“Legions of scholars have wondered whether Christ laughed. The question doesn’t interest me much. I believe he never laughed, because, omniscient as the son of God had to be, he knew how we Christians would behave. But here we are.”
And, in fact, the corridor was ending, thank God; new steps began. After climbing them, we would have only to push an ironclad wooden door and we would find ourselves behind the fireplace of the kitchen, just below the circular staircase leading to the scriptorium. As we went up, we thought we heard a noise above us.
We remained a moment in silence; then I said, “It’s impossible. No one came in before us. . . .”
“Assuming this is the only way into the Aedificium. In centuries past this was a fortress, and it must have more secret entrances than we know of. We’ll go up slowly. But we have little choice. If we put out the light we can’t see where we are going; if we leave it burning we give anyone upstairs the alarm. Our only hope is that if someone really is there, he will be afraid of us.”
We reached the scriptorium, emerging from the south tower. Venantius’s desk was directly opposite. The room was so vast that, as we moved, we illuminated only a few yards of wall at a time. We hoped no one was in the court, to see the light through the windows. The desk appeared to be in order, but William bent at once to examine the pages on the shelf below, and he cried out in dismay.
“Is something missing?” I asked.
“Today I saw two books here, one of them in Greek. And that’s the one missing. Somebody has taken it, and in great haste, because one page fell on the floor here.”
“But the desk was watched. . . .”
“Of course. Perhaps somebody grabbed it just a short while ago. Perhaps he’s still here.” He turned toward the shadows and his voice echoed among the columns: “If you are here, beware!” It seemed to me a good idea: as William had said before, it is always better when the person who frightens us is also afraid of us.
William set down the page he had found under the desk and bent his face toward it. He asked me for more light. I held the lamp closer and saw a page, the first half of it blank, the second covered with tiny characters whose origin I recognized with some difficulty.
“Is it Greek?” I asked.
“Yes, but I don’t understand clearly.” He took his lenses from his habit and set them firmly astride his nose, then bent his head again.
“It’s Greek, written in a very fine hand, and yet in a disorderly way. Even with my lenses I have trouble reading it. I need still more light. Come closer. . . .”
He had picked up the sheet of parchment, holding it to his face; and instead of stepping behind him and holding the lamp high over his head, I foolishly stood directly in front of him. He asked me to move aside, and as I did, I grazed the back of the page with the flame.
William pushed me away, asking me whether I wanted to burn the manuscript for him. Then he cried out. I saw clearly that some vague signs, in a yellow-brown color, had appeared on the upper part of the page. William made me give him the lamp and moved it behind the page, holding the flame fairly close to the surface of the parchment, which he heated without setting it afire. Slowly, as if an invisible hand were writing “Mane, Tekel, Peres,” I saw some marks emerge one by one on the white side of the sheet as William moved the lamp, and as the smoke that rose from the top of the flame blackened the recto; the marks did not resemble those of any alphabet, except that of necromancers.
“Fantastic!” William said. “More and more interesting!” He looked around. “But it would be better not to expose this discovery to the tricks of our mysterious companion, if he is still here. . . .” He took off his lenses, set them on the desk, then carefully rolled up the parchment and hid it inside his habit. Still amazed by this sequence of events, which were nothing if not miraculous, I was about to ask further explanations when all of a sudden a sharp sound distracted us. It came from the foot of the east stairway, leading to the library.
“Our man is there! After him!” William shouted, and we flung ourselves in that direction, he moving faster, I more slowly, for I was carrying the lamp. I heard the clatter of someone stumbling and falling. I ran, and found William at the foot of the steps, observing a heavy volume, its binding reinforced with metal studs. At that same moment we heard another noise, in the direction from which we had come. “Fool that I am!” William cried. “Hurry! To Venantius’s desk!”
I understood: somebody, from the shadows behind us, had thrown the volume to send us far away.
Once again William was faster than I and reached the desk first. Following him, I glimpsed among the columns a fleeing shadow, taking the stairway of the west tower.
Seized with warlike ardor, I thrust the lamp into William’s hand and dashed blindly off toward the stairs where the fugitive had descended. At that moment I felt like a soldier of Christ fighting all the legions of hell, and I burned with the desire to lay my hands on the stranger, to turn him over to my master. I tumbled down almost the whole stairway, tripping over the hem of my habit (that was the only moment of my life, I swear, when I regretted having entered a monastic order!); but at that same instant—and it was the thought of an instant—I consoled myself with the idea that my adversary was suffering the same impediment. And, further, if he had taken the book, he would have his hands full.
From behind the bread oven I almost dived into the kitchen, and in the starry light that faintly illuminated the vast entrance, I saw the shadow I was pursuing as it slipped past the refectory door, then pulled this shut. I rushed toward the door, I labored a few seconds opening it, entered, looked around, and saw no one. The outside door was still barred. I turned. Shadows and silence. I noticed a glow advancing from the kitchen and I flattened myself against a wall. On the threshold of the passage between the two rooms a figure appeared, illuminated by a lamp. I cried out. It was William.
“Nobody around? I foresaw that. He didn’t go out through a door? He didn’t take the passage through the ossarium?”
“No, he went out through here, but I don’t know where!”
“I told you: there are other passages, and it’s useless for us to look for them. Perhaps our man is emerging at some distant spot. And with him my lenses.”
“Your lenses?”
“Yes. Our friend could not take the page away from me, but with great presence of mind, as he rushed past, he snatched my glasses from the desk.”
“Why?”
“Because he is no fool. He heard me speak of these notes, he realized they were important, he assumed that without my lenses I would be unable to decipher them, and he knows for sure that I would not entrust them to anyone else. In fact, now it’s as if I didn’t have them.”
“But how did he know about your lenses?”
“Come, come. Apart from the fact that we spoke about them yesterday with the master glazier, this morning in the scriptorium I put them on to search among Venantius’s papers. So there are many people who could know how valuable those objects are to me. Actually, I could read a normal manuscript, but not this one.” And he was again unrolling the mysterious parchment. “The part in Greek is written too fine and the upper part is too hazy. . . .”
He showed me the mysterious signs that had appeared as if by magic in the heat of the flame. “Venantius wanted to conceal an important secret, and he used one of those inks that leave no trace when written but reappear when warmed. Or else he used lemon juice. But since I don’t know what substance he used and the signs could disappear again: quickly, you who have good eyes, copy them at once as faithfully as you can, perhaps enlarging them a bit.” And so I did, without knowing what I was copying. It was a series of four or five lines, really necromantic, and I will reproduce only the very first signs, to give the reader an idea of the puzzle I had before my eyes:
When I had finished copying, William looked, unfortunately without lenses, holding my tablet at some distance from his nose. “It is unquestionably a secret alphabet that will have to be deciphered,” he said. “The signs are badly drawn, and perhaps you copied them worse, but it is certainly a zodiacal alphabet. You see? In the first line we have”—he held the page away from him again and narrowed his eyes with an effort of concentration—“Sagittarius, Sun, Mercury, Scorpio. . . .”
“And what do they mean?”
“If Venantius had been ingenuous he would have used the most common
