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Portraits and Observations
this particular Monday—the Monday after Thanksgiving—the place was packed; guys were squatting on each other’s laps, and everybody was yakking like a bunch of sissy old women.

You can guess what they were yakking about. Thanks to Tom Henry and Oliver Jaeger, who’d spent the weekend spreading the word, saying that guy from the Bureau, that Jake Pepper fella, was accusing Bob Quinn of murder. I sat in my booth pretending not to notice. But I couldn’t help but notice when Bob Quinn himself walked in; you could hear the whole café hold its breath.
He squeezed into a booth next to the sheriff; the sheriff hugged him, and laughed, and let out a cowboy holler. Most of the crowd mimicked him, yelled wahoo, Bob! hiya, Bob! Yessir, the Okay Café was one hundred percent behind Bob Quinn. I had the feeling—a feeling that even if I could prove dead-certain this man was a murderer many times over, they’d lynch me before I could arrest him.

ADDIE (pressing a hand to her forehead, as though she had a headache): He’s right. Bob Quinn has the whole town on his side. That’s one reason my sister doesn’t like to hear us talk about it. She says Jake’s wrong, Mr. Quinn’s a fine fellow. It’s her theory that Dr. Parsons was responsible for these crimes, and that’s why he committed suicide.
TC: But Dr. Parsons was dead long before you received the coffin.
JAKE: Marylee’s sweet but not too bright. Sorry, Addie, but that’s how it is.

(Addie removed her hand from Jake’s: an admonishing gesture, but not a severe one. Anyway, it left Jake free to stand up and pace the floor, which he did. His footsteps echoed on the polished pine planks.)

So back to the Okay Café. As I was leaving, the sheriff reached out and grabbed my arm. He’s a fresh Irish bastard. And crooked as the devil’s toes. He said: “Hey, Jake. I wantcha to meet Bob Quinn. Bob, this is Jake Pepper. From the Bureau.” I shook Quinn’s hand. Quinn said: “I heard plenty about you. I hear you’re a chess player. I don’t find too many games. How about us getting together?” I said sure, and he said: “Tomorrow okay? Come by around five. We’ll have a drink and play a couple of games.”

That’s how I started. I went to the B.Q. Ranch the next afternoon. We played for two hours. He’s a better player than I am, but I won often enough to make it interesting. He’s garrulous, he’ll talk about anything: politics, women, sex, trout fishing, bowel movements, his trip to Russia, cattle versus wheat, gin versus vodka, Johnny Carson, his safari in Africa, religion, the Bible, Shakespeare, the genius of General MacArthur, bear hunting, Reno whores versus Las Vegas whores, the stock market, venereal diseases, cornflakes versus Shredded Wheat, gold versus diamonds, capital punishment (he’s all for it), football, baseball, basketball—anything. Anything except why I’m stuck in this town.

TC: You mean he won’t discuss the case?
JAKE (halting in his pacing): It’s not that he won’t discuss the case. He simply behaves as though it doesn’t exist. I discuss it, but he never reacts. I showed him the Clem Anderson photographs: I hoped I could shock him into some response. Some comment. But he only looked back at the chessboard, made a move, and told me a dirty joke.

So Mr. Quinn and I have been playing our games within a game several afternoons a week for the last few months. In fact, I’m going there later today. And you—(cocking a finger in my direction) are going with me.
TC: Am I welcome?
JAKE: I called him this morning. All he asked was: Does he play chess?
TC: I do. But I’d rather watch.

(A log collapsed, and its crackling drew my attention to the fireplace. I stared into the purring flames, and wondered why he had forbidden Addie to describe Quinn, tell me what he looked like. I tried to imagine him; I couldn’t. Rather, I remembered the passage from Mark Twain that Jake had read aloud: “Of all the creatures that were made, man is the most detestable … the only one, the solitary one, that possesses malice … he is the only creature that has a nasty mind.” Addie’s voice rescued me from my queasy reverie.)

ADDIE: Oh, dear. It’s snowing again. But lightly. Just floating. (Then, as though the resumption of the snow had prompted thoughts of mortality, the evaporation of time) You know, it’s been almost five months. That’s quite long for him. He usually doesn’t wait that long.

JAKE (vexed): Addie, what is it now?
ADDIE: My coffin. It’s been almost five months. And as I say, he doesn’t usually wait that long.
JAKE: Addie! I’m here. Nothing is going to happen to you.

