And finally, as his illness begins to get the better of him, we see him obscured by a dark cloud of sadness—the terrible sadness, out of which, in one mood, he wrote his savage Nettles, in another, The Man Who Died, that lovely and profoundly moving story of the miracle for which somewhere in his mind he still hoped—still hoped, against the certain knowledge that it could never happen.

In the earlier part of his career especially, and again towards the end, Lawrence was a most prolific correspondent. There was, however, an intermediate period during his time of wandering, when he seems to have written very little. Of letters with the date of these after-war years, not more than a dozen or two have so far turned up; and there seems to be no reason to believe that further inquiries will reveal the existence of many more.

It is not because they have been destroyed or are being withheld that Lawrence’s letters of this period are so scarce; it is because, for one reason or another, he did not then care to write letters, that he did not want to feel himself in relationship with anyone. After a time, the stream begins again. But the later letters, though plentiful and good, are neither so numerous nor so richly and variously delightful as the earlier. One feels that Lawrence no longer wanted to give of himself so fully to his correspondents as in the past.

The end