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Those Barren Leaves
him it always seems an amelioration made at his expense. Do you remember, during the war and in the prosperous time immediately following, when the workers for the first time in history were paid a wage that enabled them to live in something like comfort, do you remember how furiously, with what a black atrabilious overflow of hatred, the middle classes denounced the riotous excesses of the idle poor? Why, the monsters even bought pianos—pianos! The pianos have all been sold again, long since. The spare furniture has gone the way of all superfluities. Even the winter overcoat is pawned. The burgess, for all that the times are hard for him too, feels happier; he is revenged. He can live in a comparative tranquillity. And what a life!

He lives according to his lusts, but timorously and in a conventional way; his diversions are provided for him by joint stock companies. He has no religion, but a great respect for genteel conventions which have not even the justification of a divine origin. He has heard of art and thought, and respects them because the best people respect them; but his mental capacities and his lack of education do not allow him to get any real satisfaction out of them. He is thus poorer than the savage, who, if he has never heard of art or science, is yet rich in religion and traditional lore. The life of a wild animal has a certain dignity and beauty; it is only the life of a domesticated animal that can be called degraded. The burgess is the perfectly domesticated human animal. That is why,’ added Chelifer, ‘that is why any one who wants to live really at the heart of human reality must live in the midst of burgessdom. In a little while, however, it won’t be necessary to make any invidious distinctions between the classes.

Every one will soon be bourgeois. The charm of the lower classes in the past consisted in the fact that they were composed of human animals in a state of relative wildness. They had a traditional wisdom and a traditional superstition; they had ancient and symbolical diversions of their own. My mother can tell you all about those,’ he put in parenthetically. ‘That Tolstoy should have preferred the Russian peasants to his rich and literary friends is very comprehensible. The peasants were wild; the others, just as brutish at bottom, were disgustingly tame. Moreover, they were lap-dogs of a perfectly useless breed; the peasants at any rate did something to justify their existence. But in the other countries of Europe and the New World the wild breed is rapidly dying out. Million-sale newspapers and radios are domesticating them at a prodigious rate. You can go a long way in England nowadays before you find a genuine wild human animal.

Still, they do exist in the country and even in the more fetid and savage parts of towns. That’s why, I repeat, one must live among the suburban bourgeoisie. The degraded and domesticated are the typical human animals of the present time; it’s they who will inherit the earth in the next generation; they’re the characteristic modern reality. The wild ones are no longer typical; it would be ludicrous to be a Tolstoyan now, in western Europe. And as for the genuine men and women, as opposed to the human animals, whether wild or tame—they’re so fabulously exceptional that one has no right to think of them at all. That cupola,’ he pointed to the silhouette of St. Peter’s, rising high above the houses on the other side of the city, ‘was designed by Michelangelo. And very nice too. But what has it or he to do with us?’

‘Blasphemy!’ cried Mrs. Aldwinkle, flying to the defence of Buonarroti.

Mr. Falx harked back to an earlier grievance. ‘You malign human nature,’ he said.

‘All very true and indeed obvious,’ was Mr. Cardan’s comment. ‘But I can’t see why you shouldn’t allow us to amuse ourselves with Michelangelo if we want to. God knows, it’s hard enough for a man to adapt himself to circumstances; why should you deprive him of his little assistants in the difficult task? Wine, for example, learning, cigars and conversation, art, cooking, religion for those that like it, sport, love, humanitarianism, hashish and all the rest. Every man has his own recipe for facilitating the process of adaptation. Why shouldn’t he be allowed to indulge in his dope in peace? You young men are all so damned intolerant. How often have I had occasion to say it? You’re nothing but a set of prohibitionists, the whole lot of you.’

‘Still,’ said Mrs. Chelifer in her gentle and musical voice, ‘you can’t deny that prohibition has done a great deal of good in America.’

They strolled back to the tea-table, which they had left a few minutes before to look at the view. Miss Elver was just finishing an éclair. Two empty dishes stood in front of her.

‘Had a good tea?’ asked Mr. Cardan.

Miss Elver nodded; her mouth was too full to speak.

‘Perhaps you’d like some more cakes?’ he suggested.

