means of transportation made available to him by a chance crease in the texture of time, and seated himself in the old calèche. The half-hour drive proved not unpleasant. He was taken through pinewoods and over rocky ravines, with birds and other animals singing in the flowering undergrowth. Sunflecks and lacy shadows skimmed over his legs and lent a green twinkle to the brass button deprived of its twin on the back of the coachman’s coat. They passed through Torfyanka, a dreamy hamlet consisting of three or four log izbas, a milkpail repair shop and a smithy smothered in jasmine. The driver waved to an invisible friend and the sensitive runabout swerved slightly to match his gesture. They were now spinning along a dusty country road between fields. The road dipped and humped again, and at every ascent the old clockwork taxi would slow up as if on the brink of sleep and reluctantly overcome its weakness.
They bounced on the cobblestones of Gamlet, a half-Russian village, and the chauffeur waved again, this time to a boy in a cherry tree. Birches separated to let them pass across an old bridge. Ladore, with its ruinous black castle on a crag, and its gay multicolored roofs further downstream were glimpsed — to be seen again many times much later in life.
Presently the vegetation assumed a more southern aspect as the lane skirted Ardis Park. At the next turning, the romantic mansion appeared on the gentle eminence of old novels. It was a splendid country house, three stories high, built of pale brick and purplish stone, whose tints and substance seemed to interchange their effects in certain lights. Notwithstanding the variety, amplitude and animation of great trees that had long replaced the two regular rows of stylized saplings (thrown in by the mind of the architect rather than observed by the eye of a painter) Van immediately recognized Ardis Hall as depicted in the two-hundred-year-old aquarelle that hung in his father’s dressing room: the mansion sat on a rise overlooking an abstract meadow with two tiny people in cocked hats conversing not far from a stylized cow.
None of the family was at home when Van arrived. A servant in waiting took his horse. He entered the Gothic archway of the hall where Bouteillan, the old bald butler who unprofessionally now wore a mustache (dyed a rich gravy brown), met him with gested delight — he had once been the valet of Van’s father — ‘Je parie,’ he said, ‘que Monsieur ne me reconnaît pas,’ and proceeded to remind Van of what Van had already recollected unaided, the farmannikin (a special kind of box kite, untraceable nowadays even in the greatest museums housing the toys of the past) which Bouteillan had helped him to fly one day in a meadow dotted with buttercups. Both looked up: the tiny red rectangle hung for an instant askew in a blue spring sky. The hall was famous for its painted ceilings. It was too early for tea: Would Van like him or a maid to unpack? Oh, one of the maids, said Van, wondering briefly what item in a schoolboy’s luggage might be supposed to shock a housemaid. The picture of naked Ivory Revery (a model)? Who cared, now that he was a man?
Acting upon the butler’s suggestion he went to make a tour du jardin. As he followed a winding path, soundlessly stepping on its soft pink sand in the cloth gumshoes that were part of the school uniform, he came upon a person whom he recognized with disgust as being his former French governess (the place swarmed with ghosts!). She was sitting on a green bench under the Persian lilacs, a parasol in one hand and in the other a book from which she was reading aloud to a small girl who was picking her nose and examining with dreamy satisfaction her finger before wiping it on the edge of the bench. Van decided she must be ‘Ardelia,’ the eldest of the two little cousins he was supposed to get acquainted with. Actually it was Lucette, the younger one, a neutral child of eight, with a fringe of shiny reddish-blond hair and a freckled button for nose: she had had pneumonia in spring and was still veiled by an odd air of remoteness that children, especially impish children, retain for some time after brushing through death. Mlle Larivière suddenly looked at Van over her green spectacles — and he had to cope with another warm welcome. In contrast to Albert, she had not changed at all since the days she used to come three times a week to Dark Veen’s house in town with a bagful of books and the tiny, tremulous poodlet (now dead) that could not be left behind. It had glistening eyes like sad black olives.
