‘Quite so,’ said Mr. Cardan. ‘Amore, we see, can mean nothing else than Southern passion. But now, suppose that flucuthukh should turn out to be the Etruscan for love—what then? Amour connotes lasciviousness, Liebe sentiment, amore passion. To what aspect of the complex phenomenon of love can flucuthukh refer? The microbe Staphylococcus pyogenes produces in some patients boils, in others sties in the eye; in certain cases it is even responsible for keratitis punctata. It is the same with love. The symptoms vary in different individuals. But owing to the boundless suggestibility and imitativeness of man, the commonest symptoms at any given period tend to become universal in any one society. Whole peoples take the disease in the same way; one suffers from amour, another from Liebe and so on. But now imagine a people to whom love was flucuthukh. What can have been the particular symptoms of the general amorous disease to which such a name was given? One cannot guess. But at least it is fascinating to speculate.’
One after the other the party filed out through the narrow door into the ante-room of the sepulchre and up the steep flight of steps leading to the surface of the ground. Blinking in the bright afternoon light, they stepped out on to the bare and windy down.
It was a solitary place. The arches of a ruined aqueduct went striding along the ridge, and following their long recession the eye came at last to rest on the walls and tall towers of Corneto. To the left the hog-backed down sloped seawards; on the further side of the narrow plain at its foot stretched the Mediterranean. On the right lay a deep valley, shut in on the further side by a great round hill. Its grassy flanks were furrowed and pitted with what had once been the works of man. Once, on that hill, had stood the sacred city, Tarquinii of the Etruscans. The long bare down on which they were standing had been, through how many centuries? its necropolis. In little houses hollowed out of the chalky stone slept the innumerable dead. Here and there the top of a vault was broken through; from the hollow darkness within came up even at high summer an immemorial coolness.
Here and there the surface of the down swelled up into round grass-grown barrows. It was from the heart of one of these tumuli that they had now emerged. The guide put out his lamp and shut the door upon the Etruscan ghosts. They walked for a few hundred yards through geological time—between the sea and the hills, under the floating clouds; on the sky-line the Middle Ages pricked up their towers; the smudged and flattened relics of Etruria undulated almost imperceptibly under the grass; from the Roman road in the plain below came up the distant hooting of a motor car.
The sound of the motor horn aroused Irene from the thoughtful trance in which, sad-faced and childish, this time, pathetically, she was walking. She had been silent and melancholy ever since, yesterday morning, they had left Rome; Lord Hovenden had stayed behind with Mr. Falx. The long-drawn hooting of the electric horn seemed to remind her of something. She looked down towards the sea-board plain. A cloud of white dust was advancing along the Maremman road from the direction of Civita Vecchia. It hung, opaque, over half a mile of road, fading slowly to transparency towards the tail. At the head, where the dust was thickest, a small black object moved like a rapidly crawling insect across the map-like expanse of plain, drawing the cloud after it. From the opposite direction came another black-headed comet of dust. Like two white serpents they approached one another, as though rushing to battle. Nearer, nearer they came. Irene stopped still to look at them. She was filled with a horrible apprehension.
It seemed impossible that they should not crash together. Nearer, nearer. The heads of the two serpents seemed almost to be touching one another. Suppose, just suppose that one of the cars was his. . . . Inevitably they must collide. Crash and smash—oh, the horror of it! Irene shut her eyes. A few seconds later she opened them. The two white snakes had merged together into one very thick opaque snake. It was impossible to see the little black heads at all. For one horrible moment she thought that they must have destroyed one another. But they reappeared after a little, receding now one from the other, no more approaching. The two serpents were still one serpent, but two-headed, a long amphisbaena. Then, gradually, the middle of the amphisbaena began to grow thin, to fade; a little clump of trees showed through it, dimly at first, mistily, then clearly. The amphisbaena had fallen in half and the two white snakes crawled on, one northwards, the other towards the south, and between their fading tails was a wide and ever wider gap. Irene heaved a deep sigh of relief and ran on after the others. It seemed to her that she had been the witness of a catastrophe miraculously averted. She felt much happier than she had felt all day. On a wide road two automobiles had passed one another. That was all.
The guide was unlocking the door that gave entrance to another excavated barrow. He relit his lamp and led the way down the steep steps into the tomb. On one wall they were horse-racing and wrestling, hieratically, all in profile. A goddess—or perhaps it was merely the Lady Mayoress of the city—wearing that high bonnet-shaped coiffure which the Roman matrons were afterwards to borrow from their neighbours, was distributing the prizes. On the other walls they were feasting. The red-brown men, the white-skinned ladies reclined along their couches. A musician stood by, playing on his double flute, and a female dancer, dressed in what looked rather like a Persian costume, was dancing a shawl dance for the diversion of the diners.
‘They seem to have had simple tastes,’ said Mr. Cardan. ‘There’s nothing very sophisticated or fin de siècle here—no bull-baiting by naked female acrobats, as at Cnossos; no gladiatorial fights, no wholesale butchering of animals, no boring matches with brass knuckle-dusters, as in the Roman arenas. A nice school-boyish sort of people, it looks to me. Not quite civilized enough to be exigeant about their pleasures.’
‘And not yet quite civilized enough,’ added Chelifer, ‘to be really vulgar. In that respect they fall a long way behind the later Romans. Do you know that huge mosaic in the Lateran museum? It comes from one of the Imperial baths, I forget which, and consists of portraits of the principal sporting heroes of the epoch—boxers and wrestlers—with their trainers and backers. These last are treated very respectfully by the mosaic-maker, who represents them wearing togas and standing in the noblest attitudes. One sees at a glance that they are the gens bien, the sportsmen, the amateurs—in a word, the monied interest. The athletes are portrayed in a state of nature, and are indeed so excessively natural that one could easily mistake the heavy-weight boxers for gorillas peeled of their superfluous hair. Under each portrait is a caption with the name of the hero represented. The whole thing reminds one very much of the sporting page in a picture paper—only it is a page that is forty feet long by thirty wide, and made, not of wood-pulp, but of the most durable materials ever devised by the ingenuity of man for the embodiment and visible eternization of his thoughts.
And it is, I think, precisely the size and everlastingness of the frightful thing that makes it so much worse than the similar page from our picture papers. To make ephemeral heroes of professional sportsmen and prize-fighters is bad enough; but that a people should desire to immortalize their fame is surely indicative of a profounder vulgarity and abjection. Like the Roman mob, the mobs of our modern capitals delight in sports and exercises which they themselves do not practise; but at any rate, the fame of our professionals lasts only a day after their triumph. We do not print their effigies on marble pavements made to live down a hundred generations of men. We print them on wood-pulp, which is much the same as printing them on water. It is comforting to think that by the year two thousand one hundred the whole of contemporary journalism, literature and thought will have crumbled to dust. The mosaic, however, will still be in its present state of perfect preservation. Nothing short of dynamite or an earthquake will ever totally destroy the effigies of those Imperial boxers.
And a very good thing, too, for the future historians of Rome. For no man can claim that he has really understood the Roman empire till he has studied that mosaic. That pavement is a vessel filled with the quintessence of Roman reality. A drop of that reality is enough to shrivel up all the retrospective Utopias that historians have ever made or ever can make out of the chronicles of ancient Rome. After looking at that mosaic a man can have no more generous illusions about the people who admired it or the age in which it was made. He will realize that Roman civilization was not merely just as sordid as ours, but if anything more sordid. But in these Etruscan vaults,’ Chelifer added, looking round at the frescoed walls, ‘one gets no such impression of organized and efficient beastliness
