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After the Fireworks
been banished, our mother’s womb, the only place on earth where man is genuinely omnipotent, where his every desire is satisfied, where he is perfectly at home and adapted to his surroundings, and therefore perfectly happy.

Out of the womb we’re in an unfriendly world, in which our wishes aren’t anticipated, where we’re no longer magically omnipotent, where we don’t fit, where we’re not snugly at home. What’s to be done in this world? Either face out the reality, fight with it, resignedly or heroically accept to suffer or struggle. Or else flee. In practice even the strongest heroes do a bit of fleeing—away from responsibility into deliberate ignorance, away from uncomfortable fact into imagination. Even the strongest. And conversely even the weakest fleers can make themselves strong. No, not the weakest; that’s a mistake. The weakest become day-dreamers, masturbators, paranoiacs. The strong fleer is one who starts with considerable advantages. Take my case. I’m so endowed by nature that I can have a great many of the prizes of life for the asking—success, money in reasonable quantities, love. In other words I’m not entirely out of the womb; I can still, even in the extra-uterine world, have at least some of my desires magically satisfied.

To have my wishes fulfilled I don’t have to rush off every time to some imaginary womb-substitute. I have the power to construct a womb for myself out of the materials of the real world. But of course it’s not a completely perfect and water-tight womb; no post-natal uterus can ever in the nature of things be that. It lets in a lot of unpleasantness and alienness and obstruction to wishes. Which I deal with by flight, systematic flight, into unawareness, into deliberate ignorance, into irresponsibility. It’s a weakness which is a source of strength. For when you can flee at will and with success (which is only possible if nature has granted you, as she has to me, the possibility of anarchic independence of society), what quantities of energy you save, what an enormous amount of emotional and mental wear and tear is spared you! I flee from business by leaving all my affairs in the hands of lawyers and agents, I flee from criticism (both from the humiliations of misplaced and wrongly motived praise and from the pain of even the most contemptible vermin’s blame) by simply not reading what anybody writes of me.

I flee from time by living as far as possible only in and for the present. I flee from cold weather by taking the train or ship to places where it’s warm. And from women I don’t love any more, I flee by just silently vanishing. For, like Palmerston, I never explain and never apologize. I just fade out. I decline to admit their existence. I consign their letters to the waste-paper basket, along with the press cuttings. Simple, crude even, but incredibly effective, if one’s ready to be ruthless in one’s weakness, as I am. Yes, quite ruthless, Pamela. If my desire grew weary or I felt homesick for the company of my compatriots, I’d just run away, determinedly, however painfully much you might still be in love with me, or your imagination, or your own hurt pride and humiliated self-love. And you, I fancy, would have as little mercy on my desires if they should happen to outlive what you imagine to be your passion for me. So that our love-affair, if we were fools enough to embark on it, would be a race towards a series of successive goals—a race through boredom, misunderstanding, disillusion, towards the final winning-post of cruelty and betrayal. Which of us is likely to win the race? The betting, I should say, is about even, with a slight tendency in favour of myself. But there’s not going to be a winner or a loser, for the good reason that there’s not going to be any race. I’m too fond of you, Pamela, to . . .’

‘Miles!’

Fanning started so violently that a drop of ink was jerked from his pen on to the paper. He felt as though his heart had fallen into an awful gulf of emptiness.

‘Miles!’

He looked round. Two hands were clutching the bars of the unshuttered window and, as though desperately essaying to emerge from a subterranean captivity, the upper part of a face was peering in, over the high sill, with wide unhappy eyes.

‘But Pamela!’ There was reproach in his astonishment.

It was to the implied rebuke that she penitently answered. ‘I couldn’t help it, Miles,’ she said; and, behind the bars, he saw her reddened eyes suddenly brighten and overflow with tears. ‘I simply had to come.’ Her voice trembled on the verge of breaking. ‘Had to.’

