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The Genius and the Goddess
trouble for poor little Ruth. Better say nothing and wait for the foolishness to blow over.

Better to go on pretending that the poems were simply literary exercises which had nothing to do with real life or their author’s feelings. And so it went on, underground, like a resistance movement, like the fifth column, until the day of her mother’s departure. Driving home from the station I wondered apprehensively what would happen now that Katy’s restraining presence had been removed. Next morning brought the answer—painted cheeks, a mouth like an overripe strawberry and that perfume, that whore-house smell of her!”
“With behavior, I suppose, to match?”

“That was what I expected, of course. But oddly enough it didn’t immediately materialize. Ruth didn’t seem to feel the need of acting her new part; it was enough merely to look it. She was satisfied with the signs and emblems of the grand passion. Scenting her cotton underclothes, looking at the image in the glass of that preposterously raddled little face, she could see and smell herself as another Lola Montez, without having to establish her claim to the title by doing anything at all. And it was not merely the mirror that told her who she had become; it was also public opinion—her amazed and envious and derisive school fellows, her scandalized teachers. Their looks and comments corroborated her private fantasies. She was not the only one to know it; even other people recognized the fact that she had now become the grande amoureuse, the femme fatale.

It was all so novel and exciting and absorbing that for a time, thank heaven, I was almost forgotten. Besides, I had committed the unpardonable offense of not taking her latest impersonation with proper seriousness. It was on the very first day of the new dispensation. I came downstairs to find Ruth and Beulah in the hall, hotly disputing. ‘A nice young girl like you,’ the old woman was saying. ‘You ought to be ashamed of yourself.’

The nice young girl tried to enlist me as an ally. ‘You don’t think mother will mind my using make-up, do you?’ Beulah left me no time to answer. ‘I’ll tell you what your mother will do,’ she said emphatically and with remorseless realism. ‘She’ll give you one look, then she will sit down on the davenport, turn you over her knee, pull down your drawers and give you the biggest spanking you ever had in all your life.’ Ruth gave her a look of cold and haughty contempt and said, ‘I wasn’t talking to you.’ Then she turned back in my direction. ‘What do you say, John?’

The strawberry lips wreathed themselves into what was intended to be a richly voluptuous smile; the eyes gave me a bolder version of their adoring look. ‘What do you say?’ In mere self-defense I told her the truth. ‘I’m afraid Beulah’s right,’ I said. ‘An enormous spanking.’ The smile faded, the eyes darkened and narrowed, an angry flush appeared beneath the rouge on her cheeks. ‘I think you’re absolutely disgusting,’ she said. ‘Disgusting!’ Beulah echoed. ‘Who’s disgusting, I’d like to know?’ Ruth scowled and bit her lip, but managed to ignore her. ‘How old was Juliet?’ she asked with a note of anticipated triumph in her voice.

‘A year younger than you are,’ I answered. The triumph broke through in a mocking smile. ‘But Juliet,’ I went on, ‘didn’t go to school. No classes, no homework. Nothing to think about except Romeo and painting her face—if she did paint it, which I rather doubt. Whereas you’ve got algebra, you’ve got Latin and the French irregular verbs. You’ve been given the inestimable opportunity of some day becoming a reasonably civilized young woman.’

There was a long silence. Then she said, ‘I hate you.’ It was the cry of an outraged Salome, of Dolores, justly indignant at having been mistaken for a high-school kid. Tears began to flow. Charged with the black silt of mascara, they cut their way through the alluvial plains of rouge and powder. ‘Damn you,’ she sobbed, ‘damn you!’ She wiped her eyes; then, catching sight of the horrible mess on her handkerchief, she uttered a cry of horror and rushed upstairs. Five minutes later, serene and completely repainted, she was on her way to school.

And that” Rivers concluded, “was one of the reasons why our grande amoureuse paid so little attention to the object of her devouring passion, why the femme fatale preferred, during the first two weeks of her existence, to concentrate on herself rather than on the person to whom the author of the scenario had assigned the part of victim. She had tried me out and found me sadly unworthy of the role! It seemed better, for the time being, to play the piece as a monologue. In that quarter at least I was given a respite. But meanwhile my Nobel Prize winner was getting into trouble.

