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The Rest Cure
then? Berto was all for strong measures. Tonino protested that he hadn’t the courage; the poor woman would be too unhappy. But he also enjoyed a good dinner and going for drives in an expensive car and receiving sumptuous additions to his wardrobe. He contented himself with complaining and being a Christian martyr. One evening his old friend Carlo Menardi introduced him to his sister. After that he bore his martyrdom with even less patience than before. Luisa Menardi was only seventeen, fresh, healthy, provocatively pretty, with rolling black eyes that said all sorts of things and an impertinent tongue. Tonino’s business appointments became more numerous than ever. Moira was left to brood in solitude on the dreadful theme of her own repulsiveness.

Then, quite suddenly, Tonino’s manner towards her underwent another change. He became once more assiduously tender, thoughtful, affectionate. Instead of hardening himself with a shrug of indifference against her tears, instead of returning anger for hysterical anger, he was patient with her, was lovingly and cheerfully gentle. Gradually, by a kind of spiritual infection, she too became loving and gentle. Almost reluctantly—for the devil in her was the enemy of life and happiness—she came up again into the light.

‘My dear son,’ Vasari senior had written in his eloquent and disquieting letter, ‘I am not one to complain feebly of Destiny; my whole life has been one long act of Faith and unshatterable Will. But there are blows under which even the strongest man must stagger—blows which . . .’ The letter rumbled on for pages in the same style. The hard unpleasant fact that emerged from under the eloquence was that Tonino’s father had been speculating on the Naples stock exchange, speculating unsuccessfully. On the first of the next month he would be required to pay out some fifty thousand francs more than he could lay his hands on. The Grand Hotel Ritz-Carlton was doomed; he might even have to sell the restaurant. Was there anything Tonino could do?

‘Is it possible?’ said Moira with a sigh of happiness. ‘It seems too good to be true.’ She leaned against him; Tonino kissed her eyes and spoke caressing words. There was no moon; the dark-blue sky was thickly constellated; and, like another starry universe gone deliriously mad, the fire-flies darted, alternately eclipsed and shining, among the olive trees. ‘Darling,’ he said aloud, and wondered if this would be a propitious moment to speak. ‘Piccina mia.’ In the end he decided to postpone matters for another day or two. In another day or two, he calculated, she wouldn’t be able to refuse him anything.

Tonino’s calculations were correct. She let him have the money, not only without hesitation, but eagerly, joyfully. The reluctance was all on his side, in the receiving. He was almost in tears as he took the cheque, and the tears were tears of genuine emotion. ‘You’re an angel,’ he said, and his voice trembled. ‘You’ve saved us all.’ Moira cried outright as she kissed him. How could John have said those things? She cried and was happy. A pair of silver-backed hair-brushes accompanied the cheque—just to show that the money had made no difference to their relationship. Tonino recognized the delicacy of her intention and was touched. ‘You’re too good to me,’ he insisted, ’too good.’ He felt rather ashamed.

‘Let’s go for a long drive tomorrow,’ she suggested.

Tonino had arranged to go with Luisa and her brother to Prato. But so strong was his emotion, that he was on the point of accepting Moira’s invitation and sacrificing Luisa.

‘All right,’ he began, and then suddenly thought better of it. After all, he could go out with Moira any day. It was seldom that he had a chance of jaunting with Luisa. He struck his forehead, he made a despairing face. ‘But what am I thinking of!’ he cried. ‘Tomorrow’s the day we’re expecting the manager of the hotel company from Milan.’

‘But must you be there to see him?’

‘Alas!’

It was too sad. Just how sad Moira only fully realized the next day. She had never felt so lonely, never longed so ardently for his presence and affection. Unsatisfied, her longings were an unbearable restlessness. Hoping to escape from the loneliness and ennui with which she had filled the house, the garden, the landscape, she took out the car and drove away at random, not knowing whither. An hour later she found herself at Pistoia, and Pistoia was as hateful as every other place; she headed the car homewards. At Prato there was a fair. The road was crowded; the air was rich with a haze of dust and the noise of brazen music. In a field near the entrance to the town, the merry-go-rounds revolved with a glitter in the sunlight. A plunging horse held up the traffic.

