The friend whose house he was taking us to was an artist, he informed us. Being a friend of the great Dr. Kronski that meant an uncommon artist, one who would be recognized only when the millenium had been ushered in. His friend was both a painter and a musician—equally great in both realms. The music we wouldn’t be able to hear, owing to his friend’s absence, but we would be able to see his paintings— some of them, that is, because the great bulk of them he had destroyed. If it weren’t for Kronski he would have destroyed everything. I inquired casually what his friend was doing at the moment. He was running a model farm for defective children in the wilds of Canada. Kronski had organized the movement himself but was too busy thinking things out to bother with the practical details of management. Besides, his friend was a consumptive, and he would have to remain up there forever most likely. Kronski telegraphed him now and then to advise him about this and that. It was only a beginning—soon he would empty the hospitals and asylums of their inmates, prove to the world that the poor can take care of the poor and the weak the weak and the crippled the crippled and the defective the defective.
«Is that one of your friend’s paintings?» I asked, as he switched on the light and a huge vomit of yellowish green bile leaped out from the wall.
«That’s one of his early things,» said Kronski. «He keeps it for sentimental reasons. I’ve put his best things away in storage. But here’s a little one that gives you some idea of what he can do.» He looked at it with pride, as if it were the work of his own off-spring. «It’s marvelous, isn’t it?»
«Terrible,» I said. «He has a shit complex; he must have been born in the gutter, in a pool of stale horse piss on a sullen day in February near a gas house.»
«You would say that,» said Kronski vengefully. «You don’t know an honest painter when you see one. You admire the revolutionaries of yesterday. You’re a Romantic.»
«Your friend may be revolutionary but he’s no painter,» I insisted. «He hasn’t any love in him; he just hates, and what’s more he can’t even paint what he hates. He’s fog-eyed. You say he’s a consumptive: I say he’s bilious. He stinks, your friend, and so does his place. Why don’t you open the windows? It smells as though a dog had died here.»
«Guinea pigs, you mean. I’ve been using the place as a laboratory, that’s why it stinks a bit. Your nose is too sensitive, Mister Miller. You’re an aesthete.»
«Is there anything to drink here?» I asked.
There wasn’t, of course, but Kronski offered to run out and get something. «Bring something strong,» I said, «this place makes you retch. No wonder the poor bastard got consumptive.»
Kronski trotted off rather sheepishly, I looked at Mara. «What do you think? Will we wait for him or shall we beat it?»
«You’re very unkind. No, let’s wait. I’d like to hear him talk some more—he’s interesting. And he really thinks a lot of you. I can see that by the way he looks at you.»
«He’s only interesting the first time,» I said. «Frankly, he bores me stiff. I’ve been listening to this stuff for years. It’s sheer crap. He may be intelligent but he’s got a screw loose somewhere. He’ll commit suicide one day, mark my words. Besides, he brings bad luck. Whenever I meet that guy things turn out wrong. He carries death around with him, don’t you feel that? If he isn’t croaking he’s gibbering like an ape. How can you be friends with a guy like that? He wants you to be a friend of his sorrow. What’s eating him I don’t know. He’s worried about the world. I don’t give a shit about the world. I can’t make the world right, neither can he… neither can anybody. Why doesn’t he try to live? The world mightn’t be so bad if we tried to enjoy ourselves a little more. No, he riles me.»
Kronski came back with some vile liquor he claimed was all he could find at that hour. He seldom drank more than a thimbleful himself so it didn’t make much difference to him whether we poisoned ourselves or not. He hoped it would poison us, he said. He was depressed. He seemed to have settled in for an all-night depression. Mara, like an idiot, felt sorry for him. He stretched out on the sofa and lay his head in her lap. He began another line, a weird one—the impersonal sorrow of the world. It was not argument and invective as before but a chant, a dictaphone chant addressed to the millions of unhappy creatures throughout the world. Dr. Kronski always played this tune in the dark, his head on some woman’s lap, his hand dragging the