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Jesting Pilate
India (“based on the work of the sixteenth century in Gujarat”) and the Prince of Wales Museum (“based on the Indian work of the fifteenth and sixteenth centuries in the Presidency.”) The architecture of the Hotel Majestic and the Taj Mahal Hotel is not described in the guide-book.

It is a remissness; they deserve description. The Majestic is more wildly Mohammedan than anything that the most orthodox of Great Moguls ever dreamed of, and the gigantic Taj combines the style of the South Kensington Natural History Museum with that of an Indian pavilion at an International Exhibition. After an hour passed among these treasures of modern architecture, I took a cab, and in mere self-defence drove to the Town Hall, which is a quiet, late Georgian affair, built in the ’thirties. Long and low, with its flight of steps, its central pediment, its Doric colonnade, it has an air of calm and quiet decency. Among so many architectural cads and pretentious bounders, it is almost the only gentleman. In Bombay, it seems as good as the Parthenon.

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In the lounge of the hotel is a bookstall, stocked with periodicals and novels—my own, I was gratified to see, among them. One whole section of the bookstall is devoted to the sale of English and American technical journals—but technical journals of a single, rather special kind. Journals of gynæcology, of obstetrics, of sexual psychology, of venereal disease. Rows of them, and dozens of copies of each. The hotel lounge is not specially frequented by doctors; it is the general public which buys these journals. Strange, strange phenomenon! Perhaps it is one of the effects of the climate.

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From its island body, Bombay radiates long tentacles of suburban squalor into the land. Mills and huge grey tenements, low huts among the palm-trees flank the outgoing roads for miles, and the roads themselves are thronged with the coming and going of innumerable passengers. Driving out of Bombay along one of these populous highways, I felt (but more acutely) that amazement which often overwhelms me when I pass through the sordid fringes of some European city—amazement at my own safety and comfort, at the security of my privileges, at the unthinking and almost unresentful acceptance by millions of my less fortunate fellow-beings of my claim to be educated, leisured, comparatively wealthy. That I and my privileged fellows should be tolerated by our own people seems to me strange enough. But that our pretensions, which are still higher in India than in Europe, should be allowed by these innumerable dark-skinned strangers, over whom we rule, strikes me as being still more extraordinary.

We are accepted much as paper money is accepted, because there is a general belief that we are worth something. Our value is not intrinsic, but borrowed from the opinion of the world. We live and rule on credit and are respected, not so much because we are really formidable (though our power is great) as because there exists a convention that we should be respected. The less fortunate majority is carefully educated in this useful opinion.

Our paper currency has begun to lose its conventional value in Europe. We still continue to offer ourselves (often with a certain secret diffidence) as five-pound notes; but the more sceptical of our “inferiors” refuse to regard us as anything more precious than waste paper. When the same thing begins to happen in India, when the credit on which the white man has been living and ruling for so long is withdrawn, what then? Without any violence, merely by quietly refusing to accept the white man at his own valuation, merely by declining to have anything to do with him, the Indian can reduce British rule to impotence. Non-co-operation has failed, up till now, owing to inefficiency of organisation and a lack of public spirit on the part of the Indians. But efficient organisation and public spirit are the products of a special education.

When the masses have received that education, when the paper money of European prestige has been systematically discredited and individual Europeans are boycotted and left suspended in a kind of social and economic vacuum, the Indians will be able to get whatever they ask for. (The mere disappearance of all Indian servants would be almost enough in itself to bring the white man to terms. Faced with the prospect of having to empty his own slops, a Viceroy would begin to listen with an increased sympathy to Swarajist demands.) Whether the Indians will succeed any better than the English in the task of governing India, is another question. Swaraj may prove a blessing, or it may turn out to be a catastrophe. But in any case it will be obtained whenever a sufficient number of India’s three hundred and twenty millions make up their minds systematically to ask for it; the thing is obvious. They have only to be incredulous of the white man’s pretensions, they have only to ignore his almost invisible presence among their multitudes; that is all.

