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Shut a Final Door
was going to have to get rid of her, and soon. It was degrading, his working for Margaret. And besides, the tendency from now on would be to keep him down. But nobody could do that, he thought, looking into Mr. Kuhnhardt’s sea-blue eyes, nobody could keep Walter down.

“You’re an idiot,” Margaret told him. “My God, I’ve seen these little friendships of K. K.’s a dozen times, and they don’t mean a damn. He used to palsy-walsy around with the switchboard operator. All K. K. wants is someone to play the fool. Take my word, Walter, there aren’t any short cuts: what matters is how you do your job.”

He said: “And have you complaints on that score? I’m doing as well as could be expected.”
“It depends on what you mean by expected,” she said.

One Saturday not long afterwards he made a date to meet her in Grand Central. They were going up to Hartford to spend the afternoon with his family, and for this she’d bought a new dress, new hat, and shoes. But he did not show up. Instead, he drove out on Long Island with Mr. Kuhnhardt, and was the most awed of three hundred guests at Rosa Cooper’s debut ball. Rosa Cooper (nee Kuppermann) was heiress to the Cooper Dairy Products: a dark, plump, pleasant child with an unnatural British accent, the result of four years at Miss Jewett’s. She wrote a letter to a friend named Anna Stimson, who subsequently showed it to Walter: “Met the divinest man. Danced with him six times, a divine dancer. He is an Advertising Executive, and is terribly divinely good-looking. We have a date—dinner and the theater!”

Margaret did not mention the episode, nor did Walter. It was as though nothing had happened, except that now, unless there was office business to discuss, they never spoke, never saw each other. One afternoon, knowing she would not be at home, he went to her apartment and used a passkey given him long ago; there were things he’d left here, clothes, some books, his pipe; rummaging around collecting all this he discovered a photograph of himself scrawled red with lipstick: it gave him for an instant the sensation of falling in a dream. He also came across the only gift he’d ever made her, a bottle of L’Heure Bleue, still unopened. He sat down on the bed, and, smoking a cigarette, stroked his hand over the cool pillow, remembering the way her head had laid there, remembering, too, how they used to lie here Sunday mornings reading the funnies aloud, Barney Google and Dick Tracy and Joe Palooka

He looked at the radio, a little green box; they’d always made love to music, any kind, jazz, symphonies, choir programs: it had been their signal, for whenever she’d wanted him, she’d said, “Shall we listen to the radio, darling?” Anyway, it was finished, and he hated her, and that was what he needed to remember. He found the bottle of perfume again, and put it in his pocket: Rosa might like a surprise.

In the office the next day he stopped by the water cooler and Margaret was standing there. She smiled at him fixedly, and said: “Well, I didn’t know you were a thief.” It was the first overt disclosure of the hostility between them. And suddenly it occurred to Walter he hadn’t in all the office a single ally. Kuhnhardt? He could never count on him. And everyone else was an enemy: Jackson, Einstein, Fischer, Porter, Capehart, Ritter, Villa, Byrd. Oh, sure, they were all smart enough not to tell him point-blank, not so long as K. K.’s enthusiasm continued.
Well, dislike was at least positive, and the one thing he could not tolerate was vague relations, possibly because his own feelings were so indecisive, ambiguous. He was never certain whether he liked X or not. He needed X’s love, but was incapable of loving. He could never be sincere with X, never tell him more than fifty percent of the truth. On the other hand, it was impossible for him to permit X these same imperfections: somewhere along the line Walter was sure he’d be betrayed. He was afraid of X, terrified. Once in high school he’d plagiarized a poem, and printed it in the school magazine; he could not forget its final line, All our acts are acts of fear. And when his teacher caught him, had anything ever seemed to him more unjust?

3

HE SPENT MOST OF THE early summer week ends at Rosa Cooper’s Long Island place. The house was, as a rule, well staffed with hearty Yale and Princeton undergraduates, which was irritating, for they were the sort of boys who, around Hartford, made green birds fly in his stomach, and seldom allowed him to meet them on their own ground. As for Rosa herself, she was a darling; everyone said so, even Walter.

