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Tropic of Cancer
the scarecrows whom the cabinet ministers mention with moist lips whenever an immortal is added to the waxworks. (No bust of Villon, no bust of Rabelais, no bust of Rimbaud.) Anyway, they met here in solemn conclave, the parents and the stuffed shirts whom the State hires to bend the minds of the young. Always this bending process, this landscape gardening to make the mind more attractive. And the youngsters came too, occasionally — the little sunflowers who would soon be transplanted from the nursery in order to decorate the municipal grassplots. Some of them were just rubber plants easily dusted with a torn chemise. All of them jerking away for dear life in the dormitories as soon as night came on. The dormitories! where the red lights glowed, where the bell rang like a fire alarm, where the treads were hollowed out in the scramble to reach the education cells.
Then there were the profs! During the first few days I got so far as to shake hands with a few of them, and of course there was always the salute with the hat when we passed under the arcades. But as for a heart-to-heart talk, as for walking to the corner and having a drink together, nothing doing. It was simply unimaginable. Most of them looked as though they had had the shit scared out of them. Anyway, I belonged to another hierarchy. They wouldn’t even share a louse with the likes of me. They made me so damned irritated, just to look at them, that I used to curse them under my breath when I saw them coming. I used to stand there, leaning against a pillar, with a cigarette in the corner of my mouth and my hat down over my eyes, and when they got within hailing distance I would let squirt a good gob and up with the hat. I didn’t even bother to open my trap and bid them the time of the day. Under my breath I simply said: «Fuck you, Jack!» and let it go at that.
After a week it seemed as if I had been here all my life. It was like a bloody, fucking nightmare that you can’t throw off. Used to fall into a coma thinking about it. Just a few days ago I had arrived. Nightfall. People scurrying home like rats under the foggy lights. The trees glittering with diamond-pointed malice. I thought it all out, a thousand times or more. From the station to the Lycée it was like a promenade through the Danzig Corridor, all deckle-edged, crannied, nerve-ridden. A lane of dead bones, of crooked, cringing figures buried in shrouds. Spines made of sardine bones. The Lycée itself seemed to rise up out of a lake of thin snow, an inverted mountain that pointed down toward the center of the earth where God or the Devil works always in a straitjacket grinding grist for that paradise which is always a wet dream. If the sun ever shone I don’t remember it. I remember nothing but the cold greasy fogs that blew in from the frozen marshes over yonder where the railroad tracks burrowed into the lurid hills. Down near the station was a canal, or perhaps it was a river, hidden away under a yellow sky, with little shacks pasted slap up against the rising edge of the banks. There was a barracks too somewhere, it struck me, because every now and then I met little yellow men from Cochin-China — squirmy, opium-faced runts peeping out of their baggy uniforms like dyed skeletons packed in excelsior. The whole goddamned medievalism of the place was infernally ticklish and restive, rocking back and forth with low moans, jumping out at you from the eaves, hanging like broken-necked criminals from the gargoyles. I kept looking back all the time, kept walking like a crab that you prong with a dirty fork. All those fat little monsters, those slablike effigies pasted on the façade of the Eglise St. Michel, they were following me down the crooked lanes and around corners. The whole façade of St. Michel seemed to open up like an album at night, leaving you face to face with the horrors of the printed page. When the lights went out and the characters faded away flat, dead as words, then it was quite magnificent, the façade; in every crevice of the old gnarled front there was the hollow chant of the nightwind and over the lacy rubble of cold stiff vestments there was a cloudy absinthe-like drool of fog and frost.
