And she had gone off into another explosion of laughter which almost choked her. But when she could breathe again, she had run to him where he stood, averted and utterly unhappy, by the window, she had taken his hand and, when he still refused to look at her, had put her arm round his neck and kissed him. But the emotion that had filled her eyes with tears was nothing like passion. As for Hugh Davies—why, it certainly had been rather thrilling when Hugh kissed her. It had been thrilling, but certainly not to fainting point. But then had she really felt like fainting today? a small voice questioned. She drowned the small voice with the scratching of her pen. ‘Consult the oracles of passion,’ she wrote and, laying down her pen, got up and crossed the room. A copy of The Return of Eurydice was lying on the bed; she picked it up and turned over the pages. Here it was! ‘Consult the oracles of passion,’ she read aloud, and her own voice sounded, she thought, strangely oracular in the solitude.
‘A god speaks in them, or else a devil, one can never tell which beforehand, nor even, in most cases, afterwards. And, when all is said, does it very much matter? God and devil are equally supernatural, that is the important thing; equally supernatural and therefore, in this all too flatly natural world of sense and science and society, equally desirable, equally significant.’ She shut the book and walked back to the table. ‘Which is what he said this afternoon,’ she went on writing, ‘but in that laughing way, when I said I could never see why one shouldn’t do what one liked, instead of all this Hussy and Hippo rigmarole about service and duty, and he said yes, that was what Rabelais had said’ (there seemed to be an awful lot of ‘saids’ in this sentence, but it couldn’t be helped; she scrawled on); ‘which I pretended I’d read—why can’t one tell the truth? particularly as I’d just been saying at the same time that one ought to say what one thinks as well as do what one likes; but it seems to be hopeless—and he said he entirely agreed, it was perfect, so long as you had the luck to like the sort of things that kept you on the right side of the prison bars and think the sort of things that don’t get you murdered when you say them.
And I said I’d rather say what I thought and do what I liked and be murdered and put in gaol than be a Hippo, and he said I was an idealist, which annoyed me and I said I certainly wasn’t, all I was was someone who didn’t want to go mad with inhibitions. And he laughed, and I wanted to quote him his own words about the oracles, but somehow it was so shy-making that I didn’t. All the same, it’s what I intensely feel, that one ought to consult the oracles of passion. And I shall consult them.’ She leaned back in her chair and shut her eyes. The orange question floated across the darkness: ‘But does that mean I’m in love with him?’ The oracle seemed to be saying yes. But oracles, she resolutely refused to remember, can be rigged to suit the interests of the questioner.
Didn’t the admirer of The Return of Eurydice secretly want the oracle to say yes? Didn’t she think she’d almost fainted, because she’d wished she’d almost fainted, because she’d come desiring to faint? Pamela sighed; then, with a gesture of decision, she slapped her notebook to and put away her pen. It was time to get ready for dinner; she bustled about efficiently and distractingly among her trunks. But the question returned to her as she lay soaking in the warm other-world of her bath. By the time she got out she had boiled herself to such a pitch of giddiness that she could hardly stand.
For Pamela, dinner in solitude, especially the public solitude of hotels, was a punishment. Companionlessness and compulsory silence depressed her. Besides, she never felt quite eye-proof; she could never escape from the obsession that everyone was looking at her, judging, criticizing. Under a carapace of rather impertinent uncaringness she writhed distressfully. At Florence her loneliness had driven her to make friends with two not very young American women who were staying in her hotel. They were a bit earnest and good and dreary. But Pamela preferred even dreariness to solitude. She attached herself to them inseparably. They were touched. When she left for Rome, they promised to write to her, they made her promise to write to them. She was so young; they felt responsible; a steadying hand, the counsel of older friends . . . Pamela had already received two steadying letters. But she hadn’t answered them, never would answer them. The horrors of lonely dining cannot be alleviated by correspondence.
Walking down to her ordeal in the restaurant, she positively yearned for her dreary friends. But the hall was a desert of alien eyes and faces; and the waiter who led her through the hostile dining-room, had bowed, it seemed to her, with an ironical politeness, had mockingly smiled. She sat down haughtily at her table and almost wished she were under it. When the sommelier appeared with his list, she ordered half a bottle of something absurdly expensive, for fear he might think she didn’t know anything about wine.
She had got as far as the fruit, when a presence loomed over her; she looked up. ‘You?’ Her delight was an illumination; the young man was dazzled. ‘What marvellous luck!’ Yet it was only Guy Browne, Guy whom she had met a few times at dances and found quite pleasant—that was all. ‘Think of your being in Rome!’ She made him sit down at her table. When she had finished her coffee, Guy suggested that they should go out and dance somewhere. They went. It was nearly three when Pamela got to bed. She had had a most enjoyable evening.
5
But how ungratefully she treated poor Guy when, next day at lunch, Fanning asked her how she had spent the evening! True, there were extenuating circumstances, chief among which was the fact that Fanning had kissed her when they met. By force of habit, he himself would have explained, if anyone had asked him why, because he kissed every presentable face. Kissing was in the great English tradition. ‘It’s the only way I can be like Chaucer,’ he liked to affirm. ‘Just as knowing a little Latin and less Greek is my only claim to resembling Shakespeare and as lying in bed till ten’s the nearest I get to Descartes.’ In this particular case, as perhaps in every other particular case, the force of habit had been seconded by a deliberate intention; he was accustomed to women being rather in love with him, he liked the amorous atmosphere and could use the simplest as well as the most complicated methods to create it.
Moreover he was an experimentalist, he genuinely wanted to see what would happen. What happened was that Pamela was astonished, embarrassed, thrilled, delighted, bewildered. And what with her confused excitement and the enormous effort she had made to take it all as naturally and easily as he had done, she was betrayed into what, in other circumstances, would have been a scandalous ingratitude. But when one has just been kissed, for the first time and at one’s second meeting with him, kissed offhandedly and yet (she felt it) significantly, by Miles Fanning—actually Miles Fanning!—little men like Guy Browne do seem rather negligible, even though one did have a very good time with them the evening before.
‘I’m afraid you must have been rather lonely last night,’ said Fanning, as they sat down to lunch. His sympathy hypocritically covered a certain satisfaction that it should be his absence that had condemned her to dreariness.
‘No, I met a friend,’ Pamela answered with a smile which the inward comparison of Guy with the author of The Return of Eurydice had tinged with a certain amused condescendingness.
‘A friend?’ He raised his eyebrows. ‘Amico or amica? Our English is so discreetly equivocal. With this key Bowdler locked up his heart. But I apologize. Co or ca?’
‘Co. He’s called Guy Browne and he’s here learning Italian to get into the Foreign Office. He’s a nice boy.’ Pamela might have been talking about a favourite, or even not quite favourite, retriever. ‘Nice; but nothing very special. I mean, not in the way of intelligence.’ She shook her head patronizingly over Guy’s very creditable First in History as a guttersnipe capriciously favoured by an archduke might learn in his protector’s company to shake his head and patronizingly smile at the name of a marquis of only four or five centuries’ standing. ‘He can dance, though,’ she admitted.
‘So I suppose you danced with him?’ said Fanning in a tone which, in spite of his amusement at the child’s assumption of an aged superiority, he couldn’t help making rather disobligingly sarcastic. It annoyed him to think that Pamela should have spent an evening, which he had pictured
