvara Ardalionovna had suddenly made her appearance and announced to Lizaveta Prokofyevna that Aglaia had been in her house for the last hour in a fearful state of mind, and seemed unwilling to return home. This last piece of news affected Lizaveta Prokofyevna more than anything, and it turned out to be quite true. On coming away from Nastasya Filippovna’s, Aglaia would certainly sooner have died than have faced her family, and so she flew to Nina Alexandrovna’s. Varvara Ardalionovna for her part felt it essential promptly to inform Lizaveta Prokofyevna of everything. And the mother and daughters rushed off at once to Nina Alexandrovna’s, followed by the head of the family, Ivan Fyodorovitch, who had just returned home. Myshkin trudged along after them, in spite of their dismissal of him and their harsh words. But Varvara Ardalionovna took care that there, too, he was not allowed to see Aglaia. The end of it was that, when Aglaia saw her mother and sisters shedding tears over her and not uttering a word of blame, she

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were all talking of the same story told in a thousand variations — how a prince, after causing a scandal in a well-known and honourable family and jilting a young