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The Trial
tailored jacket and at one time lifted his arms in the air and moved his hands freely to try and depict something that K. could not grasp, even though he was leaning forward and did not let the hands out of his sight. K. had nothing to occupy himself but mechanically watch the exchange between the two men and his tiredness finally made itself felt, to his alarm, although fortunately in good time, he once caught himself nearly getting up, turning round and leaving. Eventually the Italian looked at the clock and jumped up. After taking his leave from the director he turned to K., pressing himself so close to him that K. had to push his chair back just so that he could move. The director had, no doubt, seen the anxiety in K.’s eyes as he tried to cope with this dialect of Italian, he joined in with this conversation in a way that was so adroit and unobtrusive that he seemed to be adding no more than minor comments, whereas in fact he was swiftly and patiently breaking into what the Italian said so that K. could understand. K. learned in this way that the Italian first had a few business matters to settle, that he unfortunately had only a little time at his disposal, that he certainly did not intend to rush round to see every monument in the city, that he would much rather—at least as long as K. would agree, it was entirely his decision—just see the cathedral and to do so thoroughly. He was extremely pleased to be accompanied by someone who was so learned and so pleasant—by this he meant K., who was occupied not with listening to the Italian but the director—and asked if he would be so kind, if the time was suitable, to meet him in the cathedral in two hours’ time at about ten o’clock. He hoped he would certainly be able to be there at that time. K. made an appropriate reply, the Italian shook first the director’s hand and then K.’s, then the director’s again and went to the door, half turned to the two men who followed him and continuing to talk without a break. K. remained together with the director for a short while, although the director looked especially unhappy today. He thought he needed to apologise to K. for something and told him—they were standing intimately close together—he had thought at first he would accompany the Italian himself, but then—he gave no more precise reason than this—then he decided it would be better to send K. with him. He should not be surprised if he could not understand the Italian at first, he would be able to very soon, and even if he really could not understand very much he said it was not so bad, as it was really not so important for the Italian to be understood. And anyway, K.’s knowledge of Italian was surprisingly good, the director was sure he would get by very well. And with that, it was time for K. to go. He spent the time still remaining to him with a dictionary, copying out obscure words he would need to guide the Italian round the cathedral. It was an extremely irksome task, servitors brought him the mail, bank staff came with various queries and, when they saw that K. was busy, stood by the door and did not go away until he had listened to them, the deputy director did not miss the opportunity to disturb K. and came in frequently, took the dictionary from his hand and flicked through its pages, clearly for no purpose, when the door to the ante-room opened even clients would appear from the half-darkness and bow timidly to him—they wanted to attract his attention but were not sure whether he had seen them—all this activity was circling around K. with him at its centre while he compiled the list of words he would need, then looked them up in the dictionary, then wrote them out, then practised their pronunciation and finally tried to learn them by heart. The good intentions he had had earlier, though, seemed to have left him completely, it was the Italian who had caused him all this effort and sometimes he became so angry with him that he buried the dictionary under some papers firmly intending to do no more preparation, but then he realised he could not walk up and down in the cathedral with the Italian without saying a word, so, in an even greater rage, he pulled the dictionary back out again.

At exactly half past nine, just when he was about to leave, there was a telephone call for him, Leni wished him good morning and asked how he was, K. thanked her hurriedly and told her it was impossible for him to talk now as he had to go to the cathedral. «To the cathedral?» asked Leni. «Yes, to the cathedral.» «What do you have to go to the cathedral for?» said Leni. K. tried to explain it to her briefly, but he had hardly begun when Leni suddenly said, «They’re harassing you.» One thing that K. could not bear was pity that he had not wanted or expected, he took his leave of her with two words, but as he put the receiver back in its place he said, half to himself and half to the girl on the other end of the line who could no longer hear him, «Yes, they’re harassing me.»

By now the time was late and there was almost a danger he would not be on time. He took a taxi to the cathedral, at the last moment he had remembered the album that he had had no opportunity to give to the Italian earlier and so took it with him now. He held it on his knees and drummed impatiently on it during the whole journey. The rain had eased off slightly but it was still damp, chilly and dark, it would be difficult to see anything in the cathedral but standing about on cold flagstones might well make K.’s chill much worse. The square in front of the cathedral was quite empty, K. remembered how even as a small child he had noticed that nearly all the houses in this narrow square had the curtains at their windows closed most of the time, although today, with the weather like this, it was more understandable. The cathedral also seemed quite empty, of course no-one would think of going there on a day like this. K. hurried along both the side naves but saw no-one but an old woman who, wrapped up in a warm shawl, was kneeling at a picture of the Virgin Mary and staring up at it. Then, in the distance, he saw a church official who limped away through a doorway in the wall. K. had arrived on time, it had struck ten just as he was entering the building, but the Italian still was not there. K. went back to the main entrance, stood there indecisively for a while, and then walked round the cathedral in the rain in case the Italian was waiting at another entrance. He was nowhere to be found. Could the director have misunderstood what time they had agreed on? How could anyone understand someone like that properly anyway? Whatever had happened, K. would have to wait for him for at least half an hour. As he was tired he wanted to sit down, he went back inside the cathedral, he found something like a small carpet on one of the steps, he moved it with his foot to a nearby pew, wrapped himself up tighter in his coat, put the collar up and sat down. To pass the time he opened the album and flicked through the pages a little but soon had to give up as it became so dark that when he looked up he could hardly make out anything in the side nave next to him.

In the distance there was a large triangle of candles flickering on the main altar, K. was not certain whether he had seen them earlier. Perhaps they had only just been lit. Church staff creep silently as part of their job, you don’t notice them. When K. happened to turn round he also saw a tall, stout candle attached to a column not far behind him. It was all very pretty, but totally inadequate to illuminate the pictures which were usually left in the darkness of the side altars, and seemed to make the darkness all the deeper. It was discourteous of the Italian not to come but it was also sensible of him, there would have been nothing to see, they would have had to content themselves with seeking out a few pictures with K.’s electric pocket torch and looking at them one small part at a time. K. went over to a nearby side chapel to see what they could have hoped for, he went up a few steps to a low marble railing and leant over it to look at the altar picture by the light of his torch. The eternal light hung disturbingly in front of it. The first thing that K. partly saw and partly guessed at was a large knight in armour who was shown at the far edge of the painting. He was leaning on his sword that he had stuck into the naked ground in front of him where only a few blades of grass grew here and there. He seemed

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tailored jacket and at one time lifted his arms in the air and moved his hands freely to try and depict something that K. could not grasp, even though he