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Jesting Pilate
running to brand new cities. Witness Jai Singh’s Jaipur, five miles from the existing and perfectly satisfactory town of Amber; Jodha’s Jodhpur, an hour’s walk from Mandor; the Udaipur of Udai Singh next door to Arh. An expensive form of royal vanity; but one for which the modern tourist should be grateful. There is nothing more picturesque than a deserted city, nothing more mournfully romantic. These deserted cities of Northern India are particularly romantic because, being relatively modern, they are all in an excellent state of preservation. For a building that is intact, but deserted, is much more romantic, more picturesquely melancholy than a deserted ruin. One expects a ruin to be deserted; nobody, it is obvious, could possibly live in Pompeii, or among the roofless remains of an English abbey. But in a building that is intact one expects to find inhabitants. When such a building is deserted, we are mournfully surprised; and the contrast between its emptiness and intactness strikes us as being strange and suggestive.

Fatehpur is less than four hundred years old, and, so far as the principal buildings are concerned, it is in a state of perfect preservation. The red sandstone which Akbar used in the building of his city is a hard, weather-resisting rock. The sculpture, the mouldings are still clean-edged and sharp. There has been no blurring of outlines, no crumbling, no leprous decay. Akbar’s red city stands to-day in the condition in which he left it—and stands empty, untenanted even by the monkeys which inhabit so many of India’s deserted palaces and temples.

To those whom the dry and sterile elegance of Shah Jahan’s Agra has left unsatisfied, the architecture of Fatehpur Sikri will seem refreshing. For the greatest of the alien Mohammedan emperors was a patron of the indigenous Hindu art of India, and the architecture of his capital is marked by something of the genuine Hindu vigour and wealth of imagination. The liwan or covered portion of the mosque is particularly fine. It is divided up into three square chambers, in line and communicating; and the characteristically Hindu ceilings of these chambers are supported by a number of very tall Hindu columns. The building is superb in proportion and detail, and is certainly one of the finest pieces of interior architecture on a large scale to be seen in Upper India. And yet, such is the prestige of expensive material that poor uninteresting buildings, wholly lacking in grandeur or originality, like the Pearl Mosque at Agra, the pavilions by the lake at Ajmere, are much more widely celebrated. They are of marble; Fatehpur is only of sandstone.

It was late in the afternoon when we left the deserted city. The walls and domes glowed more rosily than ever in the light of the almost level sun. It had become a city of coral. There was a screaming in the air above us. Looking up we saw a flock of parrots flying across the pale sky. The shadow of the enormous Gate of Victory was upon them; but a moment later they emerged from it into the bright transfiguring sunlight. Over the courts of that deserted city of coral and ruddy gold a flight of emerald birds passed glittering and was gone.

JAIPUR

Jaipur did not casually grow; it was made. Its streets are broad and straight, and intersect one another at right angles, like the streets of Turin or of some American city. The houses are all bright pink, and look like those charming and curiously improbable pieces of architecture in the backgrounds of Italian primitives. It is an orthodox and pious town. The pavements are thronged with ruminating bulls and Brahmins and fakirs; the shops do a thriving trade in phallic symbols, of which the manufacture, in gilt and painted marble, seems to be one of the staple industries of the place. In the streets men ride on horses, on enormous camels; or are driven in ancient victorias, in still more extraordinary four-wheelers that look like sections cut out of third-class railway coaches, or, most often, in little carts with domed canopies and (if the occupants happen to be ladies) concealing curtains, drawn by smart pairs of trotting bullocks, whose horns are painted green. Only the women of the people are visible in the streets. They move with the princely grace of those who, with pots and baskets on their heads, have passed their lives in practising the deportment of queens. Their full skirts swing as they walk, and at every step the heavy brass bangles at their feet make a loud and, oh!—for this is India—a mournfully symbolical clanking as of fetters.