Miss Elver looked at the two empty dishes, then at Mr. Cardan. She seemed on the point of saying yes. But Mrs. Chelifer, who had taken the chair next hers, laid a hand on her arm.

‘I don’t think Grace really wants any more,’ she said.

Grace turned towards her; a look of disappointment and melancholy came into her eyes, but it gave place after a moment to a happier expression. She smiled, she took Mrs. Chelifer’s hand and kissed it.

‘I like you,’ she said.

On the back of Mrs. Chelifer’s hand her lips had left a brown print of melted chocolate. ‘I think you’d better just give your face a little wipe with your napkin,’ Mrs. Chelifer suggested.

‘Perhaps if you dipped the corner of it first into the hot water . . .’

There was a silence. From the open-air dancing-floor, a hundred yards away beneath the trees, came the sound, a little dimmed by the intervening distance and the pervading Roman noise, of the jazz band. Monotonously, unceasingly, the banjos throbbed out the dance rhythms. An occasional squeak indicated the presence of a violin. The trumpet could be heard tooting away with a dreary persistence at the tonic and dominant; and clear above all the rest the saxophone voluptuously caterwauled. At this distance every tune sounded exactly the same. Suddenly, from the band-stand of the tea-garden a pianist, two fiddlers and a ’cellist began to play the Pilgrims’ Chorus out of Tannhäuser.

Irene and Lord Hovenden, locked in one another’s arms, were stepping lightly, meanwhile, lightly and accurately over the concrete dance-floor. Obedient to the music of the jazz band, forty other couples stepped lightly round them. Percolating insidiously through the palisade that separated the dance-floor from the rest of the world, thin wafts of the Pilgrims’ Chorus intruded faintly upon the jazz.

‘Listen,’ said Hovenden. Dancing, they listened. ‘Funny it sounds when you hear bof at ve same time!’

But the music from beyond the palisade was not strong enough to spoil their rhythm. They listened for a little, smiling at the absurdity of this other music from outside; but they danced on uninterruptedly. After a time they did not even take the trouble to listen.

CHAPTER IV

Mr. Falx had expected to find no difficulty, once they were arrived in Rome, in recalling his pupil to what he considered a better and more serious frame of mind. In the bracing atmosphere of an International Labour Conference Lord Hovenden, he hoped, would recover his moral and intellectual tone. Listening to speeches, meeting foreign comrades, he would forget the corrupting charms of life under Mrs. Aldwinkle’s roof and turn to nobler and more important things. Moreover, on a young and generous spirit like his the prospect of possible persecution at the hands of the Fascists might be expected to act as a stimulant; the fact of being in opposition ought to make him feel the more ardently for the unpopular cause. So Mr. Falx calculated.

But it turned out in the event that he had calculated badly. Arrived in Rome, Lord Hovenden seemed to take even less interest in advanced politics than he had during the last two or three weeks at Vezza. He suffered himself, but with a reluctance that was only too obvious to Mr. Falx, to be taken to a few of the meetings of the conference. Their bracing intellectual atmosphere had no tonic effect upon him whatsoever, and he spent his time at the meetings yawning and looking with an extraordinary frequency at his watch. In the evenings, when Mr. Falx wanted to take him to see some distinguished comrade, Lord Hovenden either made some vague excuse or, more frequently, was simply undiscoverable. The next day Mr. Falx learned with distress that he had passed half the night at a Dancing Club with Irene Aldwinkle. He could only look forward hopefully to the date of Mrs. Aldwinkle’s return journey. Lord Hovenden—it had been arranged before they left England—would stay on with him in Rome till the end of the conference. With the removal of all temptations to frivolity he might be relied upon to re-become his better self.

Lord Hovenden’s conscience, meanwhile, occasionally troubled him.

‘I sometimes feel I’ve raver left old Mr. Falx in ve lurch,’ he confided uneasily to Irene on the evening of their second day in Rome. ‘But still, he can’t really expect me to spend all ve day wiv him, can he?’

Irene agreed that he really couldn’t.

‘Besides,’ Lord Hovenden went on, reassuring himself, ‘I’d really be raver out of it wiv his friends. And it’s

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him it always seems an amelioration made at his expense. Do you remember, during the war and in the prosperous time immediately following, when the workers for the first time