Moira stopped the car and looked about her at the crowd, at the swings, at the whirling roundabouts, looked with a cold hostility and distaste. Hateful! And suddenly there was Tonino sitting on a swan in the nearest merry-go-round, with a girl in pink muslin sitting in front of him between the white wings and the arching neck. Rising and falling as it went, the swan turned away out of sight. The music played on. But poor poppa, poor poppa, he’s got nothin’ at all. The swan reappeared. The girl in pink was looking back over her shoulder, smiling. She was very young, vulgarly pretty, shining and plumped with health. Tonino’s lips moved; behind the wall of noise what was he saying? All that Moira knew was that the girl laughed; her laughter was like an explosion of sensual young life. Tonino raised his hand and took hold of her bare brown arm.

Like an undulating planet, the swan once more wheeled away out of sight. Meanwhile, the plunging horse had been quieted, the traffic had begun to move forward. Behind her a horn hooted insistently. But Moira did not stir. Something in her soul desired that the agony should be repeated and prolonged. Hoot, hoot, hoot! She paid no attention. Rising and falling, the swan emerged once more from eclipse. This time Tonino saw her. Their eyes met; the laughter suddenly went out of his face. ‘Porco madonna!’ shouted the infuriated motorist behind her, ‘can’t you move on?’ Moira threw the car into gear and shot forward along the dusty road.

The cheque was in the post; there was still time, Tonino reflected, to stop the payment of it.

‘You’re very silent,’ said Luisa teasingly, as they drove back towards Florence. Her brother was sitting in front, at the wheel; he had no eyes at the back of his head. But Tonino sat beside her like a dummy. ‘Why are you so silent?’

He looked at her, and his face was grave and stonily unresponsive to her bright and dimpling provocations. He sighed; then, making an effort, he smiled, rather wanly. Her hand was lying on her knee, palm upward, with a pathetic look of being unemployed. Dutifully doing what was expected of him, Tonino reached out and took it.

At half past six he was leaning his borrowed motorcycle against the wall of Moira’s villa. Feeling like a man who is about to undergo a dangerous operation, he rang the bell.

Moira was lying on her bed, had lain there ever since she came in; she was still wearing her dust-coat, she had not even taken off her shoes. Affecting an easy cheerfulness, as though nothing unusual had happened, Tonino entered almost jauntily.

‘Lying down?’ he said in a tone of surprised solicitude. ‘You haven’t got a headache, have you?’ His words fell, trivial and ridiculous, into abysses of significant silence. With a sinking of the heart, he sat down on the edge of the bed, he laid a hand on her knee. Moira did not stir, but lay with averted face, remote and unmoving. ‘What is it, my darling?’ He patted her soothingly. ‘You’re not upset because I went to Prato, are you?’ he went on, in the incredulous voice of a man who is certain of a negative answer to his question.

Still she said nothing. This silence was almost worse than the outcry he had anticipated. Desperately, knowing it was no good, he went on to talk about his old friend, Carlo Menardi, who had come round in his car to call for him; and as the director of the hotel company had left immediately after lunch—most unexpectedly—and as he’d thought Moira was certain to be out, he had finally yielded and gone along with Carlo and his party. Of course, if he’d realized that Moira hadn’t gone out, he’d have asked her to join them. For his own sake her company would have made all the difference.

His voice was sweet, ingratiating, apologetic. ‘A black-haired pimp from the slums of Naples.’ John’s words reverberated in her memory. And so Tonino had never cared for her at all, only for her money. That other woman. . . . She saw again that pink dress, lighter in tone than the sleek, sunburnt skin; Tonino’s hand on the bare brown arm; that flash of eyes and laughing teeth. And meanwhile he was talking on and on, ingratiatingly; his very voice was a lie.

‘Go away,’ she said at last, without looking at him.

‘But, my darling . . .’ Bending over her, he tried to kiss her averted cheek. She turned and, with all her might, struck him in the face.

‘You little devil!’ he cried, made furious by the pain of the blow. He pulled out his handkerchief and held it to his bleeding lip. ‘Very well, then.’ His voice trembled

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then? Berto was all for strong measures. Tonino protested that he hadn’t the courage; the poor woman would be too unhappy. But he also enjoyed a good dinner and going