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The Grass Harp and A Tree of Night and Other Stories
briefly livened the dull air. He lumbered along, stopping now and then to punch a ticket or talk with a passenger. It was after midnight. Someone was expertly playing a harmonica. Someone else was arguing the merits of a certain politician. A child cried out in his sleep.

“Maybe you wouldn’t be so snotty if you knew who we was,” said the woman, bobbing her tremendous head. “We ain’t nobodies, not by a long shot.”
Embarrassed, Kay nervously opened a pack of cigarettes and lighted one. She wondered if there might not be a seat in a car up ahead. She could not bear the woman, or, for that matter, the man, another minute. But she had never before been in a remotely comparable situation. “If you’ll excuse me now,” she said, “I have to be leaving. It’s been very pleasant, but I promised to meet a friend on the train …”

With almost invisible swiftness the woman grasped the girl’s wrist. “Didn’t your mama ever tell you it was sinful to lie?” she stage-whispered. The lavender hat tumbled off her head but she made no effort to retrieve it. Her tongue flicked out and wetted her lips. And, as Kay stood up, she increased the pressure of her grip. “Sit down, dear … there ain’t any friend … Why, we’re your only friends and we wouldn’t have you leave us for the world.”

“Honestly, I wouldn’t lie.”
“Sit down, dear.”

Kay dropped her cigarette and the man picked it up. He slouched in the corner and became absorbed in blowing a chain of lush smoke rings that mounted upward like hollow eyes and expanded into nothing.

“Why, you wouldn’t want to hurt his feelings by leaving us, now, would you, dear?” crooned the woman softly. “Sit down—down—now, that’s a good girl. My, what a pretty guitar. What a pretty, pretty guitar …” Her voice faded before the sudden whooshing, static noise of a second train. And for an instant the lights in the coach went off; in the darkness the passing train’s golden windows winked black-yellow-black-yellow-black-yellow. The man’s cigarette pulsed like the glow of a firefly, and his smoke rings continued rising tranquilly. Outside, a bell pealed wildly.

When the lights came on again, Kay was massaging her wrist where the woman’s strong fingers had left a painful bracelet mark. She was more puzzled than angry. She determined to ask the conductor if he would find her a different seat. But when he arrived to take her ticket, the request stuttered on her lips incoherently.

“Yes, miss?”
“Nothing,” she said.
And he was gone.

The trio in the alcove regarded one another in mysterious silence till the woman said, “I’ve got something here I wanna show you, honey.” She rummaged once more in the oilcloth satchel. “You won’t be so snotty after you get a gander at this.”

What she passed to Kay was a handbill, published on such yellowed, antique paper it looked as if it must be centuries old. In fragile, overly fancy lettering, it read:

LAZARUS
THE MAN WHO IS BURIED ALIVE
A MIRACLE
SEE FOR YOURSELF
ADULTS, 25C—CHILDREN, 10C

“I always sing a hymn and read a sermon,” said the woman. “It’s awful sad: some folks cry, especially the old ones. And I’ve got me a perfectly elegant costume: a black veil and a black dress, oh, very becoming. He wears a gorgeous made-to-order bridegroom suit and a turban and lotsa talcum on his face. See, we try to make it as much like a bonafide funeral as we can. But shoot, nowadays you’re likely to get just a buncha smart alecks come for laughs—so sometimes I’m real glad he’s afflicted like he is on accounta otherwise his feelings would be hurt, maybe.”

Kay said, “You mean you’re with a circus or a side-show or something like that?”
“Nope, us alone,” said the woman as she reclaimed the fallen hat. “We’ve been doing it for years and years—played every tank town in the South: Singasong, Mississippi—Spunky, Louisiana—Eureka, Alabama …” these and other names rolled off her tongue musically, running together like rain. “After the hymn, after the sermon, we bury him.”

“In a coffin?”
“Sort of. It’s gorgeous, it’s got silver stars painted all over the lid.”
“I should think he would suffocate,” said Kay, amazed. “How long does he stay buried?”
“All told it takes maybe an hour—course that’s not counting the lure.”
“The lure?”

