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Trimalchio
something to tell him, something to warn him about and morning would be too late.

Crossing his lawn I saw that his front door was still open and he was leaning against a table in the hall, heavy with dejection or sleep.

“Nothing happened,” he said wanly. “I waited, and about four o’clock she came to the window and stood there for a minute and then turned out the light.”

His house had never seemed so enormous to me as it did that night when we hunted through the great rooms for cigarettes. We pushed aside curtains that were like pavilions and felt over innumerable feet of dark wall for electric light switches—once I tumbled with a sort of splash upon the keys of a ghostly piano. There was an inexplicable amount of dust everywhere and the rooms were musty as though they hadn’t been aired for many days. We found the humidor on an unfamiliar table with two stale dry cigarettes inside. Throwing open the French windows of the drawing room we sat smoking out into the darkness.

“You ought to go away,” I said. “It’s pretty certain they’ll trace your car.”

“Go away now, old sport?”

“Go to Atlantic City for a week, or up to Montreal.”

He wouldn’t consider it. He couldn’t possibly leave Daisy until he knew what she was going to do. I might have told him, but if he was clutching at some last hope I couldn’t bear to shake him free.

“You know, old sport, I haven’t got anything,” he said suddenly. “I thought for awhile I had a lot of things, but the truth is I’m empty, and I guess people feel it. That must be why they keep on making up things about me, so I won’t be so empty. I even make up things myself.” He looked at me frankly. “I’m not an Oxford man.”

“I know it.” I was glad that this tremendous detail was cleared up at last.

“I was only there a few months,” he continued unexpectedly. “A lot of the officers overseas had a chance to go there after the war.”

I wanted to slap him on the back. I had one of those renewals of complete faith in him that I had experienced before.

“I’ll tell you everything,” he broke out exuberantly. “The whole story. I’ve never told it to anyone before—not even Daisy. But I haven’t told many lies about it, either, only I’ve shifted things around a good deal to make people wonder.”

It was true, for example, that he had inherited money—but not from his parents, who were very needy and obscure, so much so that he had never really believed that they were his parents at all.

This sounds like a shoddy admission on his part but it wasn’t. I understood what he meant—the fact that he was born in indisputable wedlock had never convinced his imagination and what better right does a man possess than to invent his own antecedents? Jay Gatsby of West Egg, Long Island, sprang from his platonic conception of himself. He was a son of God—a phrase which, if it means anything at all, means just that. And he must be about his Father’s business, which was the service of a vast, vulgar and meretricious beauty. To this he was faithful till the end.

The part of his life he told me about began when he was fifteen, when the popular songs of those days began to assume for him a melancholy and romantic beauty. He attached them to reveries as transitory as themselves and attributed deep significance to melodies and phrases set down cynically in Tin-Pan Alley. For awhile these reveries provided an outlet for his imagination, reflecting with their contemporary glamour the gaudy universe in which he believed. They were a satisfactory hint of the unreality of reality, a promise that the rock of the world was founded securely on a fairy’s wing.

At sixteen, James Gatz—that was really, or at least legally, his name—was beating his way along the south shore of Lake Superior as a clam digger and a salmon fisher or in any other capacity that brought him food and bed. His brown hardening body lived naturally through the half fierce, half lazy work of the bracing days. He knew women early and as they spoiled him he became contemptuous of them, of young virgins because they were ignorant, of the others because they were hysterical about things which in his overwhelming self absorption he took for granted.

But his heart was in a constant turbulent riot. The most grotesque and fantastic conceits haunted him in his bed at night. Plans affecting the destinies of great nations and gorgeous cities spun themselves out in his brain while the clock ticked on the washstand and the moon soaked with wet light his tangled clothes upon the floor. Each night he added to the pattern of his fancies until drowsiness closed down upon some vivid scene with an oblivious embrace.

An instinct toward his future glory led him once when he was seventeen to the small Lutheran college of St. Olaf’s in northern Minnesota. He stayed there two weeks, dismayed at its ferocious indifference to the drums of his destiny, to destiny itself, and despising the janitor’s work with which he was to pay his way through. Then he went back to Lake Superior intending to find regular employment and save enough to go east. He was still searching for something to do on the day that Dan Cody’s yacht dropped anchor in the shallows along shore.

Cody was fifty years old then, a product of the Nevada silver fields, of the Yukon, of every rush for metal since seventy-five. The transactions in Montana copper that made him many times a millionaire found him physically robust but on the verge of softmindedness, and suspecting this an indefinite number of women tried to separate him from his money. The none too savory ramifications by which Ella Kaye, the newspaper woman, played Madame de Maintenon to his weakness and sent him to sea in a yacht were common property of the gaudy journalism of 1902. He had been coasting along all too hospitable shores for five years when he turned up as James Gatz’s destiny in Little Girl Bay.

“I was loafing around the beach that morning, and I watched his boat come in to get water. I thought it was the prettiest thing I’d ever seen in my life, that boat, and I’d have given my shirt to go on board. Then I saw it was going to drop anchor over one of the worst flats along the shore—and the tide would be going out in a quarter of an hour. I borrowed a rowboat and pulled for the yacht, and told Dan Cody that he’d be broken up sure before noon. I had a hard time convincing him, but when I did he gave me ten silver dollars and invited me to lunch. He asked me my name and I told him it was Jay Gatsby—I had changed it the night before. He liked me and I liked him, so a couple of days later he took me to Duluth and bought me a blue coat and six pair of white duck trousers and a yachting cap. And when the “Tuolomee” left for the West Indies and the Barbary Coast I left too.”

He was employed in a vague personal capacity—while he stayed with Cody he was in turn secretary, steward, mate, skipper and even jailor, for Dan Cody sober knew what lavish doings Dan Cody drunk might soon be about and he provided for such contingencies by reposing more and more trust in Gatsby. The arrangement lasted five years during which the boat went three times around the continent. It might have lasted indefinitely except for the fact that Ella Kaye came on board one night in Boston and a week later Dan Cody inhospitably died.

I remembered the portrait of him in Gatsby’s bedroom, a grey florid man with a hard empty face—the pioneer debauchee who during one phase of American life brought back to the eastern seaboard the savage violence of the frontier brothel and saloon. I said as much and Gatsby nodded.

“That’s why I never drink much. Somebody had to run things so I got into the habit of letting booze alone. I had a long sober look at the others—sometimes the women used to rub champagne in my hair.”

“I suppose it was from him that you inherited money.”

“Twenty-five thousand. But I never got it. I was young then and I still don’t know exactly how they cheated me, old sport, but Ella Kaye got it all.

“That was in the spring of nineteen-thirteen,” he continued after a moment. “I didn’t have any luck for awhile after that.”

He frowned and obliterating five years with a vague gesture began to talk about the war.

“I was glad when the war came. For one thing I was dead broke. I got into the first officers’ camp, and they gave me a commission as first lieutenant. I enjoyed it, old sport, especially in the early morning, when we lined up for roll-call and you could still see the stars. I felt exhilarated like a kid again. I felt as if I could do anything—as if something absolutely wonderful was going to happen.”

At first like so many young men of those days he thought he would stay in the army permanently. He was serenely happy—the effort was so austere, the goal so definite and attainable. Then he was sent to a cantonment near Louisville where one night he went with some other officers to a country club

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something to tell him, something to warn him about and morning would be too late. Crossing his lawn I saw that his front door was still open and he was