Dice, Brassknuckles And Guitar, F. Scott Fitzgerald

I

Parts of New Jersey are underwater, and other parts are under continual surveillance by the authorities. But here and there lie patches of garden country dotted with old-fashioned frame mansions, which have wide shady porches and a red swing on the lawn; and perhaps, on the widest and shadiest of the porches there is even a hammock left over from the hammock days, stirring gently in a mid-Victorian wind.

When tourists come to such last-century landmarks they stop their cars and gaze for awhile and say: “Well, of course, that house is mostly halls and has a thousand rats and one bathroom, but there’s a sort of atmosphere about it—”

The tourist doesn’t stay long. He drives on to his Elizabethan villa of pressed cardboard or his early Norman meat-market or his medieval Italian pigeon-coop—because this is the twentieth century and Victorian houses are as unfashionable as the works of Mrs. Humphry Ward. can’t see the hammock from the road—but sometimes there’s a girl in the hammock. There was this afternoon. She was asleep in it and apparently unaware of the aesthetic horrors which surrounded her, the stone statue of Diana, for example, which grinned idiotically under the sunlight on the lawn.

There was something enormously yellow about the whole scene—there was this sunlight, for instance, that was yellow, and the hammock was of the particularly hideous yellow peculiar to hammocks, and the girl’s yellow hair was spread out upon the hammock in a sort of invidious comparison. She slept with her lips closed and her hands clasped behind her head, as it is proper for young girls to sleep. Her breast rose and fell slightly with no more emphasis than the sway of the hammock’s fringe. Her name, Amanthis, was as old-fashioned as the house she lived in. I regret to say that her mid-Victorian connections ceased abruptly at this point.

Now if this were a moving picture (as, of course, I hope it will someday be) I would take as many thousand feet of her as I was allowed—then I would move the camera up close and show the yellow down on the back of her neck where her hair stopped and the warm color of her cheeks and arms, because I like to think of her sleeping there, as you yourself might have slept, back in your young days. Then I would hire a man named Israel Glucose to write some idiotic line of transition, and switch thereby to another scene that was taking place at no particular spot far down the road.

In a moving automobile sat a southern gentleman accompanied by his body-servant. He was on his way, after a fashion, to New York but he was somewhat hampered by the fact that the upper and lower portions of his automobile were no longer in exact juxtaposition. In fact from time to time the two riders would dismount, shove the body onto the chassis, corner to corner, and then continue onward, vibrating slightly in involuntary unison with the motor. Except that it had no door in back the car might have been built early in the mechanical age. It was covered with the mud of eight states and adorned in front by an enormous defunct motometer and behind by a mangy pennant bearing the legend “Tarleton, Ga.” In the dim past someone had begun to paint the hood yellow but unfortunately had been called away when but half through the task.

As the gentleman and his body-servant were passing the house where Amanthis lay asleep in the hammock, something happened —the body fell off the car. My only apology for stating this so suddenly is that it happened very suddenly indeed. When the noise had died down and the dust had drifted away master and man arose and inspected the two halves.

“Look-a-there,” said the gentleman in disgust, “the doggone thing got all separated that time.”

“She bust in two,” agreed the body-servant.

“Hugo,” said the gentleman, after some consideration, “we got to get a hammer an’ nails an’ tack it on.”

They glanced up at the Victorian house. On all sides faintly irregular fields stretched away to a faintly irregular unpopulated horizon. There was no choice, so the black Hugo opened the gate and followed his master up a gravel walk, casting only the blase glances of a confirmed traveler at the red swing and the stone statue of Diana which turned on them a storm-crazed stare.

At the exact moment when they reached the porch Amanthis awoke, sat up suddenly and looked them over.

The gentleman was young, perhaps twenty-four, and his name was Jim Powell. He was dressed in a tight and dusty suit, the coat of which was evidently expected to take flight at a moment’s notice, for it was secured to his body by a line of eight preposterous buttons.

There were supernumerary buttons upon the coat-sleeves also and Amanthis could not resist a glance to determine whether or not more buttons ran up the side of his trouser leg. In his green hat a feather from some dejected bird fluttered in the warm wind. He bowed formally, dusting his knees with the hat. Simultaneously he smiled, half-shutting his faded blue eyes and displaying white and beautifully symmetrical teeth.