“Uh huh. It’s what we do the night before the show. See, we hunt up a store, any ol’ store with a big glass window’ll do, and get the owner to let him sit inside this window, and, well, hypnotize himself. Stays there all night stiff as a poker and people come and look: scares the livin’ hell out of ’em.…” While she talked she jiggled a finger in her ear, withdrawing it occasionally to examine her find. “And one time this ol’ bindlestiff Mississippi sheriff tried to …”

The tale that followed was baffling and pointless: Kay did not bother to listen. Nevertheless, what she had heard already inspired a reverie, a vague recapitulation of her uncle’s funeral; an event which, to tell the truth, had not much affected her since she had scarcely known him.

And so, while gazing abstractedly at the man, an image of her uncle’s face, white next to the pale silk casket pillow, appeared in her mind’s eye. Observing their faces simultaneously, both the man’s and uncle’s, as it were, she thought she recognized an odd parallel: there was about the man’s face the same kind of shocking, embalmed, secret stillness, as though, in a sense, he were truly an exhibit in a glass cage, complacent to be seen, uninterested in seeing.
“I’m sorry, what did you say?”

“I said: I sure wish they’d lend us the use of a regular cemetery. Like it is now we have to put on the show wherever we can … mostly in empty lots that are nine times outa ten smack up against some smelly fillin’ station, which ain’t exactly a big help. But like I say, we got us a swell act, the best. You oughta come see it if you get a chance.”
“Oh, I should love to,” Kay, said, absently.

“Oh, I should love to,” mimicked the woman. “Well, who asked you? Anybody ask you?” She hoisted up her skirt and enthusiastically blew her nose on the ragged hem of a petticoat. “Bu-leeve me, it’s a hard way to turn a dollar. Know what our take was last month? Fifty-three bucks! Honey, you try living on that sometime.” She sniffed and rearranged her skirt with considerable primness. “Well, one of these days my sweet boy’s sure enough going to die down there; and even then somebody’ll say it was a gyp.”

At this point the man took from his pocket what seemed to be a finely shellacked peach seed and balanced it on the palm of his hand. He looked across at Kay and, certain of her attention, opened his eyelids wide and began to squeeze and caress the seed in an undefinably obscene manner.

Kay frowned. “What does he want?”
“He wants you to buy it.”
“But what is it?”
“A charm,” said the woman. “A love charm.”

Whoever was playing the harmonica stopped. Other sounds, less unique, became at once prominent: someone snoring, the gin bottle seesaw rolling, voices in sleepy argument, the train wheels’ distant hum.

“Where could you get love cheaper, honey?”

“It’s nice. I mean it’s cute.…” Kay said, stalling for time. The man rubbed and polished the seed on his trouser leg. His head was lowered at a supplicating, mournful angle, and presently he stuck the seed between his teeth and bit it, as if it were a suspicious piece of silver. “Charms always bring me bad luck. And besides … please, can’t you make him stop acting that way?”

“Don’t look so scared,” said the woman, more flat-voiced than ever. “He ain’t gonna hurt you.”
“Make him stop, damn it!”

“What can I do?” asked the woman, shrugging her shoulders. “You’re the one that’s got money. You’re rich. All he wants is a dollar, one dollar.”
Kay tucked her purse under her arm. “I have just enough to get back to school,” she lied, quickly rising and stepping out into the aisle. She stood there a moment, expecting trouble. But nothing happened.

The woman, with rather deliberate indifference, heaved a sigh and closed her eyes; gradually the man subsided and stuck the charm back in his pocket. Then his hand crawled across the seat to join the woman’s in a lax embrace.

Kay shut the door and moved to the front of the observation platform. It was bitterly cold in the open air, and she had left her raincoat in the alcove. She loosened her scarf and draped it over her head.

Although she had never made this trip before, the train was traveling through an area strangely familiar: tall trees, misty, painted pale by malicious moonshine, towered steep on either side without a break or clearing. Above, the sky was a stark, unexplorable blue thronged with stars that faded here and there. She could see streamers of smoke trailing from the train’s engine like long clouds of ectoplasm. In one corner of the platform a red kerosene lantern cast a colorful shadow.

She found a cigarette and tried to light it: the wind snuffed match after match till only one was left. She walked to the corner where the lantern burned and cupped her hands to protect the last match: the flame caught, sputtered, died. Angrily she tossed away the cigarette and empty folder; all the tension in her tightened to an exasperating pitch and she slammed the wall with her fist and began to whimper softly, like an irritable child.

The intense cold made

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briefly livened the dull air. He lumbered along, stopping now and then to punch a ticket or talk with a passenger. It was after midnight. Someone was expertly playing a