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O Russet Witch!
they are a merry-go-round of ill-gaited and wind-broken horses, painted first in pastel colors, then in dull grays and browns, but perplexing and intolerably dizzy the thing is, as never were the merry-go-rounds of childhood or adolescence; as never, surely, were the certain-coursed, dynamic roller-coasters of youth. For most men and women these thirty years are taken up with a gradual withdrawal from life, a retreat first from a front with many shelters, those myriad amusements and curiosities of youth, to a line with less, when we peel down our ambitions to one ambition, our recreations to one recreation, our friends to a few to whom we are anaesthetic; ending up at last in a solitary, desolate strong point that is not strong, where the shells now whistle abominably, now are but half-heard as, by turns frightened and tired, we sit waiting for death.

At forty, then, Merlin was no different from himself at thirty-five; a larger paunch, a gray twinkling near his ears, a more certain lack of vivacity in his walk. His forty-five differed from his forty by a like margin, unless one mention a slight deafness in his left ear. But at fifty-five the process had become a chemical change of immense rapidity. Yearly he was more and more an “old man” to his family—senile almost, so far as his wife was concerned. He was by this time complete owner of the bookshop. The mysterious Mr. Moonlight Quill, dead some five years and not survived by his wife, had deeded the whole stock and store to him, and there he still spent his days, conversant now by name with almost all that man has recorded for three thousand years, a human catalogue, an authority upon tooling and binding, upon folios and first editions, an accurate inventory of a thousand authors whom he could never have understood and had certainly never read.

At sixty-five he distinctly doddered. He had assumed the melancholy habits of the aged so often portrayed by the second old man in standard Victorian comedies. He consumed vast warehouses of time searching for mislaid spectacles. He “nagged” his wife and was nagged in turn. He told the same jokes three or four times a year at the family table, and gave his son weird, impossible directions as to his conduct in life. Mentally and materially he was so entirely different from the Merlin Grainger of twenty-five that it seemed incongruous that he should bear the same name.

He worked still in the bookshop with the assistance of a youth, whom, of course, he considered very idle, indeed, and a new young woman, Miss Gaffney. Miss McCracken, ancient and unvenerable as himself, still kept the accounts. Young Arthur was gone into Wall Street to sell bonds, as all the young men seemed to be doing in that day. This, of course, was as it should be. Let old Merlin get what magic he could from his books—the place of young King Arthur was in the counting-house.

One afternoon at four when he had slipped noiselessly up to the front of the store on his soft-soled slippers, led by a newly formed habit, of which, to be fair, he was rather ashamed, of spying upon the young man clerk, he looked casually out of the front window, straining his faded eyesight to reach the street. A limousine, large, portentous, impressive, had drawn to the curb, and the chauffeur, after dismounting and holding some sort of conversation with persons in the interior of the car, turned about and advanced in a bewildered fashion toward the entrance of the Moonlight Quill. He opened the door, shuffled in, and, glancing uncertainly at the old man in the skull-cap, addressed him in a thick, murky voice, as though his words came through a fog.

“Do you—do you sell additions?”

Merlin nodded.

“The arithmetic books are in the back of the store.”

The chauffeur took off his cap and scratched a close-cropped, fuzzy head.

“Oh, naw. This I want’s a detecatif story.” He jerked a thumb back toward the limousine. “She seen it in the paper. Firs’ addition.”

Merlin’s interest quickened. Here was possibly a big sale.

“Oh, editions. Yes, we’ve advertised some firsts, but—detective stories, I—don’t—believe—What was the title?”

“I forget. About a crime.”

“About a crime. I have—well, I have ‘The Crimes of the Borgias’—full morocco, London 1769, beautifully—”

“Naw,” interrupted the chauffeur, “this was one fella did this crime. She seen you had it for sale in the paper.” He rejected several possible titles with the air of connoisseur.

“‘Silver Bones,’” he announced suddenly out of a slight pause.

“What?” demanded Merlin, suspecting that the stiffness of his sinews were being commented on.

“Silver Bones. That was the guy that done the crime.”

“Silver Bones?”

“Silver Bones. Indian, maybe.”