ADDIE: Of course, Jake. I wonder about Oliver Jaeger. I wonder when he’ll receive his coffin. Just think, Oliver is the postmaster. He’ll be sorting the mail and—(Her voice was suddenly, startlingly quavery, vulnerable—wistful in a way that accentuated the canaries’ carefree songfest) Well, it won’t be very soon.

TC: Why not?
ADDIE: Because Quinn will have to fill my coffin first.
It was after five when we left, the air was still, free of snow, and shimmering with the embers of a sunset and the first pale radiance of a moonrise: a full moon rolling on the horizon like a round white wheel, or a mask, a white featureless menacing mask peering at us through our car windows. At the end of Main Street, just before the town turns into prairie, Jake pointed at a filling station: “That’s Tom Henry’s place. Tom Henry, Addie, Oliver Jaeger; out of the original River Committee, they’re the only three left. I said Tom Henry was a nut. And he is. But he’s a lucky nut. He voted against the others. That leaves him in the clear. No coffin for Tom Henry.”

TC: A Coffin for Dimitrios.
JAKE: What say?
TC: A book by Eric Ambler. A thriller.
JAKE: Fiction? (I nodded; he grimaced) You really read that junk?

TC: Graham Greene was a first-class writer. Until the Vatican grabbed him. After that, he never wrote anything as good as Brighton Rock. I like Agatha Christie, love her. And Raymond Chandler is a great stylist, a poet. Even if his plots are a mess.
JAKE: Junk. Those guys are just daydreamers—squat at a typewriter and jerk themselves off, that’s all they do.
TC: So no coffin for Tom Henry. How about Oliver Jaeger?

JAKE: He’ll get his. One morning he’ll be shuffling around the post office, emptying out the incoming mail sacks, and there it will be, a brown box with his very own name printed on it. Forget the cousin stuff; forget that he’s been hanging halos over Bob Quinn’s head. Saint Bob isn’t going to let him off with a few Hail Marys. Not if I know Saint Bob. Chances are, he’s already used his whittling knife, made a little something, and popped Oliver Jaeger’s picture inside it—

(Jake’s voice jolted to a stop, and as though it were a correlated action, his foot hit the brake pedal: the car skidded, swerved, straightened; we drove on. I knew what had happened. He had remembered, as I was remembering, Addie’s pathetic complaint: “… Quinn will have to fill my coffin first.” I tried to hold my tongue; it rebelled.)

TC: But that means—
JAKE: Better turn on my headlights.
TC: That means Addie is going to die.

JAKE: Hell, no! I just knew you were going to say that! (He slapped a flattened palm against the steering wheel) I’ve built a wall around Addie. I gave her a .38 Detective Special, and taught her how to use it. She can put a bullet between a man’s eyes at a hundred yards. She’s learned enough karate to split a plank with one hand-chop. Addie’s smart; she won’t be tricked. And I’m here. I’m watching her. I’m watching Quinn, too. So are other people.

(Strong emotion, fears edging toward terror, can demolish the logic of even so logical a man as Jake Pepper—whose precautions had not saved Clem Anderson. I wasn’t prepared to argue the point with him, not in his present irrational humor; but why, since he assumed Oliver Jaeger was doomed, was he so certain Addie was not? That she would be spared? For if Quinn stayed true to his design, then absolutely he would have to dispatch Addie, remove her from the scene before he could start the last step of his task by addressing a package to his second cousin and staunch defender, the local postmaster.)

TC: I know Addie’s been around the world. But I think it’s time she went again.
JAKE (truculently): She can’t leave here. Not now.
TC: Oh? She doesn’t strike me as suicidal.
JAKE: Well, for one thing, school. School’s not out till June.
TC: Jake! My God! How can you talk about school?

(Dim though the light was, I could discern his ashamed expression; at the same time, he jutted his jaw.)
JAKE: We’ve discussed it. Talked about her and Marylee taking a long cruise. But she doesn’t want to go anywhere. She said: “The shark needs bait. If we’re going to hook the shark, then the bait has to be available.”

TC: So Addie is a stakeout? A goat waiting for the tiger to pounce?
JAKE: Hold on. I’m not sure I like the way you put that.
TC: Then how would you put it?
JAKE: (Silence)
TC: (Silence)

JAKE: Quinn has Addie in his thoughts, he does indeed. He means to keep his promise. And that’s when we’ll nail him: in the attempt. Catch him when the curtain is up and all the lights are on. There’s some risk, sure; but we

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this particular Monday—the Monday after Thanksgiving—the place was packed; guys were squatting on each other’s laps, and everybody was yakking like a bunch of sissy old women. You can guess