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Antic Hay
a tone of grievance: ‘A lady to see you, Master Paster’ – for Mrs Goldie was an old family retainer, and one of the few who knew the secret of Mr Mercaptan’s Christian name, one of the fewer still who were privileged to employ it. Then, as soon as Rosie had stepped across the threshold, she cut off her retreat with a bang and went off, muttering all the time, towards her kitchen.

It certainly wasn’t a garret. Half a glance, the first whiff of potpourri, the feel of the carpet beneath her feet, had been enough to prove that. But it was not the room which occupied Rosie’s attention, it was its occupants. One of them, thin, sharp-featured and, in Rosie’s very young eyes, quite old, was standing with an elbow on the mantelpiece. The other, sleeker and more genial in appearance, was sitting in front of a writing-desk near the window. And neither of them – Rosie glanced desperately from one to the other, hoping vainly that she might have overlooked a blond beard – neither of them was Toto.
The sleek man at the writing-desk got up, advanced to meet her.

‘An unexpected pleasure,’ he said, in a voice that alternately boomed and fluted. ‘Too delightful! But to what do I owe –? Who, may I ask –?’
He had held out his hand; automatically Rosie proffered hers. The sleek man shook it with cordiality, almost with tenderness.
‘I . . . I think I must have made a mistake,’ she said. ‘Mr Mercaptan . . .?’
The sleek man smiled. ‘I am Mr Mercaptan.’
‘You live on the second floor?’
‘I never laid claims to being a mathematician,’ said the sleek man, smiling as though to applaud himself, ‘but I have always calculated that . . .’ he hesitated . . . ‘enfin, que ma demeure se trouve, en effet, on the second floor. Lypiatt will bear me out, I’m sure.’ He turned to the thin man, who had not moved from the fireplace, but had stood all the time motionlessly, his elbow on the mantelpiece, looking gloomily at the ground.

Lypiatt looked up. ‘I must be going,’ he said abruptly. And he walked towards the door. Like vermouth posters, like vermouth posters! – so that was Myra’s piece of mockery! All his anger had sunk like a quenched flame. He was altogether quenched, put out with unhappiness.
Politely Mr Mercaptan hurried across the room and opened the door for him. ‘Good-bye, then,’ he said airily.
Lypiatt did not speak, but walked out into the hall. The front door banged behind him.
‘Well, well,’ said Mr Mercaptan, coming back across the room to where Rosie was still irresolutely standing. ‘Talk about the furor poeticus! But do sit down, I beg you. On Crébillon.’ He indicated the vast white satin sofa. ‘I call it Crébillon,’ he explained, ‘because the soul of that great writer undoubtedly tenants it, undoubtedly. You know his book, of course? You know Le Sopha?’

Sinking into Crébillon’s soft lap, Rosie had to admit that she didn’t know Le Sopha. She had begun to recover her self-possession. If this wasn’t the young poet, it was certainly a young poet. And a very peculiar one, too. As a great lady she laughingly accepted the odd situation.
‘Not know Le Sopha?’ exclaimed Mr Mercaptan. ‘Oh! but, my dear and mysterious young lady, let me lend you a copy of it at once. No education can be called complete without a knowledge of that divine book.’ He darted to the bookshelf and came back with a small volume bound in white vellum. ‘The hero’s soul,’ he explained, handing her the volume, ‘passes, by the laws of metempsychosis, into a sofa. He is doomed to remain a sofa until such time as two persons consummate upon his bosom their reciprocal and equal loves. The book is the record of the poor sofa’s hopes and disappointments.’

‘Dear me!’ said Rosie, looking at the title-page.
‘But now,’ said Mr Mercaptan, sitting down beside her on the edge of Crébillon, ‘won’t you please explain? To what happy quiproquo do I owe this sudden and altogether delightful invasion of my privacy?’
‘Well,’ said Rosie, and hesitated. It was really rather difficult to explain. ‘I was to meet a friend of mine.’
‘Quite so,’ said Mr Mercaptan encouragingly.
‘Who sent me a telegram,’ Rosie went on.
‘He sent you a telegram!’ Mr Mercaptan echoed.
‘Changing the – the place we had fixed and telling me to meet him at this address.’
‘Here?’

Rose nodded. ‘On the s-second floor,’ she made it more precise.
‘But I live on the second floor,’ said Mr Mercaptan. ‘You don’t mean to say your friend is also called Mercaptan and lives here too?’
Rosie smiled. ‘I don’t know what he’s called,’ she said with a cool ironical carelessness that was genuinely grande dame.
‘You don’t know his name?’ Mr Mercaptan gave a roar and a squeal of delighted laughter. ‘But that’s too good,’ he said.
‘S-second floor, he wrote in the telegram.’ Rosie was now perfectly at her ease. ‘When I saw your name, I thought it was his name. I must say,’ she added, looking sideways at Mr Mercaptan and at once dropping the magnolia petals of her eyelids, ‘it seemed to me a very charming name.’
‘You overwhelm me,’ said Mr Mercaptan, smiling all over his cheerful, snouty face. ‘As for your name – I am too discreet a galantuomo to ask. And, in any case, what does it matter? A rose by any other name . . .’