Merlin, stroked his grizzly cheeks. “Gees, Mister,” went on the prospective purchaser, “if you wanna save me an awful bawln’ out jes’ try an’ think. The old lady goes wile if everything don’t run smooth.”

But Merlin’s musings on the subject of Silver Bones were as futile as his obliging search through the shelves, and five minutes later a very dejected charioteer wound his way back to his mistress. Through the glass Merlin could see the visible symbols of a tremendous uproar going on in the interior of the limousine. The chauffeur made wild, appealing gestures of his innocence, evidently to no avail, for when he turned around and climbed back into the driver’s seat his expression was not a little dejected.

Then the door of the limousine opened and gave forth a pale and slender young man of about twenty, dressed in the attenuation of fashion and carrying a wisp of a cane. He entered the shop, walked past Merlin, and proceeded to take out a cigarette and light it. Merlin approached him.

“Anything I can do for you, sir?”

“Old boy,” said the youth coolly, “there are seveereal things. You can first let me smoke my ciggy in here out of sight of that old lady in the limousine, who happens to be my grandmother. Her knowledge as to whether I smoke it or not before my majority happens to be a matter of five thousand dollars to me. The second thing is that you should look up your first edition of the ‘Crime of Sylvester Bonnard’ that you advertised in last Sunday’s Times. My grandmother there happens to want to take it off your hands.”

Detecatif story! Crime of somebody! Silver Bones! All was explained. With a faint deprecatory chuckle, as if to say that he would have enjoyed this had life put him in the habit of enjoying anything, Merlin doddered away to the back of his shop where his treasures were kept, to get this latest investment which he had picked up rather cheaply at the sale of a big collection.

When he returned with it the young man was drawing on his cigarette and blowing out quantities of smoke with immense satisfaction.

“My God!” he said, “She keeps me so close to her the entire day running idiotic errands that this happens to be my first puff in six hours. What’s the world coming to, I ask you, when a feeble old lady in the milk-toast era can dictate to a man as to his personal vices. I happen to be unwilling to be so dictated to. Let’s see the book.”

Merlin passed it to him tenderly and the young man, after opening it with a carelessness that gave a momentary jump to the book-dealer’s heart, ran through the pages with his thumb.

“No illustrations, eh?” he commented. “Well, old boy, what’s it worth? Speak up! We’re willing to give you a fair price, though why I don’t know.”

“One hundred dollars,” said Merlin with a frown.

The young man gave a startled whistle.

“Whew! Come on. You’re not dealing with somebody from the cornbelt. I happen to be a city-bred man and my grandmother happens to be a city-bred woman, though I’ll admit it’d take a special tax appropriation to keep her in repair. We’ll give you twenty-five dollars, and let me tell you that’s liberal. We’ve got books in our attic, up in our attic with my old play-things, that were written before the old boy that wrote this was born.”

Merlin stiffened, expressing a rigid and meticulous horror.

“Did your grandmother give you twenty-five dollars to buy this with?”

“She did not. She gave me fifty, but she expects change. I know that old lady.”

“You tell her,” said Merlin with dignity, “that she has missed a very great bargain.”

“Give you forty,” urged the young man. “Come on now—be reasonable and don’t try to hold us up——”

Merlin had wheeled around with the precious volume under his arm and was about to return it to its special drawer in his office when there was a sudden interruption. With unheard-of magnificence the front door burst rather than swung open, and admitted in the dark interior a regal apparition in black silk and fur which bore rapidly down upon him. The cigarette leaped from the fingers of the urban young man and he gave breath to an inadvertent “Damn!”—but it was upon Merlin that the entrance seemed to have the most remarkable and incongruous effect—so strong an effect that the greatest treasure of his shop slipped from his hand and joined the cigarette on the floor. Before him stood Caroline.

She was an old woman, an old woman remarkably preserved, unusually handsome, unusually erect, but still an old woman. Her hair was a soft, beautiful white, elaborately dressed and jewelled; her face, faintly rouged à la grande dame, showed webs of wrinkles at the edges of her eyes and two deeper lines in the form of stanchions connected her nose with

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they are a merry-go-round of ill-gaited and wind-broken horses, painted first in pastel colors, then in dull grays and browns, but perplexing and intolerably dizzy the thing is, as never