see that behind the daily annoyances and intrusions, behind the cheap, glittering malice of the feeble and inert, there stands the symbol of life’s frustrating power, and that he who could create order, he who would sow strife and discord, because he is imbued with will, such a man must go again and again to the stake and the gibbet. I see that behind the nobility of his gestures there lurks the specter of the ridiculousness of it all — that he is not only sublime, but absurd.
Once I thought that to be human was the highest aim a man could have, but I see now that it was meant to destroy me. Today I am proud to say that I am inhuman, that I belong not to men and governments, that I have nothing to do with creeds and principles. I have nothing to do with the creaking machinery of humanity — I belong to the earth! I say that lying on my pillow and I can feel the horns sprouting from my temples. I can see about me all those cracked forebears of mine dancing around the bed, consoling me, egging me on, lashing me with their serpent tongues, grinning and leering at me with their skulking skulls. I am inhuman! I say it with a mad, hallucinated grin, and I will keep on saying it though it rain crocodiles. Behind my words are all those grinning, leering, skulking skulls, some dead and grinning a long time, some grinning as if they had lockjaw, some grinning with the grimace of a grin, the foretaste and aftermath of what is always going on. Clearer than all I see my own grinning skull, see the skeleton dancing in the wind, serpents issuing from the rotted tongue and the bloated pages of ecstasy slimed with excrement. And I join my slime, my excrement, my madness; my ecstasy to the great circuit which flows through the subterranean vaults of the flesh. All this unbidden, unwanted, drunken vomit will flow on endlessly through the minds of those to come in the inexhaustible vessel that contains the history of the race. Side by side with the human race there runs another race of beings, the inhuman ones, the race of artists who, goaded by unknown impulses, take the lifeless mass of humanity and by the fever and ferment with which they imbue it turn this soggy dough into bread and the bread into wine and the wine into song. Out of the dead compost and the inert slag they breed a song that contaminates. I see this other race of individuals ransacking the universe, turning everything upside down, their feet always moving in blood and tears, their hands always empty, always clutching and grasping for the beyond, for the god out of reach: slaying everything within reach in order to quiet the monster that gnaws at their vitals. I see that when they tear their hair with the effort to comprehend, to seize this forever unattainable, I see that when they bellow like crazed beasts and rip and gore, I see that this is right, that there is no other path to pursue. A man who belongs to this race must stand up on the high place with gibberish in his mouth and rip out his entrails. It is right and just, because he must! And anything that falls short of this frightening spectacle, anything less shuddering, less terrifying, less mad, less intoxicated, less contaminating, is not art. The rest is counterfeit. The rest is human. The rest belongs to life and lifelessness.
When I think of Stavrogin for example, I think of some divine monster standing on a high place and flinging to us his torn bowels. In The Possessed the earth quakes: it is not the catastrophe that befalls the imaginative individual, but a cataclysm in which a large portion of humanity is buried, wiped out forever. Stavrogin was Dostoevski and Dostoevski was the sum of all those contradictions which either paralyze a man or lead him to the heights. There was no world too low for him to enter, no place too high for him to fear to ascend. He went the whole gamut, from the abyss to the stars. It is a pity that we shall never again have the opportunity to see a man placed at the very core of mystery and, by his flashes, illuminating, for us the depth and immensity of the darkness.
Today I am aware of my lineage. I have no need to consult my horoscope or my genealogical chart. What is written in the stars, or in my blood, I know nothing of. I know that I spring from the mythological founders of the race. The man who raises the holy bottle to his lips, the criminal who kneels in the marketplace, the innocent one who discovers that all corpses stink, the madman who dances with lightning in his hands, the friar who lifts his skirts to pee over the world, the fanatic who ransacks libraries in order to find the Word — all these are fused in me, all these make my confusion, my ecstasy. If I am inhuman it is because my world has slopped over its human bounds, because to be human seems like a poor, sorry, miserable affair, limited by the senses, restricted by moralities and codes, defined by platitudes and isms. I am pouring the juice of the grape down my gullet and I find wisdom in it, but my wisdom is not born of the grape, my intoxication owes nothing to wine…
I want to make a detour of those lofty arid mountain ranges where one dies of thirst and cold, that «extratemporal» history, that absolute of time and space where there exists neither man, beast, nor vegetation, where one goes crazy with loneliness, with language that is mere words, where everything is unhooked, ungeared, out of joint with the times. I want a world of men and women, of trees that do not talk (because there is too much talk in the world as it is!, of rivers that carry you to places, not rivers that are legends, but rivers that put you in touch with other men and women, with architecture, religion, plants, animals — rivers that have boats on them and in which men drown, drown not in myth and legend and books and dust of the past, but in time and space and history. I want rivers that make oceans such as Shakespeare and Dante, rivers which do not dry up in the void of the past. Oceans, yes! Let us have more oceans, new oceans that blot out the past, oceans that create new geological formations, new topographical vistas and strange, terrifying continents, oceans that destroy and preserve at the same time, oceans that we can sail on, take off to new discoveries, new horizons. Let us have more oceans, more upheavals, more wars, more holocausts. Let us have a world of men and women with dynamos between their legs, a world of natural fury, of passion, action, drama, dreams, madness, a world that produces ecstasy and not dry farts. I believe that today more than ever a book should be sought after even if it has only one great page in it: we must search for fragments, splinters, toenails, anything that has ore in it, anything that is capable of resuscitating the body and soul.
It may be that we are doomed, that there is no hope for us, any of us, but if that is so then let us set up a last agonizing, bloodcurdling howl, a screech of defiance, a war whoop! Away with lamentation! Away with elegies and dirges! Away with biographies and histories, and libraries and museums! Let the dead eat the dead. Let us living ones dance about the rim of the crater, a last expiring dance. But a dance!
«I love everything that flows,» said the great blind Milton of our times. I was thinking of him this morning when I awoke with a great bloody shout of joy: I was thinking of his rivers and trees and all that world of night which he is exploring. Yes, I said to myself, I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with its painful gallstones, its gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul; I love the great rivers like the Amazon and the Orinoco, where crazy men like Moravagine float on through dream and legend in an open boat and drown in the blind mouths of the river. I love everything that flows, even the menstrual flow that carries away the seed unfecund. I love scripts that flow, be they hieratic, esoteric, perverse, polymorph, or unilateral. I love everything that flows, everything that has time in it and becoming, that brings us back to the beginning where there is never end: the violence of the prophets, the obscenity that is ecstasy, the wisdom of the fanatic, the priest with his rubber litany, the foul words of the whore, the spittle that floats away in the gutter, the milk of the breast and the bitter honey that pours from the womb, all that is fluid, melting, dissolute and dissolvent, all the pus and dirt that in flowing is