“On the fourth day of his emancipation, Henry sneaked off to a cocktail party given by a female musicologist with bohemian tastes. Broken reeds can never hold their liquor like gentlemen. Henry could get gloriously tipsy on tea and conversation. Martinis turned him into a maniac, who suddenly became a depressive and ended up, invariably, by vomiting. He knew it, of course; but the child in him had to assert its independence. Katy had confined him to an occasional sherry.

Well, he’d show her, he’d prove that he could affront Prohibition as manfully as anyone else. When the cat’s away, the mice will play. And they’ll play (such is the curious perversity of the human heart) at games which are simultaneously dangerous and boring—games where, if you lose and retire, you feel humiliated and, if you persist and win, you wish to God you hadn’t. Henry accepted the musicologist’s invitation, and what was bound to happen duly happened. By the time he was halfway through his second drink he was making an exhibition of himself.

By the end of the third he was holding the musicologist’s hand and telling her that he was the unhappiest man in the world. And a quarter of the way through the fourth he had to make a dash for the bathroom. But that wasn’t all; on the way home—he insisted on walking—he managed somehow to lose his brief case. In it were the first three chapters of his new book. From Boole to Wittgenstein. Even now, a generation later, it’s still the best introduction to modern logic.

A little masterpiece! And maybe it would be still better if he hadn’t got drunk and lost the original version of the first three chapters. I deplored the loss, but welcomed its sobering effect on poor old Henry. For the next few days he was as good as gold, as reasonable, very nearly, as little Timmy. I thought my troubles were over, all the more so as the news from Chicago seemed to indicate that Katy would soon be home again. Her mother, so it seemed, was sinking. Sinking so fast that, one morning on our way to the laboratory, Henry made me stop at a haberdasher’s; he wanted to buy himself a black satin tie for the funeral. Then, electrifyingly, came the news of a miracle.

At the last moment, refusing to give up hope, Katy had called in another doctor—a young man just out of Johns Hopkins, brilliant, indefatigable, up to all the latest tricks. He had started a new treatment; he had wrestled with death through the whole of a night and a day and another night. And now the battle was won; the patient had been brought back from the very brink of the grave and would live. Katy, in her letter, was exultant and I, of course, exulted in sympathy.

Old Beulah went about her work loudly praising the Lord, and even the children took time off from their themes and problems, their fantasies of sex and railway trains, to rejoice. Everyone was happy except Henry. True, he kept saying that he was happy; but his unsmiling face (he could never conceal what he really felt) belied his words. He had been counting on Mrs. Hanbury’s death to bring his womb-secretary, his mother-mistress home again. And now—unexpectedly, improperly (there was no other word for it)—this interfering young squirt from Johns Hopkins had come along with his damned miracle. Someone who ought to have quietly shuffled off was now (against all the rules) out of danger. Out of danger; but still, of course, much too sick to be left alone. Katy would have to stay on in Chicago until the patient could fend for herself.

Heaven only knew when the one being on whom poor old Henry depended for everything—his health, his sanity, his very life—would return to him. Hope deferred brought on several attacks of asthma. But then, providentially, came the announcement that he had been elected a Corresponding Member of the French Institute. Very flattering indeed! It cured him instantly—but, alas, not permanently. A week passed, and as day succeeded day, Henry’s sense of deprivation became a positive agony, like the withdrawal pains of a drug addict.

His anguish found expression in a wild, irrational resentment. That fiendish old hag! (actually, Katy’s mother was two months his junior) That malignant malingerer! For, of course, she wasn’t really ill—nobody could be really ill that long without dying. She was just shamming. And the motive was a mixture of selfishness and spite. She wanted to keep her daughter to herself and she wanted (for the old bitch had always hated him) to prevent Katy from being where she ought to be—with her husband.

I gave him a

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trouble for poor little Ruth. Better say nothing and wait for the foolishness to blow over. Better to go on pretending that the poems were simply literary exercises which had