“Good-evenin’,” he said in abandoned Georgian. “My automobile has met with an accident out yonder by your gate. I wondered if it wouldn’t be too much to ask you if I could have the use of a hammer and some tacks for a little while.”

Amanthis laughed. For a moment she laughed uncontrollably. Mr. Jim Powell laughed, politely and appreciatively, with her. His body-servant, deep in the throes of colored adolescence, alone preserved a dignified gravity.

“I better introduce who I am, maybe,” said the visitor. “My name’s Powell. I’m a resident of Tarleton, Georgia. This here nigger’s my boy Hugo.”

“Your son!” The girl stared from one to the other in wild fascination.

“No, he’s my body-servant, I guess you’d call it. We call a nigger a boy down yonder.”

At this reference to the finer customs of his native soil the boy Hugo put his hands behind his back and looked darkly and superciliously down the lawn.

“Yas’m,” he muttered, “I’m a body-servant.”

“Where you going in your automobile,” demanded Amanthis.

“Goin’ north for the summer.”

“Where to?”

The tourist waved his hand with a careless gesture as if to indicate the Adirondacks, the Thousand Islands, Newport—but he said:

“We’re tryin’ New York.”

“Have you ever been there before?”

“Never have. But I been to Atlanta lots of times. An’ we passed through all kinds of cities this trip. Man!”

He whistled to express the enormous spectacularity of his recent travels.

“Listen,” said Amanthis intently, “you better have something to eat. Tell your—your body-servant to go round in back and ask the cook to send us out some sandwiches and lemonade. Or maybe you don’t drink lemonade—very few people do anymore.”

Mr. Powell by a circular motion of his finger sped Hugo on the designated mission. Then he seated himself gingerly in a rocking- chair and began fanning himself formally with the feathers of his hat.

“You cer’nly are mighty kind,” he told her. “An’ if I wanted anything stronger than lemonade I got a bottle of good old com out in the car. I brought it along because I thought maybe I wouldn’t be able to drink the whiskey they got up here.”

“Listen,” she said, “my name’s Powell too. Amanthis Powell.”

“Say, is that right?” He laughed ecstatically. “Maybe we’re kin to each other. I come from mighty good people,” he went on. “Pore though. But I did right well this last year so I thought I’d come north for the summer.”

At this point Hugo reappeared on the veranda steps and became audible.

“White lady back there she asked me don’t I want eat some too. What I tell her?”

“You tell her yes mamm if she be so kind,” directed his master. And as Hugo retired he confided to Amanthis: “That boy’s got no sense at all. He don’t want to do nothing without I tell him he can. I brought him up,” he added, not without pride.

When the sandwiches arrived Mr. Powell stood up. Unaccustomed to white servants he obviously expected an introduction.

“Are you a married lady?” he inquired of Amanthis, when the servant was gone.

“No,” she answered, and added from the security of eighteen, “Pm an old maid.”

Again he laughed politely.

“You mean you’re a society girl.”

She shook her head. Mr. Powell noted with embarrassed enthusiasm the particular yellowness of her yellow hair.

“Does this old place look like it?” she said cheerfully. “No, you perceive in me a daughter of the countryside. My suitors are farmers—or else, promising young barbers from the next village with somebody’s late hair still clinging to their coat-sleeves.”

“Your daddy oughtn’t to let you go with a barber,” said the tourist disapprovingly. He considered—“You ought to be a society girl.”

He began to tap his foot rhythmically on the porch and in a moment Amanthis discovered that she was unconsciously doing the same thing.

“Stop!” she commanded. “Don’t make me do that.”

He looked down at his foot.

“Excuse me,” he said humbly. “I don’t know—it’s just something Ido.”

This intense discussion was now interrupted by Hugo who appeared on the steps bearing a hammer and a handful of nails.

Mr. Powell arose unwillingly and looked at his watch.

“We got to go, daggone it,” he said, frowning heavily. “See here. Wouldn’t you like to be a New York society girl and go to those dances an’ all, like you read about, where they throw gold pieces away?”

She looked at him and nodded, smiling. Then she got herself by some means from the hammock and they went