“Try one of these T-bones with hashed-brown potatoes,” the drummer suggested. “They got a nice T-bone here.”
“Would you like one, dear?” Scripps asked his wife.
“I’ll just take a bowl of milk and crackers,” the elderly Mrs. Scripps said. “You have whatever you want, dear.”
“Here’s your crackers and milk, Diana,” Mandy said, placing them on the counter. “Do you want a T-bone, sir?”
“Yes,” Scripps said. Something stirred again within him.
“Well done or rare?”
“Rare, please.”
The waitress turned and called into the wicket: “Tea for one. Let it go raw!”
“Thank you,” Scripps said. He eyed the waitress Mandy. She had a gift for the picturesque in speech, that girl. It had been that very picturesque quality in her speech that had first drawn him to his present wife. That and her strange background. England, the Lake Country. Scripps striding through the Lake Country with Wordsworth. A field of golden daffodils. The wind blowing at Windermere. Far off, perhaps, a stag at bay. Ah, that was farther north, in Scotland.
They were a hardy race, those Scots, deep in their mountain fastnesses. Harry Lauder and his pipe. The Highlanders in the Great War. Why had not he, Scripps, been in the war? That was where that chap Yogi Johnson had it on him. The war would have meant much to him, Scripps. Why hadn’t he been in it?
Why hadn’t he heard of it in time? Perhaps he was too old. Look at that old French General Joffre, though. Surely he was a younger man than that old general. General Foch praying for victory. The French troops kneeling along the Chemin des Dames, praying for victory. The Germans with their “Gott mit uns.” What a mockery. Surely he was no older than that French General Foch. He wondered.
Mandy, the waitress, placed his T-bone steak and hashed-brown potatoes on the counter before him. As she laid the plate down, just for an instant, her hand touched his. Scripps felt a strange thrill go through him. Life was before him. He was not an old man. Why were there no wars now? Perhaps there were. Men were fighting in China, Chinamen, Chinamen killing one another. What for? Scripps wondered. What was it all about, anyway?
Mandy, the buxom waitress, leaned forward. “Say,” she said, “did I ever tell you about the last words of Henry James?”
“Really, dear Mandy,” Mrs. Scripps said, “you’ve told that story rather often.”
“Let’s hear it,” Scripps said. “I’m very interested in Henry James.” Henry James, Henry James. That chap who had gone away from his own land to live in England among Englishmen. Why had he done it? For what had he left America? Weren’t his roots here? His brother William. Boston. Pragmatism. Harvard University. Old John Harvard with silver buckles on his shoes. Charley Brickley. Eddie Mahan. Where were they now?
“Well,” Mandy began, “Henry James became a British subject on his death-bed. At once, as soon as the king heard Henry James had become a British subject he sent around the highest decoration in his power to bestow—the Order of Merit.”
“The O. M.,” the elderly Mrs. Scripps explained.
“That was it,” the waitress said. “Professors Gosse and Saintsbury came with the man who brought the decoration. Henry James was lying on his death-bed, and his eyes were shut. There was a single candle on a table beside the bed. The nurse allowed them to come near the bed, and they put the ribbon of the decoration around James’s neck, and the decoration lay on the sheet over Henry James’s chest.
Professors Gosse and Saintsbury leaned forward and smoothed the ribbon of the decoration. Henry James never opened his eyes. The nurse told them they all must go out of the room, and they all went out of the room. When they were all gone, Henry James spoke to the nurse. He never opened his eyes. ‘Nurse,’ Henry James said, ‘put out the candle, nurse, and spare my blushes.’ Those were the last words he ever spoke.”
“James was quite a writer,” Scripps O’Neil said. He was strangely moved by the story.
“You don’t always tell it the same way, dear,” Mrs. Scripps remarked to Mandy. There were tears in Mandy’s eyes. “I feel very strongly about Henry James,” she said.
“What was the matter with James?” asked the drummer. “Wasn’t America good enough for him?”
Scripps O’Neil was thinking about Mandy, the waitress. What a background she must have, that girl! What a fund of anecdotes! A chap could go far with a woman like that to help him! He stroked the little bird that sat on the lunch-counter before him. The bird pecked at his finger. Was the little bird a hawk? A falcon, perhaps, from one of the big Michigan falconries. Was it perhaps a robin? Pulling and tugging at the early worm on some green lawn somewhere? He wondered.