In the meantime, however, our credit holds, at any rate among the masses. The educated Indian may doubt whether our five-pound notes are worth more than an equal area snipped out of the Daily Mail; but his uneducated brother still accepts us at our face value. Thin-legged pedestrians salute me as I pass. Through the squalor of suburban Bombay, I carry my privileges of comfort, culture, and wealth in perfect safety. They are still secure, more or less, even in the suburbs of an English manufacturing town. For how long? Rolling along between the palm-trees, I wonder.

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It has been our good fortune, while in Bombay, to meet Mrs. Sarojini Naidu, the newly-elected President of the All-India Congress and a woman who combines in the most remarkable way great intellectual power with charm, sweetness with courageous energy, a wide culture with originality, and earnestness with humour. If all Indian politicians are like Mrs. Naidu, then the country is fortunate indeed.

At a tea-party in her rooms, a young Mohammedan of Arab descent recited some verses in Urdu by the modern Panjabi poet Iqbal. The subject was Sicily (and “Sicily,” alas, was the only word in the poem which I could understand). The poet, we were told, had been inspired to write while passing through the Straits of Messina on his return from a European voyage, and his poem was in the nature of a lament—a Mohammedan’s indignant lament that the island which had once belonged to the Musulmans should now be in the hands of infidels. I did not say so at the time, but I must confess that the idea of Sicily as a Mohammedan country cruelly ravished from its rightful owners, the Arabs, struck me as rather shocking. For us good Europeans, Sicily is Greek, is Latin, is Christian, is Italian.

The Arab occupation is an interlude, an irrelevance. True, the Arabs in Sicily were the best sort of civilised Arabs. But it is hard for us to regard them as anything but trespassers on that classical ground. And now I was being expected to look upon Theocritus’s island—just as Italians before the war looked on the Trentino and other fragments of Italia irredenta—as a piece of “unredeemed Araby.” It was asking too much. For the first moment, I felt quite indignant—just as indignant, no doubt, as the poet had felt at the sight of those once Mohammedan shores now polluted by Christians. In the traveller’s life these little lessons in the theory of relativity are daily events.

The words of the poem were incomprehensible to me. But at least I was able to appreciate the way in which it was recited, or rather chanted—for the stanzas were set to a regularly recurrent melody in the minor key. Each verse began with a stirring phrase that rose, like the call of a trumpet, from the dominant to the tonic, and, at the next strong beat, to the minor third. After that, the melody mournfully wandered; there were suspended notes and long shakes on a single vowel. It was thus, I felt sure, as I listened, it was thus that the Greek choruses must have been recited—to a chant kept well within the limits of a single octave, a chant (to our ears, at least) somewhat monotonous, sung without strain, more in a speaking voice than in what we should regard as a singing voice. And in the suspended notes, in the shakes and warblings over a single long-drawn syllable, I seemed to recognise that distinguishing feature of the Euripidean chorus which Aristophanes derides and parodies in the Frogs.

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This evening a congratulatory address was presented to Mr. Patel, the new Speaker of the Legislative Assembly, by the members of his community, an agricultural sub-caste of Gujarat. Other members of the community have broken through the traditionary trammels—the hall was full of men who had left the ancestral plough for work in the city—but none has previously risen to a position so exalted as that attained by Mr. Patel. “From Ploughboy to President”—Indian journalists, like their colleagues across the sea, have a weakness for phrases—was the phrase in which the newspapers summed up Mr. Patel’s career.

We accompanied Mrs. Naidu to the function and, as her guests, found ourselves sitting in places of honour on the platform. The hall was crowded. The heat, though the sun had set, was prodigious. (It is one of the peculiarities of the Bombay climate that the temperature rises, or at any rate seems to rise, during the first hours of the night.) In the garden outside, a band was playing the fox-trots of two or three seasons

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India (“based on the work of the sixteenth century in Gujarat”) and the Prince of Wales Museum (“based on the Indian work of the fifteenth and sixteenth centuries in the