‘It’s all very well you talking about work,’ he had said to Philip. ‘But you can do something, I can’t. What do you want me to do? Bank clerking? Commercial travelling?’
‘There are other professions,’ said Philip. ‘And since you’ve got some money, there’s all scholarship, all natural history…
‘Oh, you want me to be an ant collector, do you? Or a writer of theses on the use of soap among the Angevins. A dear old Uncle Toby with a hobby to ride. But I tell you, I don’t want to be an Uncle Toby. If I’m no real good, I prefer to be just frankly no good. I don’t want to disguise myself as a man of learning. I don’t want to be the representative of a hobby. I want to be what nature made me—no good.’
Ever since his mother’s second marriage Spandrell had always perversely made the worst of things, chosen the worst course, deliberately encouraged his own worst tendencies. It was with debauchery that he distracted his endless leisures. He was taking his revenge on her, on himself also for having been so foolishly happy and good. He was spiting her, spiting himself, spiting God. He hoped there was a hell for him to go to and regretted his inability to believe in its existence. Still, hell or no hell, it was satisfactory, it was even exciting in those early days to know that one was doing something bad and wrong. But there is in debauchery something so intrinsically dull, something so absolutely and hopelessly dismal, that it is only the rarest beings, gifted with much less than the usual amount of intelligence and much more than the usual intensity of appetite, who can go on actively enjoying a regular course of vice or continue actively to believe in its wickedness. Most habitual debauchees are debauchees not because they enjoy debauchery, but because they are uncomfortable when deprived of it.
Habit converts luxurious enjoyments into dull and daily necessities. The man who has formed a habit of women or gin, of opium-smoking or flagellation, finds it as difficult to live without his vice as to live without bread and water, even though the actual practice of the vice may have become in itself as unexciting as eating a crust or drinking a glass from the kitchen tap. Habit is as fatal to a sense of wrongdoing as to active enjoyment. After a few years the converted or sceptical Jew, the Westernized Hindu, can eat their pork and beef with an equanimity which to their still believing brothers seems brutally cynical. It is the same with the habitual debauchee. Actions which at first seemed thrilling in their intrinsic wickedness become after a certain number of repetitions morally neutral. A little disgusting, perhaps; for the practice of most vices is followed by depressing physiological reactions; but no longer wicked, because so ordinary. It is difficult for a routine to seem wicked.
Robbed gradually by habit both of his active enjoyment and of his active sense of wrongdoing (which had always been a part of his pleasure), Spandrell had turned with a kind of desperation to the refinements of vice. But the refinements of vice do not produce corresponding refinements of feeling. The contrary is in fact true; the more refined in its far-fetched extravagance, the more uncommon and abnormal the vice, the more dully and hopelessly unemotional does the practice of it become. Imagination may exert itself in devising the most improbable variations on the normal sexual theme; but the emotional product of all the varieties of orgy is always the same—a dull sense of humiliation and abasement. There are many people, it is true, (and they are generally the most intellectually civilized, refined and sophisticated), who have a hankering after lowness and eagerly pursue their own abasement in the midst of multiple orgies, masochistic prostitutions, casual and almost bestial couplings with strangers, sexual association with gross and uneducated individuals of a lower class.
Excessive intellectual and aesthetic refinement is liable to be bought rather dearly at the expense of some strange emotional degeneration, and the perfectly civilized Chinaman with his love of art and his love of cruelty is suffering from another form of the same disease which gives the perfectly civilized modern aesthete his taste for guardsmen and apaches, for humiliating promiscuities and violences. ‘High brows, low loins,’ was how Rampion had once summed up in Spandrell’s hearing. ‘The higher the one, the lower the other.’ Spandrell, for his part, did not enjoy humiliation. The emotional results of all the possible refinements of vice seemed to him dully uniform. Divorced from all significant emotion, whether approving or remorseful, the mere sensations of physical excitement and pleasure were insipid. The corruption of youth was the only form of debauchery that now gave him any active emotion. Inspired, as Rampion had divined, by that curious vengeful hatred of sex, which had resulted from the shock of his mother’s second marriage supervening, in an uneasy moment of adolescence, on the normal upper middle-class training in refinement and gentlemanly repression, he could still feel a peculiar satisfaction in inflicting what he regarded as the humiliation of sensual pleasure on the innocent sisters of those too much loved and therefore detested women who had been for him the personification of the detested instinct.
Mediaevally hating, he took his revenge, not (like the ascetics and puritans) by mortifying the hated flesh of women, but by teaching it an indulgence which he himself regarded as evil, by luring and caressing it on to more and more complete and triumphant rebellion against the conscious soul. And the final stage of his revenge consisted in the gradual insinuation into the mind of his victim of the fundamental wrongness and baseness of the raptures he himself had taught her to feel. Poor little Harriet was the only innocent on whom, so far, he had been able to carry out the whole of his programme. With her predecessors he had never gone so far and she had had no successors. Seduced in the manner he had described to the Rampions, Harriet had adored him and imagined herself adored. And she was almost right; for Spandrell did genuinely care for her, even while he was deliberately making her his victim. The violation of his own feelings as well as of hers gave an added spice of perversity to the proceedings. Patiently, with the tact and gentleness and understanding of the most delicate, most exquisitely sympathetic lover, he allayed her virgin fears and gradually melted the coldness of her youth, thawed down the barriers raised by her education—only, however, to impose on her inexperience the ingenuous acceptance of the most fantastic lubricities.
To see her accepting these as ordinary marks of affection was already, for the reversed ascetic in Spandrell, an admirable revenge on her for being a woman. But it was not enough; he began to simulate scruples, to shrink with an air of distress from her ardours or, if he accepted them, to accept them passively as though he were being outraged and violated. Harriet became suddenly anxious and distressed, felt ashamed, as a sensitive person always feels whose ardours meet with no response; and suddenly, at the same time, she found herself a little grotesque, like an actor who has been performing with a group of companions and who, deserted, suddenly realises he is alone on the stage—grotesque and even a little disgusting. Didn’t he love her any more? But so much, he answered. Then why? Precisely because of the depth of his love; and he began to talk about the soul. The body was like a wild beast that devoured the soul, annihilated the consciousness, abolished the real you and me.
And as though by accident, somebody, that very evening, had sent him a mysterious parcel, which when he opened, as he now did, turned out to contain a portfolio full of pornographic French etchings, in which poor Harriet saw with a growing sense of horror and disgust all the actions she had so innocently and warmheartedly accepted as love, represented in cold and lucid outlines and made to look so hideous, so low, so bottomlessly vulgar that but to glance was to hate and despise the whole human race. For some days Spandrell skilfully rubbed the horror in; and then, when she was thoroughly penetrated with the sense of guilt and creeping with self-disgust, cynically and violently renewed his now obscene love-making.
In the end she had left him, hating him, hating herself. That was three months ago. Spandrell had made no attempt to have her back or to renew the experiment on another victim. It wasn’t worth the effort; nothing was worth the effort. He contented himself with talking about the excitements of diabolism, while in practice he remained sunk apathetically in the dismal routine of brandy and hired love. The talk momentarily excited him; but when it was over he fell back again yet deeper into boredom and despondency. There were times when he felt as though he were becoming inwardly paralysed, with a gradual numbing of the very soul. It was a paralysis which it was within his power, by making an effort of the will, to cure. But he could not, even would not, make the effort.
‘But if you’re bored by it, if you hate it,’ Philip Quarles had interrogated, focussing on Spandrell his bright intelligent curiosity, ‘why the devil