“What do you call your bird?” the drummer asked.
“I haven’t named him yet. What would you call him?”
“Why not call him Ariel?” Mandy asked.
“Or Puck,” Mrs. Scripps put in.
“What’s it mean?” asked the drummer.
“It’s a character out of Shakespeare,” Mandy explained.
“Oh, give the bird a chance.”
“What would you call him?” Scripps turned to the drummer.
“He ain’t a parrot, is he?” asked the drummer. “If he was a parrot you could call him Polly.”
“There’s a character in ‘The Beggar’s Opera’ called Polly,” Mandy explained.
Scripps wondered. Perhaps the bird was a parrot. A parrot strayed from some comfortable home with some old maid. The untilled soil of some New England spinster.
“Better wait till you see how he turns out,” the drummer advised. “You got plenty of time to name him.”
This drummer had sound ideas. He, Scripps, did not even know what sex the bird was. Whether he was a boy bird or a girl bird.
“Wait till you see if he lays eggs,” the drummer suggested. Scripps looked into the drummer’s eyes. The fellow had voiced his own unspoken thought.
“You know a thing or two, drummer,” he said.
“Well,” the drummer admitted modestly, “I ain’t drummed all these years for nothing.”
“You’re right there, pal,” Scripps said.
“That’s a nice bird you got there, brother,” the drummer said. “You want to hang onto that bird.”
Scripps knew it. Ah, these drummers know a thing or two. Going up and down over the face of this great America of ours. These drummers kept their eyes open. They were no fools.
“Listen,” the drummer said. He pushed his derby hat off his brow and, leaning forward, spat into the tall brass cuspidor that stood beside his stool. “I want to tell you about a pretty beautiful thing that happened to me once in Bay City.”
Mandy, the waitress, leaned forward. Mrs. Scripps leaned toward the drummer to hear better. The drummer looked apologetically at Scripps and stroked the bird with his forefinger.
“Tell you about it some other time, brother,” he said. Scripps understood. From out of the kitchen, through the wicket in the hall, came a high-pitched, haunting laugh. Scripps listened. Could that be the laughter of the Negro? He wondered.
CHAPTER NINE
Scripps going slowly to work in the pump-factory in the mornings. Mrs. Scripps looking out of the window and watching him go up the street. Not much time for reading The Guardian now. Not much time for reading about English politics. Not much time for worrying about the cabinet crises over there in France. The French were a strange people. Joan of Arc. Eva le Gallienne. Clemenceau. Georges Carpentier. Sacha Guitry. Yvonne Printemps. Grock. Les Fratellinis. Gilbert Seldes. The Dial. The Dial Prize. Marianne Moore. E. E. Cummings. The Enormous Room. Vanity Fair. Frank Crowninshield. What was it all about? Where was it taking her?
She had a man now. A man of her own. For her own. Could she keep him? Could she hold him for her own? She wondered.
Mrs. Scripps, formerly an elderly waitress, now the wife of Scripps O’Neil, with a good job in the pump-factory. Diana Scripps. Diana was her own name. It had been her mother’s, too. Diana Scripps looking into the mirror and wondering could she hold him. It was getting to be a question. Why had he ever met Mandy? Would she have the courage to break off going to the restaurant with Scripps to eat? She couldn’t do that. He would go alone. She knew that. It was no use trying to pull wool over her own eyes. He would go alone and he would talk with Mandy. Diana looked into the mirror. Could she hold him? Could she hold him? That thought never left her now.
Every night at the restaurant, she couldn’t call it a beanery now—that made a lump come in her throat and made her throat feel hard and choky. Every night at the restaurant now Scripps and Mandy talked together. The girl was trying to take him away. Him, her Scripps. Trying to take him away. Take him away. Could she, Diana, hold him?
She was no better than a slut, that Mandy. Was that the way to do? Was that the thing to do? Go after another woman’s man? Come between man and wife? Break up a home? And all with these interminable literary reminiscences. These endless anecdotes. Scripps was fascinated by Mandy. Diana admitted that to herself. But she might hold him. That was all that mattered now. To hold him. To hold him. Not to let him go. Make him stay. She looked into the mirror.
Diana subscribing for The Forum. Diana reading The Mentor. Diana reading William Lyon Phelps in