Here, where the church stood, everything seemed turned hind side front. The church itself must have been twisted off its base by centuries of progress in the rain and snow. It lay in the Place Edgar-Quinet, squat against the wind, like a dead mule. Through the Rue de la Monnaie the wind rushed like white hair streaming wild: it whirled around the white hitching posts which obstructed the free passage of omnibuses and twenty-mule teams. Swinging through this exit in the early morning hours I sometimes stumbled upon Monsieur Renaud who, wrapped in his cowl like a gluttonous monk, made overtures to me in the language of the sixteenth century. Falling in step with Monsieur Renaud, the moon busting through the greasy sky like a punctured balloon, I fell immediately into the realm of the transcendental. M. Renaud had a precise speech, dry as apricots, with a heavy Brandenburger base. Used to come at me full tilt from Goethe or Fichte, with deep base notes that rumbled in the windy corners of the Place like claps of last year’s thunder. Men of Yucatan, men of Zanzibar, men of Tierra del Fuego, save me from this glaucous hog rind! The North piles up about me, the glacial fjords, the blue-tipped spines, the crazy lights, the obscene Christian chant that spread like an avalanche from Etna to the Aegean. Everything frozen tight as scum, the mind locked and rimed with frost, and through the melancholy bales of chitter-wit the choking gargle of louse-eaten saints. White I am and wrapped in wool, swaddled, fettered, hamstrung, but in this I have no part. White to the bone, but with a cold alkali base, with saffron-tipped fingers. White, aye, but no brother of learning, no Catholic heart. White and ruthless, as the men before me who sailed out of the Elbe. I look to the sea, to the sky, to what is unintelligible and distantly near.
The snow under foot scurries before the wind, blows, tickles, stings, lisps away, whirls aloft, showers, splinters, sprays down. No sun, no roar of surf, no breaker’s surge. The cold north wind pointed with barbed shafts, icy, malevolent, greedy, blighting, paralyzing. The streets turn away on their crooked elbows; they break from the hurried sight, the stern glance. They hobble away down the drifting lattice work, wheeling the church hind side front, mowing down the statues, flattening the monuments, uprooting the trees, stiffening the grass, sucking the fragrance out of the earth. Leaves dull as cement: leaves no dew can bring to glisten again. No moon will ever silver their listless plight. The seasons are come to a stagnant stop, the trees blench and wither, the wagons roll in the mica ruts with slithering harplike thuds. In the hollow of the white-tipped hills, lurid and boneless Dijon slumbers. No man alive and walking through the night except the restless spirits moving southward toward the sapphire grids. Yet I am up and about, a walking ghost, a white man terrorized by the cold sanity of this slaughterhouse geometry. Who am I? What am I doing here? I fall between the cold walls of human malevolence, a white figure fluttering, sinking down through the cold lake, a mountain of skulls above me. I settle down to the cold latitudes, the chalk steps washed with indigo. The earth in its dark corridors knows my step, feels a foot abroad, a wing stirring, a gasp and a shudder. I hear the learning chaffed and chuzzled, the figures mounting upward, bat slime dripping aloft and clanging with pasteboard golden wings; I hear the trains collide, the chains rattle, the locomotive chugging, snorting, sniffing, steaming and pissing. All things come to me through the clear fog with the odor of repetition, with yellow hangovers and Gadzooks and whettikins. In the dead center, far below Dijon, far below the hyperborean regions, stands God Ajax, his shoulders strapped to the mill wheel, the olives crunching, the green marsh water alive with croaking frogs.

The fog and snow, the cold latitude, the heavy learning, the blue coffee, the unbuttered bread, the soup and lentils, the heavy pork-packer beans, the stale cheese, the soggy chow, the lousy wine have put the whole penitentiary into a state of constipation. And just when everyone has become shit-tight the toilet pipes freeze. The shit piles up like ant hills; one has to move down from the little pedestals and leave it on the floor. It lies there stiff and frozen, waiting for the thaw. On Thursdays the hunchback comes with his little wheelbarrow, shovels the cold, stiff turds with a broom and pan, and trundles off dragging his withered leg. The corridors are littered with toilet paper; it sticks to your feet like flypaper. When the weather moderates the odor gets ripe; you can smell it in Winchester forty miles away. Standing over that ripe dung in the morning, with a toothbrush, the stench is so powerful that it makes your head spin. We stand around in red flannel shirts, waiting to

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the scarecrows whom the cabinet ministers mention with moist lips whenever an immortal is added to the waxworks. (No bust of Villon, no bust of Rabelais, no bust of Rimbaud.)