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Antic Hay
course,’ he said.
‘Of course? Is it as much of course as all that?’

‘When I say so.’ He smiled at her. The eternity had been renewed, the enchantment prolonged. There was no need to think of anything but now the moment. The past was forgotten, the future abolished. There was only this secret room and the candlelight and the unreal, impossible happiness of being two. Now that this peril of a disenchantment had been averted, it would last for ever. He got up from the couch, crossed the room, he took her hands and kissed them.
‘Shall we sleep now?’ she asked.
Gumbril nodded.

‘Do you mind if I blow out the light?’ And without waiting for his answer, Emily turned, gave a puff, and the room was in darkness. He heard the rustling of her undressing. Hastily he stripped off his own clothes, pulled back the coverlet from the divan. The bed was made and ready; he opened it and slipped between the sheets. A dim greenish light from the gas lamp in the street below came up between the parted curtains illuminating faintly the farther end of the room. Against this tempered darkness he could see her, silhouetted, standing quite still, as if hesitating on some invisible brink.
‘Emily,’ he whispered.

‘I’m coming,’ Emily answered. She stood there, unmoving, a few seconds longer, then overstepped the brink. She came across the room, and sat down on the edge of the low couch. Gumbril lay perfectly still, without speaking, waiting in the enchanted timeless darkness. Emily lifted her knees, slid her feet in under the sheet, then stretched herself out beside him, her body, in the narrow bed, touching his. Gumbril felt that she was trembling; trembling, a sharp involuntary start, a little shudder, another start.

‘You’re cold,’ he said, and slipping one arm beneath her shoulders he drew her, limp and unresisting, towards him. She lay there, pressed against him. Gradually the trembling ceased. Quite still, quite still in the calm of the enchantment. The past is forgotten, the future abolished; there is only this dark and everlasting moment. A drugged and intoxicated stupor possessed his spirit; a numbness, warm and delicious, lay upon him. And yet through the stupor he knew with a dreadful anxious certainty that the end would soon be there. Like a man on the night before his execution, he looked forward through the endless present; he foresaw the end of his eternity. And after? Everything was uncertain and unsafe.

Very gently, he began caressing her shoulder, her long slender arm, drawing his finger-tips lightly and slowly over her smooth skin; slowly from her neck, over her shoulder, lingeringly round the elbow to her hand. Again, again: he was learning her arm. The form of it was part of the knowledge, now, of his fingertips; his fingers knew it as they knew a piece of music, as they knew Mozart’s Twelfth Sonata, for example. And the themes that crowd so quickly one after another at the beginning of the first movement played themselves aerially, glitteringly in his mind; they became a part of the enchantment.

Through the silk of her shift he learned her curving side, her smooth straight back and the ridge of her spine. He stretched down, touched her feet, her knees. Under the smock he learned her warm body, lightly, slowly caressing. He knew her, his fingers, he felt, could build her up, a warm and curving statue in the darkness. He did not desire her; to desire would have been to break the enchantment. He let himself sink deeper and deeper into his dark stupor of happiness. She was asleep in his arms; and soon he too was asleep.

CHAPTER XIV

MRS VIVEASH DESCENDED the steps into King Street, and standing there on the pavement looked dubiously first to the right and then to the left. Little and loud, the taxis rolled by on their white wheels, the long-snouted limousines passed with a sigh. The air smelt of watered dust, tempered in Mrs Viveash’s immediate neighbourhood by those memories of Italian jasmines which were her perfume. On the opposite pavement, in the shade, two young men, looking very conscious of their grey top-hats, marched gravely along.

Life, Mrs Viveash thought, looked a little dim this morning in spite of the fine weather. She glanced at her watch; it was one o’clock. Soon one would have to eat some lunch. But where, and with whom? Mrs Viveash had no engagements. All the world was before her, she was absolutely free, all day long. Yesterday, when she declined all those pressing invitations, the prospect had seemed delightful. Liberty, no complications, no contacts; a pre-Adamite empty world to do what she liked in.

But to-day, when it came to the point, she hated her liberty. To come out like this at one o’clock into a vacuum – it was absurd, it was appalling. The prospect of immeasurable boredom opened before her. Steppes after steppes of ennui, horizon beyond horizon, for ever the same. She looked again to the right and again to the left. Finally she decided to go to the left. Slowly, walking along her private knife-edge between her personal abysses, she walked towards the left. She remembered suddenly one shining day like this in the summer of 1917, when she had walked along this same street, slowly, like this, on the sunny side, with Tony Lamb.

