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Music for Chameleons (Book)
said: “You been good to me, George, but I didn’t know nothing else to do. And you got a profession. There’ll always be a place for you somewhere.”

“ ‘I got out of the car, and I really did take a leak, and while I was standing there the motor started up and she drove away. I didn’t know where I was until you came along, Mr.…?’
“ ‘George Whitelaw.’ And I told him: ‘Jesus, that’s just like murder. Leaving a blind man helpless in the middle of nowhere. When we get to El Paso we’ll go to the police station.’
“He said: ‘Hell, no. She’s got enough trouble without the cops. She settled on shit—leave her to it. Ivory’s the one out in nowhere. Besides, I love her. A woman can do you like that, and still you love her.’ ”

GEORGE REFILLED HIS VODKA; she placed a small log on the fire, and the new rush of flame was only a little brighter than the furious red suddenly flushing her cheeks.
“That women do,” she said, her tone aggressive, challenging. “Only a crazy person … Do you think I could do something like that?”
The expression in his eyes, a certain visual silence, shocked her and made her avert her eyes, withdrawing the question. “Well, what happened to him?”
“Mr. Schmidt?”
“Mr. Schmidt.”

He shrugged. “The last I saw of him he was drinking a glass of milk in a diner, a truck stop outside El Paso. I was lucky; I got a ride with a trucker all the way to Newark. I sort of forgot about it. But for the last few months I find myself wondering about Ivory Hunter and George Schmidt. It must be age; I’m beginning to feel old myself.”
She knelt beside him again; she held his hand, interweaving her fingers with his. “Fifty-two? And you feel old?”

He had retreated; when he spoke, it was the wondering murmur of a man addressing himself. “I always had such confidence. Just walking the street, I felt such a swing. I could feel people looking at me—on the street, in a restaurant, at a party—envying me, wondering who is that guy. Whenever I walked into a party, I knew I could have half the women in the room if I wanted them. But that’s all over. Seems as though old George Whitelaw has become the invisible man. Not a head turns. I called Mimi Stewart twice last week, and she never returned the calls. I didn’t tell you, but I stopped at Buddy Wilson’s yesterday, he was having a little cocktail thing. There must have been twenty fairly attractive girls, and they all looked right through me; to them I was a tired old guy who smiled too much.”

She said: “But I thought you were still seeing Christine.”
“I’ll tell you a secret. Christine is engaged to that Rutherford boy from Philadelphia. I haven’t seen her since November. He’s okay for her; she’s happy and I’m happy for her.”
“Christine! Which Rutherford boy? Kenyon or Paul?”
“The older one.”
“That’s Kenyon. You knew that and didn’t tell me?”
“There’s so much I haven’t told you, my dear.”

Yet that was not entirely true. For when they had stopped sleeping together, they had begun discussing together—indeed, collaborating on—each of his affairs. Alice Kent: five months; ended because she’d demanded he divorce and marry her. Sister Jones: terminated after one year when her husband found out about it. Pat Simpson: a Vogue model who’d gone to Hollywood, promised to return and never had. Adele O’Hara: beautiful, an alcoholic, a rambunctious scene-maker; he’d broken that one off himself. Mary Campbell, Mary Chester, Jane Vere-Jones. Others. And now Christine.

A few he had discovered himself; the majority were “romances” she herself had stage-managed, friends she’d introduced him to, confidantes she had trusted to provide him with an outlet but not to exceed the mark.

“Well,” she sighed. “I suppose we can’t blame Christine. Kenyon Rutherford’s rather a catch.” Still, her mind was running, searching like the flames shivering through the logs: a name to fill the void. Alice Combs: available, but too dull. Charlotte Finch: too rich, and George felt emasculated by women—or men, for that matter—richer than himself. Perhaps the Ellison woman? The soigné Mrs. Harold Ellison who was in Haiti getting a swift divorce …

He said: “Stop frowning.”
“I’m not frowning.”
“It just means more silicone, more bills from Orentreich. I’d rather see the human wrinkles. It doesn’t matter whose fault it is. We all, sometimes, leave each other out there under the skies, and we never understand why.”

AN ECHO, CAVERNS RESOUNDING: Jaime Sanchez and Carlos and Angelita; Hulga and Freddy Feo and Ivory Hunter and Mr. Schmidt; Dr. Bentsen and George, George and herself, Dr. Bentsen and Mary Rhinelander …

He gave a slight pressure to their interwoven fingers, and with his other hand, raised her chin and insisted on their eyes meeting. He moved her hand up to his lips and kissed its palm.
“I love you, Sarah.”
“I love you, too.”