The tears, her words and that unhappy voice were moving. But he didn’t want to be moved, he was angry with himself for feeling the emotion, with her for inspiring it. ‘But, my dear child!’ he began, and the reproach in his voice had shrilled to a kind of exasperation—the exasperation of one who feels himself hemmed in and helpless, increasingly helpless, against circumstances. ‘But I thought we’d settled,’ he began and broke off. He rose, and walked agitatedly towards the fireplace, agitatedly back again, like a beast in a cage; he was caught, hemmed in between those tearful eyes behind the bars and his own pity, with all those dangerous feelings that have their root in pity. ‘I thought,’ he began once more.

But, ‘Oh!’ came her sharp cry, and looking again towards the window he saw that only the two small hands and a pair of straining wrists were visible. The tragical face had vanished.

‘Pamela?’

‘It’s all right.’ Her voice came rather muffled and remote. ‘I slipped. I was standing on a little kind of ledge affair. The window’s so high from the ground,’ she added plaintively.

‘My poor child!’ he said on a little laugh of amused commiseration. The reproach, the exasperation had gone out of his voice. He was conquered by the comic patheticness of her. Hanging on to the bars with those small, those rather red and childishly untended hands! And tumbling off the perch she had had to climb on, because the window was so high from the ground! A wave of sentimentality submerged him. ‘I’ll come and open the door.’ He ran into the hall.

Waiting outside in the darkness, she heard the bolts being shot back, one by one. Clank, clank! and then ‘Damn!’ came his voice from the other side of the door. ‘These things are so stiff . . . I’m barricaded up as though I were in a safe.’ She stood there waiting. The door shook as he tugged at the recalcitrant bolt. The waiting seemed interminable. And all at once a huge, black weariness settled on her. The energy of wrought-up despair deserted her and she was left empty of everything but a tired misery. What was the good, what was the good of coming like this to be turned away again? For he would turn her away; he didn’t want her. What was the good of renewing suffering, of once more dying?

‘Hell and Death!’ On the other side of the door Fanning was cursing like an Elizabethan.

Hell and Death. The words reverberated in Pamela’s mind. The pains of Hell, the darkness and dissolution of Death. What was the good?

Clank! Another bolt had gone back. ‘Thank goodness. We’re almost . . .’ A chain rattled. At the sound Pamela turned and ran in a blind terror down the dimly lighted street.

‘At last!’ The door swung back and Fanning stepped out. But the sentimental tenderness of his outstretched hands wasted itself on empty night. Twenty yards away a pair of pale legs twinkled in the darkness. ‘Pamela!’ he called in astonishment. ‘What the devil . . .?’ The wasting on emptiness of his feelings had startled him into annoyance. He felt like one who has put forth all his strength to strike something and, missing his aim, swipes the unresisting air, grotesquely. ‘Pamela!’ he called again, yet louder.

She did not turn at the sound of his voice, but ran on. These wretched high-heeled shoes! ‘Pamela!’ And then came the sound of his pursuing footsteps. She tried to run faster. But the pursuing footsteps came nearer and nearer. It was no good. Nothing was any good. She slackened her speed to a walk.

‘But what on earth?’ he asked from just behind her, almost angrily. Pursuing, he had called up within him the soul of a pursuer, angry and desirous. ‘What on earth?’ And suddenly his hand was on her shoulder. She trembled a little at the touch. ‘But why?’ he insisted. ‘Why do you suddenly run away?’

But Pamela only shook her averted head. She wouldn’t speak, wouldn’t meet his eyes. Fanning looked down at her intently, questioningly. Why? And as he looked at that weary hopeless face, he began to divine the reason. The anger of the pursuit subsided in him. Respecting her dumb, averted misery, he too was silent. He drew her comfortingly towards him. His arm round her shoulders, Pamela suffered herself to be led back towards the house.

Which would be best, he was wondering with the surface of his mind: to telephone for a taxi to take her back to the hotel, or to see if he could make up a bed for her in one of the upstairs rooms? But in the depths of his being he knew quite well that he would do neither of these things. He knew that he would be her lover. And yet, in spite of this deep knowledge, the

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been banished, our mother’s womb, the only place on earth where man is genuinely omnipotent, where his every desire is satisfied, where he is perfectly at home and adapted to