‘But, as a matter of fact,’ she said, raising and lowering once again her smooth, white lids, ‘my name does happen to be Rose; or, at any rate, Rosie.’
‘So you are sweet by right!’ exclaimed Mr Mercaptan, with a pretty gallantry which he was the first to appreciate. ‘Let’s order tea on the strength of it.’ He jumped up and rang the bell. ‘How I congratulate myself on this astonishing piece of good fortune!’
Rosie said nothing. This Mr Mercaptan, she thought, seemed to be even more a man of the great artistic world than Toto.
‘What puzzles me,’ he went on, ‘is why your anonymous friend should have chosen my address out of all the millions of others. He must know me, or, at any rate, know about me.’
‘I should imagine,’ said Rosie, ‘that you have a lot of friends.’
Mr Mercaptan laughed – the whole orchestra, from bassoon to piccolo. ‘Des amis, des amies – with and without the mute “e”,’ he declared.
The aged and forbidding servant appeared at the door.
‘Tea for two, Mrs Goldie.’

Mrs Goldie looked round the room suspiciously. ‘The other gentleman’s gone, has he?’ she asked. And having assured herself of his absence, she renewed her complaint. ‘Shoving in like that,’ she said. ‘Bolshevism, that’s what I –’
‘All right, all right, Mrs Goldie. Let’s have our tea as quickly as possible.’ Mr Mercaptan held up his hand, authoritatively, with the gesture of a policeman controlling the traffic.
‘Very well, Master Paster.’ Mrs Goldie spoke with resignation and departed.
‘But tell me,’ Mr Mercaptan went on, ‘if it isn’t indiscreet – what does your friend look like?’
‘W-well,’ Rosie answered, ‘he’s fair, and though he’s quite young he wears a beard.’ With her two hands she indicated on her own unemphatic bosom the contours of Toto’s broad blond fan.
‘A beard! But, good heavens,’ Mr Mercaptan slapped his thigh, ‘it’s Coleman, it’s obviously and undoubtedly Coleman!’
‘Well, whoever it was,’ said Rosie severely, ‘he played a very stupid sort of joke.’
‘For which I thank him. De tout mon coeur.’

Rosie smiled and looked sideways. ‘All the same,’ she said, ‘I shall give him a piece of my mind.’
Poor Aunt Aggie! Oh, poor Aunt Aggie, indeed! In the light of Mr Mercaptan’s boudoir her hammered copper and her leadless gaze certainly did look a bit comical.
After tea Mr Mercaptan played cicerone in a tour of inspection round the room. They visited the papier mâché writing-desk, the Condor fans, the Marie Laurencin, the 1914 edition of Du Côté de chez Swann, the Madonna that probably was a fake, the nigger mask, the Chelsea figures, the Chinese object of art in sculptured crystal, the scale model of Queen Victoria in wax under a glass bell. Toto, it became clear, had been no more than a forerunner; the definitive revelation was Mr Mercaptan’s. Yes, poor Aunt Aggie! And indeed, when Mr Mercaptan began to read her his little middle on the ‘Droit du Seigneur’, it was poor everybody. Poor mother, with her absurd, old-fashioned, prudish views; poor, earnest father, with his Unitarianism, his Hibbert Journal, his letters to the papers about the necessity for a spiritual regeneration.
‘Bravo!’ she cried from the depths of Crébillon. She was leaning back in one corner, languid, serpentine, and at ease, her feet in their mottled snake’s leather tucked up under her. ‘Bravo!’ she cried as Mr Mercaptan finished his reading, and looked up for his applause.
Mr Mercaptan bowed.

‘You express so exquisitely what we –’ and waving her hand in a comprehensive gesture, she pictured to herself all the other fastidious ladies, all the marchionesses of fable, reclining, as she herself at this moment reclined, on upholstery of white satin, ‘what we all only feel and aren’t clever enough to say.’
Mr Mercaptan was charmed. He got up from before his writing-desk, crossed the room and sat down beside her on Crébillon. ‘Feeling,’ he said, ‘is the important thing.’
Rosie remembered that her father had once remarked in blank verse: ‘The things that matter happen in the heart.’
‘I quite agree,’ she said.

Like movable raisins in the suet of his snouty face, Mr Mercaptan’s brown little eyes rolled amorous avowals. He took Rosie’s hand and kissed it. Crébillon creaked discreetly as he moved

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a tone of grievance: ‘A lady to see you, Master Paster’ – for Mrs Goldie was an old family retainer, and one of the few who knew the secret of