“There’s so much I haven’t told you, my dear.”
Yet that was not entirely true. For when they had stopped sleeping together, they had begun discussing together—indeed, collaborating on—each of his affairs. Alice Kent: five months; ended because she’d demanded he divorce and marry her. Sister Jones: terminated after one year when her husband found out about it. Pat Simpson: a Vogue model who’d gone to Hollywood, promised to return and never had. Adele O’Hara: beautiful, an alcoholic, a rambunctious scene-maker; he’d broken that one off himself. Mary Campbell, Mary Chester, Jane Vere-Jones. Others. And now Christine.
A few he had discovered himself; the majority were “romances” she herself had stage-managed, friends she’d introduced him to, confidantes she had trusted to provide him with an outlet but not to exceed the mark.
“Well,” she sighed. “I suppose we can’t blame Christine. Kenyon Rutherford’s rather a catch.” Still, her mind was running, searching like the flames shivering through the logs: a name to fill the void. Alice Combs: available, but too dull. Charlotte Finch: too rich, and George felt emasculated by women—or men, for that matter—richer than himself. Perhaps the Ellison woman? The soigné Mrs. Harold Ellison who was in Haiti getting a swift divorce …
He said: “Stop frowning.”
“I’m not frowning.”
“It just means more silicone, more bills from Orentreich. I’d rather see the human wrinkles. It doesn’t matter whose fault it is. We all, sometimes, leave each other out there under the skies, and we never understand why.”
AN ECHO, CAVERNS RESOUNDING: Jaime Sanchez and Carlos and Angelita; Hulga and Freddy Feo and Ivory Hunter and Mr. Schmidt; Dr. Bentsen and George, George and herself, Dr. Bentsen and Mary Rhinelander …
He gave a slight pressure to their interwoven fingers, and with his other hand, raised her chin and insisted on their eyes meeting. He moved her hand up to his lips and kissed its palm.
“I love you, Sarah.”
“I love you, too.”
But the touch of his lips, the insinuated threat, tautened her. Below stairs, she heard the rattle of silver on trays: Anna and Margaret were ascending with the fireside supper.
“I love you, too,” she repeated with pretended sleepiness, and with a feigned languor moved to draw the window draperies. Drawn, the heavy silk concealed the night river and the lighted riverboats, so snow-misted that they were as muted as the design in a Japanese scroll of winter night.
“George?” An urgent plea before the supper-laden Irishwomen arrived, expertly balancing their offerings: “Please, darling. We’ll think of somebody.”
The End
