I believe, actually, that Berengar’s story, stripped of all hallucination, was exact. Adelmo repeats to him the same words of desperation he must have heard from Jorge. And now Berengar, overcome, goes off in one direction, and Adelmo goes in the other, to kill himself. Then comes the rest, of which we were almost witnesses. All believe Adelmo was murdered, so Venantius has the impression that the secret of the library is more important than he had believed, and he continues the search on his own. Until someone stops him, either before or after he has discovered what he wanted.”
“Who killed him? Berengar?”
“Perhaps. Or Malachi, who must guard the Aedificium. Or someone else. Berengar is suspect because he is frightened, and he knew that by then Venantius possessed his secret. Malachi is suspect: guardian of the inviolability of the library, he discovers someone has violated it, and he kills. Jorge knows everything about everyone, possesses Adelmo’s secret, does not want me to discover what Venantius may have found. . . . Many facts would point to him. But tell me how a blind man can kill another man in the fullness of his strength? And how can an old man, even if strong, carry the body to the jar? But finally, why couldn’t the murderer be Benno himself?
He could have lied to us, impelled by reasons that cannot be confessed. And why limit our suspicions only to those who took part in the discussion of laughter? Perhaps the crime had other motives, which have nothing to do with the library. In any case, we need two things: to know how to get into the library at night, and a lamp. You provide the lamp. Linger in the kitchen at dinner hour, take one. . . .”
“A theft?”
“A loan, to the greater glory of the Lord. And as for getting into the Aedificium, we saw where Malachi came from last night. Today I will visit the church, and that chapel in particular. In an hour we go to table. Afterward we have a meeting with the abbot. You will be admitted, because I have asked to bring a secretary to make a note of what we say.”
NONES
In which the abbot declares his pride in the wealth of his abbey and his fear of heretics, and eventually Adso wonders whether he has made a mistake in going forth into the world.
We found the abbot in church, at the main altar. He was following the work of some novices who had brought forth from a secret place a number of sacred vessels, chalices, patens, and monstrances, and a crucifix I had not seen during the morning function. I could not repress a cry of wonder at the dazzling beauty of those holy objects. It was noon and the light came in bursts through the choir windows, and even more through those of the façade, creating white cascades that, like mystic streams of divine substance, intersected at various points of the church, engulfing the altar itself.
The vases, the chalices, each piece revealed its precious materials: amid the yellow of the gold, the immaculate white of the ivory, and the transparency of the crystal, I saw gleaming gems of every color and dimension, and I recognized jacinth, topaz, ruby, sapphire, emerald, chrysolite, onyx, carbuncle, and jasper and agate. And at the same time I realized how, that morning, first transported by prayer and then overcome with terror, I had failed to notice many things: the altar frontal and three other panels that flanked it were entirely of gold, and eventually the whole altar seemed of gold, from whatever direction I looked at it.
The abbot smiled at my amazement. “These riches you see,” he said, addressing me and my master, “and others you will see later, are the heritage of centuries of piety and devotion, testimony to the power and holiness of this abbey. Princes and potentates of the earth, archbishops and bishops have sacrificed to this holy table the rings of their investiture, the gold and precious stones that were the emblem of their greatness, to have them melted down here to the greater glory of the Lord and of this His place. Though today the abbey is distressed by another, sad event, we must not forget, reminded of our fragility, the strength and power of the Almighty.
The celebration of the Holy Nativity is approaching, and we are beginning to polish the sacred vessels, so that the Saviour’s birth may be celebrated with all the pomp and magnificence it deserves and demands. Everything must appear in its full splendor,” he added, looking hard at William, and afterward I understood why he insisted so proudly on justifying his action, “because we believe it useful and fitting not to hide, but on the contrary to proclaim divine generosity.”
“Certainly,” William said politely, “if Your Sublimity feels that the Lord must be so glorified, your abbey has achieved the greatest excellence in this meed of praise.”
“And so it must be,” the abbot said. “If it was the custom that amphoras and phials of gold and little gold mortars served, by the will of God or order of the prophets, to collect the blood of goats or calves or of the heifer in the temple of Solomon, then there is all the more reason why vases of gold and precious stones, and the most valuable things created, should be used with constant reverence and complete devotion to receive the blood of Christ! If in a second creation our substance were to be the same as that of the cherubim and the seraphim, the service it could perform for such an ineffable victim would still be unworthy. . . .”
“Amen,” I said.
“Many protest that a devoutly inspired mind, a pure heart, a will led by faith should suffice for this sacred function. We are the first to declare explicitly and resolutely that these are the essential things; but we are convinced that homage must also be paid through the exterior ornament of the sacred vessel, because it is profoundly right and fitting that we serve our Saviour in all things, totally. He who has not refused to provide for us, totally and without reservation.”
“This has always been the opinion of the great men of your order,” William agreed, “and I recall beautiful things written on the ornaments of churches by the very great and venerable abbot Suger.”
“True,” the abbot said. “You see this crucifix. It is not yet complete. . . .” He took it in his hand with infinite love, gazed at it, his face radiant with bliss. “Some pearls are still missing here, for I have found none the right size. Once Saint Andrew addressed the cross of Golgotha, saying it was adorned with the limbs of Christ as with pearls. And pearls must adorn this humble simulacrum of that great wonder. Still, I have found it proper to set, here, over the very head of the Saviour, the most beautiful diamond you will ever see.” His devout hands, his long white fingers, stroked the most precious parts of the sacred wood, or, rather, the sacred ivory, for this noble material had served to form the arms of the cross.
“As I take pleasure in all the beauties of this house of God, when the spell of the many-colored stones has torn me from outside concerns and a worthy meditation has led me to reflect, transferring that which is material to that which is immaterial, on the diversity of the sacred virtues, then I seem to find myself, so to speak, in a strange region of the universe, no longer completely enclosed in the mire of the earth or completely free in the purity of heaven. And it seems to me that, by the grace of God, I can be transported from this lower world to that higher world by anagoge. . . .”
As he spoke, he turned his face to the nave. A shaft of light from above was illuminating his countenance, through a special benevolence of the daystar, and his hands, which he had extended in the form of a cross, caught up as he was in his fervor. “Every creature,” he said, “visible or invisible, is a light, brought into being by the father of lights. This ivory, this onyx, but also the stone that surrounds us, are a light, because I perceive that they are good and beautiful, that they exist according to their own rules of proportion, that they differ in genus and species from all other genera and species, that they are defined by their own number, that they are true to their order, that they seek their specific place according to their weight.
And the more these things are revealed to me, the more the matter I gaze on is by its nature precious, and the better illuminated is the divine power of creation, for if I must strive to grasp the sublimity of the cause, inaccessible in its fullness, through the sublimity of the effect, how much better am I told of the divine causality by an effect as wondrous as gold and diamond, if even dung or an insect can speak