Presently they all strolled back, the governess shaking in reminiscent grief her big-chinned, big-nosed head under the moiré of her parasol; Lucy gratingly dragging a garden hoe she had found, and young Van in his trim gray suit and flowing tie, with his hands behind his back, looking down at his neatly stepping mute feet — trying to place them in line, for no special reason.
A victoria had stopped at the porch. A lady, who resembled Van’s mother, and a dark-haired girl of eleven or twelve, preceded by a fluid dackel, were getting out. Ada carried an untidy bunch of wild flowers. She wore a white frock with a black jacket and there was a white bow in her long hair. He never saw that dress again and when he mentioned it in retrospective evocation she invariably retorted that he must have dreamt it, she never had one like that, never could have put on a dark blazer on such a hot day, but he stuck to his initial image of her to the last.
Some ten years ago, not long before or after his fourth birthday, and toward the end of his mother’s long stay in a sanatorium, ‘Aunt’ Marina had swooped upon him in a public park where there were pheasants in a big cage. She advised his nurse to mind her own business and took him to a booth near the band shell where she bought him an emerald stick of peppermint candy and told him that if his father wished she would replace his mother and that you could not feed the birds without Lady Amherst’s permission, or so he understood.
They now had tea in a prettily furnished corner of the otherwise very austere central hall from which rose the grand staircase. They sat on chairs upholstered in silk around a pretty table. Ada’s black jacket and a pink-yellow-blue nosegay she had composed of anemones, celandines and columbines lay on a stool of oak. The dog got more bits of cake than it did ordinarily. Price, the mournful old footman who brought the cream for the strawberries, resembled Van’s teacher of history, ‘Jeejee’ Jones.
‘He resembles my teacher of history,’ said Van when the man had gone.
‘I used to love history,’ said Marina, ‘I loved to identify myself with famous women. There’s a ladybird on your plate, Ivan. Especially with famous beauties — Lincoln’s second wife or Queen Josephine.’
‘Yes, I’ve noticed — it’s beautifully done. We’ve got a similar set at home.’
‘Slivok (some cream)? I hope you speak Russian?’ Marina asked Van, as she poured him a cup of tea.
‘Neohotno no sovershenno svobodno (reluctantly but quite fluently),’ replied Van, slegka ulïbnuvshis’ (with a slight smile). ‘Yes, lots of cream and three lumps of sugar.’
‘Ada and I share your extravagant tastes. Dostoevski liked it with raspberry syrup.’
‘Pah,’ uttered Ada.
Marina’s portrait, a rather good oil by Tresham, hanging above her on the wall, showed her wearing the picture hat she had used for the rehearsal of a Hunting Scene ten years ago, romantically brimmed, with a rainbow wing and a great drooping plume of black-banded silver; and Van, as he recalled the cage in the park and his mother somewhere in a cage of her own, experienced an odd sense of mystery as if the commentators of his destiny had gone into a huddle. Marina’s face was now made up to imitate her former looks, but fashions had changed, her cotton dress was a rustic print, her auburn locks were bleached and no longer tumbled down her temples, and nothing in her attire or adornments echoed the dash of her riding crop in the picture and the regular pattern of her brilliant plumage which Tresham had rendered with ornithological skill.
There was not much to remember about that first tea. He noticed Ada’s trick of hiding her fingernails by fisting her hand or stretching it with the palm turned upward when helping herself to a biscuit. She was bored and embarrassed by everything her mother said and when the latter started to talk about the Tarn, otherwise the New Reservoir, he noted that Ada was no longer sitting next to him but standing a little way off with her back to the tea table at an open casement with the slim-waisted dog on a chair peering over splayed front paws out into the garden too, and she was asking it in a private whisper what it was it had sniffed.
‘You can see the Tarn from the library window,’ said Marina. ‘Presently Ada will show you all the rooms in the house. Ada?’ (She pronounced it the Russian way with two deep, dark ‘a’s, making it sound rather like ‘ardor.’)
‘You can catch a glint of it from here too,’ said Ada, turning her head and, pollice verso, introducing the