But the touch of his lips, the insinuated threat, tautened her. Below stairs, she heard the rattle of silver on trays: Anna and Margaret were ascending with the fireside supper.
“I love you, too,” she repeated with pretended sleepiness, and with a feigned languor moved to draw the window draperies. Drawn, the heavy silk concealed the night river and the lighted riverboats, so snow-misted that they were as muted as the design in a Japanese scroll of winter night.

“George?” An urgent plea before the supper-laden Irishwomen arrived, expertly balancing their offerings: “Please, darling. We’ll think of somebody.”

V Hospitality

ONCE UPON A TIME, IN the rural South, there were farmhouses and farm wives who set tables where almost any passing stranger, a traveling preacher, a knife-grinder, an itinerant worker, was welcome to sit down to a hearty midday meal. Probably many such farm wives still exist. Certainly my aunt does, Mrs. Jennings Carter. Mary Ida Carter.

As a child I lived for long periods of time on the Carters’ farm, small then, but today a considerable property. The house was lighted by oil lamps in those days; water was pumped from a well and carried, and the only warmth was provided by fireplaces and stoves, and the only entertainment was what we ourselves manufactured. In the evenings, after supper, likely as not my uncle Jennings, a handsome, virile man, would play the piano accompanied by his pretty wife, my mother’s younger sister.

They were hard-working people, the Carters. Jennings, with the help of a few sharecropping field hands, cultivated his land with a horse-drawn plow. As for his wife, her chores were unlimited. I helped her with many of them: feeding the pigs, milking the cows, churning milk into butter, husking corn, shelling peas and pecans—it was fun, except for one assignment I sought to avoid, and when forced to perform, did so with my eyes shut: I just plain hated wringing the necks of chickens, though I certainly didn’t object to eating them afterward.
This was during the Depression, but there was plenty to eat on Mary Ida’s table for the principal meal of the day, which was served at noon and to which her sweating husband and his helpers were summoned by clanging a big bell. I loved to ring the bell; it made me feel powerful and beneficent.

It was to these midday meals, where the table was covered with hot biscuits and cornbread and honey-in-the-comb and chicken and catfish or fried squirrel and butter beans and black-eyed peas, that guests sometimes appeared, sometimes expected, sometimes not. “Well,” Mary Ida would sigh, seeing a footsore Bible salesman approaching along the road, “we don’t need another Bible. But I guess we’d better set another place.”

Of all those we fed, there were three who will never slip my memory. First, the Presbyterian missionary, who was traveling around the countryside soliciting funds for his Christian duties in unholy lands. Mary Ida said she couldn’t afford a cash contribution, but she would be pleased to have him take dinner with us. Poor man, he definitely looked as though he needed one. Arrayed in a rusty, dusty, shiny black suit, creaky black undertaker shoes, and a black-greenish hat, he was thin as a stalk of sugar cane. He had a long red wrinkled neck with a bobbing Adam’s apple the size of a goiter. I never saw a greedier fellow; he sucked up a quart of buttermilk in three swallows, devoured a whole platter of chicken single-handed (or rather, double-handedly, for he was eating with both hands), and so many biscuits, dripping with butter and molasses, that I lost count. However, for all his gobbling, he managed to give us hair-raising accounts of his exploits in perilous territories. “I’ll tell you somethin’. I’ve seen cannibals roast black men and white men on a spit—just like you’d roast a pig—and eat every morsel, toes, brains, ears, and all. One of them cannibals told me the best eatin’ is a roasted newborn baby; said it tasted just like lamb. I spec the reason they didn’t eat me is ’cause I didn’t have enough meat on my bones. I’ve seen men hung by their heels till blood gushed out their ears. Once I got bit by a green mamba, the deadliest snake in the world. I was kinda nauseated there for a spell, but I didn’t die, so the black men figured I was a god and they gave me a coat made of leopard skins.”

After the gluttonous preacher had departed, Mary Ida felt dizzy; she was sure she would have bad dreams for a month. But her husband, comforting her, said: “Oh, honey, you didn’t believe any of that

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said: “You been good to me, George, but I didn’t know nothing else to do. And you got a profession. There’ll always be a place for you somewhere.” “ ‘I