All that day, that night, it had been one long good-bye. He was going back the next morning. Less than a week later he was dead. Never again, never again: there had been a time when she could make herself cry, simply by saying those two words once or twice, under her breath. Never again, never again. She repeated them softly now. But she felt no tears behind her eyes. Grief doesn’t kill, love doesn’t kill; but time kills everything, kills desire, kills sorrow, kills in the end the mind that feels them; wrinkles and softens the body while it still lives, rots it like a medlar, kills it too at last. Never again, never again. Instead of crying, she laughed, laughed aloud. The pigeon-breasted old gentleman who had just passed her, twirling between his finger and thumb the ends of a white military moustache, turned round startled. Could she be laughing at him?

‘Never again,’ murmured Mrs Viveash.
‘I beg your pardon?’ queried the martial gentleman, in a rich, port-winey, cigary voice.
Mrs Viveash looked at him with such wide-eyed astonishment that the old gentleman was quite taken aback. ‘A thousand apologies, dear lady. Thought you were addressing . . . H’m, ah’m.’ He replaced his hat, squared his shoulders and went off smartly, left, right, bearing preciously before him his pigeon breast. Poor thing, he thought, poor young thing. Talking to herself. Must be cracked, must be off her head. Or perhaps she took drugs. That was more likely: that was much more likely. Most of them did nowadays. Vicious young women. Lesbians, drug-fiends, nymphomaniacs, dipsos – thoroughly vicious, nowadays, thoroughly vicious. He arrived at his club in an excellent temper.

Never again, never, never again. Mrs Viveash would have liked to be able to cry.
St James’s Square opened before her. Romantically under its trees the statue pranced. The trees gave her an idea: she might go down into the country for the afternoon, take a cab and drive out, out, goodness only knew where! To the top of a hill somewhere. Box Hill, Leith Hill, Holmbury Hill, Ivinghoe Beacon – any hill where one could sit and look out over plains. One might do worse than that with one’s liberty.
But not much worse, she reflected.

Mrs Viveash had turned up towards the northern side of the square and was almost at its north-western corner when, with a thrill of genuine delight, with a sense of the most profound relief she saw a familiar figure, running down the steps of the London Library.
‘Theodore!’ she hallooed faintly but penetratingly, from her inward death-bed. ‘Gumbril!’ She waved her parasol.
Gumbril halted, looked around, came smiling to meet her. ‘How delightful,’ he said, ‘but how unfortunate.’
‘Why unfortunate?’ asked Mrs Viveash. ‘Am I of evil omen?’
‘Unfortunate,’ Gumbril explained, ‘because I’ve got to catch a train and can’t profit by this meeting.’
‘Ah no, Theodore,’ said Mrs Viveash, ‘you’re not going to catch a train. You’re going to come and lunch with me. Providence has decreed it. You can’t say no to Providence.’
‘I must,’ Gumbril shook his head. ‘I’ve said yes to somebody else.’
‘To whom?’

‘Ah!’ said Gumbril, with a coy and saucy mysteriousness.
‘And where are you going in your famous train?’
‘Ah again,’ Gumbril answered.
‘How intolerably tiresome and silly you are!’ Mrs Viveash declared. ‘One would think you were a sixteen-year-old schoolboy going out for his first assignment with a shop girl. At your age, Gumbril!’ She shook her head, smiled agonizingly and with contempt. ‘Who is she? What sordid pick-up?’
‘Not sordid in the least,’ protested Gumbril.
‘But decidedly a pick-up. Eh?’ A banana-skin was lying, like a bedraggled starfish, in the gutter, just in front of where they were standing. Mrs Viveash stepped forward and with the point of her parasol lifted it carefully up and offered it to her companion.
‘Merci,’ Gumbril bowed.

She tossed the skin back again into the gutter. ‘In any case,’ she said, ‘the young lady can wait while we have luncheon.’
Gumbril shook his head. ‘I’ve made the arrangement,’ he said. Emily’s letter was in his pocket. She had taken the loveliest cottage just out of Robertsbridge, in Sussex. Ah, but the loveliest imaginable. For the whole summer. He could come and see her there. He had telegraphed that he would come to-day, this afternoon, by the

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course,’ he said.‘Of course? Is it as much of course as all that?’ ‘When I say so.’ He smiled at her. The eternity had been renewed, the enchantment prolonged. There