The cotton was picked and in the clearings there were patches of corn, some cut with streaks of red sorghum, and, driving easily, his son asleep on the seat by his side, the day’s run made, knowing the town he would reach for the night, Nick noticed which corn fields had soy beans or peas in them, how the thickets and the cut-over land lay, where the cabins and houses were in relation to the fields and the thickets; hunting the country in his mind as he went by; sizing up each clearing as to feed and cover and figuring where you would find a covey and which way they would fly.
In shooting quail you must not get between them and their habitual cover, once the dogs have found them, or when they flush they will come pouring at you, some rising steep, some skimming by your ears, whirring into a size you have never seen them in the air as they pass, the only way being to turn and take them over your shoulder as they go, before they set their wings and angle down into the thicket. Hunting this country for quail as his father had taught him, Nicholas Adams started thinking about his father.
When he first thought about him it was always the eyes. The big frame, the quick movements, the wide shoulders, the hooked, hawk nose, the beard that covered the weak chin, you never thought about—it was always the eyes. They were protected in his head by the formation of the brows; set deep as though a special protection had been devised for some very valuable instrument. They saw much farther and much quicker than the human eye sees and they were the great gift his father had. His father saw as a big-horn ram or as an eagle sees, literally.
He would be standing with his father on one shore of the lake, his own eyes were very good then, and his father would say, “They’ve run up the flag.” Nick could not see the flag or the flag pole. “There,” his father would say, “it’s your sister Dorothy. She’s got the flag up and she’s walking out onto the dock.”
Nick would look across the lake and he could see the long wooded shore-line, the higher timber behind, the point that guarded the bay, the clear hills of the farm and the white of their cottage in the trees but he could not see any flag pole, or any dock, only the white of the beach and the curve of the shore.
“Can you see the sheep on the hillside toward the point?”
“Yes.”
They were a whitish patch on the gray-green of the hill.
“I can count them,” his father said.
Like all men with a faculty that surpasses human requirements, his father was very nervous. Then, too, he was sentimental, and, like most sentimental people, he was both cruel and abused. Also, he had much bad luck, and it was not all of it his own. He had died in a trap that he had helped only a little to set, and they had all betrayed him in their various ways before he died. All sentimental people are betrayed so many times. Nick could not write about him yet, although he would, later, but the quail country made him remember him as he was when Nick was a boy and he was very grateful to him for two things; fishing and shooting. His father was as sound on those two things as he was unsound on sex, for instance, and Nick was glad that it had been that way; for some one has to give you your first gun or the opportunity to get it and use it, and you have to live where there is game or fish if you are to learn about them, and now, at thirty-eight, he loved to fish and to shoot exactly as much as when he first had gone with his father. It was a passion that had never slackened and he was very grateful to his father for bringing him to know it.
While for the other, that his father was not sound about, all the equipment you will ever have is provided and each man learns all there is for him to know about it without advice; and it makes no difference where you live. He remembered very clearly the only two pieces of information his father had given him about that. Once when they were out shooting together Nick shot a red squirrel out of a hemlock tree. The squirrel fell, wounded, and when Nick picked him up bit the boy clean through the ball of the thumb.
“The dirty little bugger,” Nick said and smacked the squirrel’s head against the tree. “Look how he bit me.”
His father looked and said, “Suck it out clean and put some iodine on when you get home.”
“The little bugger,” Nick said.
“Do you know what a bugger is?” his father asked him.
“We call anything a bugger,” Nick said.
“A bugger is a man who has intercourse with animals.”
“Why?” Nick said.
“I don’t know,” his father said. “But it is a heinous crime.”
Nick’s imagination was both stirred and horrified by this and he thought of various animals but none seemed attractive or practical and that was the sum total of direct sexual knowledge bequeathed him by his father except on one other subject. One morning he read in the paper that Enrico Caruso had been arrested for mashing.
“What is mashing?”
“It is one of the most heinous of crimes,” his father answered. Nick’s imagination pictured the great tenor doing something strange, bizarre, and heinous with a potato masher to a beautiful lady who looked like the pictures of Anna Held on the inside of cigar boxes. He resolved, with considerable horror, that when he was old enough he would try mashing at least once.
His father had summed up the whole matter by stating that masturbation produced blindness, insanity, and death, while a man who went with prostitutes would contract hideous venereal diseases and that the thing to do was to keep your hands off of people. On the other hand his father had the finest pair of eyes he had ever seen and Nick had loved him very much and for a long time. Now, knowing how it had all been, even remembering the earliest times before things had gone badly was not good remembering. If he wrote it he could get rid of it. He had gotten rid of many things by writing them. But it was still too early for that. There were still too many people.
So he decided to think of something else. There was nothing to do about his father and he had thought it all through many times. The handsome job the undertaker had done on his father’s face had not blurred in his mind and all the rest of it was quite clear, including the responsibilities. He had complimented the undertaker. The undertaker had been both proud and smugly pleased. But it was not the undertaker that had given him that last face. The undertaker had only made certain dashingly executed repairs of doubtful artistic merit. The face had been making itself and being made for a long time. It had modelled fast in the last three years. It was a good story but there were still too many people alive for him to write it.
Nick’s own education in those earlier matters had been acquired in the hemlock woods behind the Indian camp. This was reached by a trail which ran from the cottage through the woods to the farm and then by a road which wound through the slashings to the camp. Now he could still feel all of that trail with bare feet. First there was the pine needle loam through the hemlock woods behind the cottage where the fallen logs crumbled into wood dust and long splintered pieces of wood hung like javelins in the tree that had been struck by lightning. You crossed the creek on a log and if you stepped off there was the black muck of the swamp.
You climbed a fence out of the woods and the trail was hard in the sun across the field with cropped grass and sheep sorrel and mullen growing and to the left the quaky bog of the creek bottom where the killdeer plover fed. The spring house was in that creek. Below the barn there was fresh warm manure and the other older manure that was caked dry on top. Then there was another fence and the hard, hot trail from the barn to the house and