But darlings are rarely serious, and Rosa was not serious about Walter. He didn’t mind too much. He was able on these week ends to make a good many contacts: Taylor Ovington, Joyce Randolph (the starlet), E. L. McEvoy, a dozen or so people whose names cast considerable glare in his address book. One evening he went with Anna Stimson to see a film featuring the Randolph girl, and before they were scarcely seated everyone for aisles around knew she was a Friend of his, knew she drank too much, was immoral, and not nearly so pretty as Hollywood made her out to be. Anna told him he was an adolescent female. “You’re a man in only one respect, sweetie,” she said.

It was through Rosa that he’d met Anna Stimson. An editor on a fashion magazine, she was almost six feet tall, wore black suits, affected a monocle, a walking cane, and pounds of jingling Mexican silver. She’d been married twice, once to Buck Strong, the horse-opera idol, and she had a child, a fourteen-year-old son who’d had to be put away in what she called a “corrective academy.”

“He was a nasty child,” she said. “He liked to take potshots out the window with a .22, and throw things, and steal from Woolworth’s: awful brat, just like you.”
Anna was good to him, though, and in her less depressed, less malevolent moments listened kindly while he groaned out his problems, while he explained why he was the way he was. All his life some cheat had been dealing him the wrong cards. Attributing to Anna every vice but stupidity, he liked to use her as a kind of confessor: there was nothing he could tell her of which she might legitimately disapprove. He would say: “I’ve told Kuhnhardt a lot of lies about Margaret; I suppose that’s pretty rotten, but she would do the same for me; and anyway my idea is not for him to fire her, but maybe transfer her to the Chicago office.”

Or, “I was in a bookshop, and a man was standing there and we began talking: a middle-aged man, rather nice, very intelligent. When I went outside he followed, a little ways behind: I crossed the street, he crossed the street, I walked fast, he walked fast. This kept up six or seven blocks, and when I finally figured out what was going on I felt tickled, I felt like kidding him on. So I stopped at the corner and hailed a cab; then I turned around and gave this guy a long, long look, and he came rushing up, all smiles. And I jumped in the cab, and slammed the door and leaned out the window and laughed out loud: the look on his face, it was awful, it was like Christ. I can’t forget it. And tell me, Anna, why did I do this crazy thing? It was like paying back all the people who’ve ever hurt me, but it was something else, too.” He would tell Anna these stories, go home and go to sleep. His dreams were clear blue.
Now the problem of love concerned him, mainly because he did not consider it a problem. Nevertheless, he was conscious of being unloved. This knowledge was like an extra heart beating inside him. But there was no one. Anna, perhaps. Did Anna love him? “Oh,” said Anna, “when was anything ever what it seemed to be? Now it’s a tadpole, now it’s a frog. It looks like gold but you put it on your finger and it leaves a green ring. Take my second husband: he looked like a nice guy, and turned out to be just another heel. Look around this very room: why, you couldn’t burn incense in that fireplace, and those mirrors, they give space, they tell a lie. Nothing, Walter, is ever what it seems to be. Christmas trees are cellophane, and snow is only soap chips. Flying around inside us is something called the Soul, and when you die you’re never dead; yes, and when we’re alive we’re never alive. And so you want to know if I love you? Don’t be dumb, Walter, we’re not even friends.…”

4

LISTEN, THE FAN: TURNING wheels of whisper: he said you said they said we said round and round fast and slow while time recalled itself in endless chatter. Old broken fan breaking silence: August the third the third the third.

August the third, a Friday, and it was there, right in Winchell’s column, his own name: “Big shot Ad exec Walter Ranney and dairy heiress Rosa Cooper are telling intimates to start buying rice.” Walter himself had given the item to a friend of a friend of Winchell’s. He showed it

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was going to have to get rid of her, and soon. It was degrading, his working for Margaret. And besides, the tendency from now on would be to keep him