JAIPUR

At Jaipur we were fortunate in having an introduction to one of the great thakurs of the State. He was a mighty land holder, the owner of twenty villages with populations ranging from five hundred to as many thousands, a feudal lord who paid for his fief (until, a year or two ago, a somewhat simpler and more modern system of tenure was introduced) by contributing to the State army one hundred and fifty armed and mounted men. This nobleman was kind enough to place his elephant at our disposal.

It was a superb and particularly lofty specimen, with gold-mounted tusks; ate two hundredweights of food a day and must have cost at least six hundred a year to keep. An expensive pet. But for a man in the thakur’s position, we gathered, indispensable, a necessity. Pachyderms in Rajputana are what glass coaches were in Europe a century and a half ago—essential luxuries.

The thakur was a charming and cultured man, hospitably kind as only Indians can be. But at the risk of seeming ungrateful, I must confess, that, of all the animals I have ever ridden, the elephant is the most uncomfortable mount. On the level, it is true, the motion is not too bad. One seems to be riding on a small chronic earthquake; that is all. The earthquake becomes more disquieting when the beast begins to climb. But when it goes downhill, it is like the end of the world. The animal descends very slowly and with an infinite caution, planting one huge foot deliberately before the other, and giving you time between each calculated step to anticipate the next convulsive spasm of movement—a spasm that seems to loosen from its place every organ in the rider’s body, that twists the spine, that wrenches all the separate muscles of the loins and thorax. The hills round Jaipur are not very high. Fortunately; for by the end of the three or four hundred feet of our climbing and descending, we had almost reached the limits of our endurance. I returned full of admiration for Hannibal. He crossed the Alps on an elephant.

We made two expeditions with the pachyderm; one—over a rocky pass entailing, there and back, two climbs and two sickening descents—to the tanks and ruined temples of Galta, and one to the deserted palaces of Amber. Emerging from the palace precincts—I record the trivial and all too homely incident, because it set me mournfully reflecting about the cosmos—our monster halted and, with its usual deliberation, relieved nature, portentously. Hardly, the operation over, had it resumed its march when an old woman who had been standing at the door of a hovel among the ruins, expectantly waiting—we had wondered for what—darted forward and fairly threw herself on the mound of steaming excrement. There was fuel here, I suppose, for a week’s cooking. “Salaam, Maharaj,” she called up to us, bestowing in her gratitude the most opulent title she could lay her tongue to. Our passage had been to her like a sudden and unexpected fall of manna. She thanked us, she blessed the great and charitable Jumbo for his Gargantuan bounty.

Our earthquake lurched on. I thought of the scores of millions of human beings to whom the passage of an unconstipated elephant seems a godsend, a stroke of enormous good luck. The thought depressed me. Why are we here, men and women, eighteen hundred millions of us, on this remarkable and perhaps unique planet? To what end? Is it to go about looking for dung—cow dung, horse dung, the enormous and princely excrement of elephants? Evidently it is—for a good many of us at any rate. It seemed an inadequate reason, I thought, for our being here—immortal souls, first cousins of the angels, own brothers of Buddha and Mozart and Sir Isaac Newton.

But a little while later I saw that I was wrong to let the consideration depress me. If it depressed me, that was only because I looked at the whole matter from the wrong end, so to speak. In painting my mental picture of the dung-searchers I had filled my foreground with the figures of Sir Isaac Newton and the rest of them. These, I perceived, should have been relegated to the remote background and the foreground should have been filled with cows and elephants. The picture so arranged, I should have been able to form a more philosophical and proportionable estimate of the dung-searchers. For I should have seen at a glance how vastly superior were their activities to those of the animal producers of dung in the foreground. The philosophical Martian would admire the dung-searchers for having discovered a use for dung; no other animal, he would point out, has had the wit to do more than manufacture it.

We are not Martians and our training makes us reluctant to think of ourselves as animals. Nobody inquires why cows and elephants inhabit the world. There is as little reason why we should be here, eating, drinking, sleeping, and in

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running to brand new cities. Witness Jai Singh’s Jaipur, five miles from the existing and perfectly satisfactory town of Amber; Jodha’s Jodhpur, an hour’s walk from Mandor; the Udaipur of