Ada, or Ardor, A Family Chronicle
himself et ma cousine, and had supper with the former owner, a banker’s widow, amiable Mme Scarlet and her blond, pimply but pretty, daughter Eveline, both of whom seemed erotically moved by the rapidity of the deal.
He was still calm and confident; after carefully studying Dorothy’s hysterical report, he still believed that nothing threatened their destiny; that at best Andrey would die right now, sparing Ada the bother of a divorce; and that at worst the man would be packed off to a mountain sanatorium in a novel to linger there through a few last pages of epilogical mopping up far away from the reality of their united lives. Friday morning, at nine o’clock — as bespoken on the eve — he drove over to the Bellevue, with the pleasant plan of motoring to Sorcière to show her the house.
At night a thunderstorm had rather patly broken the back of the miraculous summer. Even more patly the sudden onset of her flow had curtailed yesterday’s caresses. It was raining when he slammed the door of his car, hitched up his velveteen slacks, and, stepping across puddles, passed between an ambulance and a large black Yak, waiting one behind the other before the hotel. All the wings of the Yak were spread open, two bellboys had started to pile in luggage under the chauffeur’s supervision, and various parts of the old hackney car were responding with discreet creaks to the grunts of the loaders.
He suddenly became aware of the rain’s reptile cold on his balding head and was about to enter the glass revolvo, when it produced Ada, somewhat in the manner of those carved-wood barometers whose doors yield either a male puppet or a female one. Her attire — that mackintosh over a high-necked dress, the fichu on her upswept hair, the crocodile bag slung across her shoulder — formed a faintly old-fashioned and even provincial ensemble. ‘On her there was no face,’ as Russians say to describe an expression of utter dejection.
She led him around the hotel to an ugly rotunda, out of the miserable drizzle, and there she attempted to embrace him but he evaded her lips. She was leaving in a few minutes. Heroic, helpless Andrey had been brought back to the hotel in an ambulance. Dorothy had managed to obtain three seats on the Geneva-Phoenix plane. The two cars were taking him, her and the heroic sister straight to the helpless airport.
She asked for a handkerchief, and he pulled out a blue one from his windjacket pocket, but her tears had started to roll and she shaded her eyes, while he stood before her with outstretched hand.
‘Part of the act?’ he inquired coldly.
She shook her head, took the handkerchief with a childish ‘merci,’ blew her nose and gasped, and swallowed, and spoke, and next moment all, all was lost.
She could not tell her husband while he was ill. Van would have to wait until Andrey was sufficiently well to bear the news and that might take some time. Of course, she would have to do everything to have him completely cured, there was a wondermaker in Arizona —
‘Sort of patching up a bloke before hanging him,’ said Van.
‘And to think,’ cried Ada with a kind of square shake of stiff hands as if dropping a lid or a tray, ‘to think that he dutifully concealed everything! Oh, of course, I can’t leave him now!’
‘Yes, the old story — the flute player whose impotence has to be treated, the reckless ensign who may never return from a distant war!’
‘Ne ricane pas!’ exclaimed Ada. ‘The poor, poor little man! How dare you sneer?’
As had been peculiar to his nature even in the days of his youth, Van was apt to relieve a passion of anger and disappointment by means of bombastic and arcane utterances which hurt like a jagged fingernail caught in satin, the lining of Hell.
‘Castle True, Castle Bright!’ he now cried, ‘Helen of Troy, Ada of Ardis! You have betrayed the Tree and the Moth!’
‘Perestagne (stop, cesse)!’
‘Ardis the First, Ardis the Second, Tanned Man in a Hat, and now Mount Russet —’
‘Perestagne!’ repeated Ada (like a fool dealing with an epileptic).
‘Oh! Qui me rendra mon Hélène —’
‘Ach, perestagne!’
‘— et le phalène.’
‘Je t’emplie («prie» and «supplie»), stop, Van. Tu sais que j’en vais mourir.’
‘But, but, but’ — (slapping every time his forehead) — ‘to be on the very brink of, of, of — and then have that idiot turn Keats!’
‘Bozhe moy, I must be going. Say something to me, my darling, my only one, something that might help!’
There was a narrow chasm of silence broken only by the rain drumming on the eaves.
‘Stay with me, girl,’ said Van, forgetting everything — pride, rage, the convention of everyday pity.
For an instant she seemed to waver — or at least to consider wavering; but a resonant voice reached them from the drive and there stood Dorothy, gray-caped and mannish-hatted, energetically beckoning with her unfurled umbrella.
‘I can’t, I can’t, I’ll write you,’ murmured my poor love in tears.
Van kissed her leaf-cold hand and, letting the Bellevue worry about his car, letting all Swans worry about his effects and Mme Scarlet worry about Eveline’s skin trouble, he walked some ten kilometers along soggy roads to Rennaz and thence flew to Nice, Biskra, the Cape, Nairobi, the Basset range —
And oe’r the summits of the Basset —
Would she write? Oh, she did! Oh, every old thing turned out superfine! Fancy raced fact in never-ending rivalry and girl giggles. Andrey lived only a few months longer, po pal’tzam (finger counting) one, two, three, four — say, five. Andrey was doing fine by the spring of nineteen six or seven, with a comfortably collapsed lung and a straw-colored beard (nothing like facial vegetation to keep a patient busy). Life forked and reforked. Yes, she told him. He insulted Van on the mauve-painted porch of a Douglas hotel where van was awaiting his Ada in a final version of Les Enfants Maudits. Monsieur de Tobak (an earlier cuckold) and Lord Erminin (a second-time second) witnessed the duel in the company of a few tall yuccas and short cactuses. Vinelander wore a cutaway (he would); Van, a white suit. Neither man wished to take any chances, and both fired simultaneously. Both fell. Mr Cutaway’s bullet struck the outsole of Van’s left shoe (white, black-heeled), tripping him and causing a slight fourmillement (excited ants) in his foot — that was all. Van got his adversary plunk in the underbelly — a serious wound from which he recovered in due time, if at all (here the forking swims in the mist). Actually it was all much duller.
So she did write as she had promised? Oh, yes, yes! In seventeen years he received from her around a hundred brief notes, each containing around one hundred words, making around thirty printed pages of insignificant stuff — mainly about her husband’s health and the local fauna. After helping her to nurse Andrey at Agavia Ranch through a couple of acrimonious years (she begrudged Ada every poor little hour devoted to collecting, mounting, and rearing!), and then taking exception to Ada’s choosing the famous and excellent Grotonovich Clinic (for her husband’s endless periods of treatment) instead of Princess Alashin’s select sanatorium, Dorothy Vinelander retired to a subarctic monastery town (Ilemna, now Novostabia) where eventually she married a Mr Brod or Bred, tender and passionate, dark and handsome, who traveled in eucharistials and other sacramental objects throughout the Severnïya Territorii and who subsequently was to direct, and still may be directing half a century later, archeological reconstructions at Goreloe (the ‘Lyaskan Herculanum’); what treasures he dug up in matrimony is another question.
Steadily but very slowly Andrey’s condition kept deteriorating. During his last two or three years of idle existence on various articulated couches, whose every plane could be altered in hundreds of ways, he lost the power of speech, though still able to nod or shake his head, frown in concentration, or faintly smile when inhaling the smell of food (the origin, indeed, of our first beatitudes). He died one spring night, alone in a hospital room, and that same summer (1922) his widow donated her collections to a National Park museum and traveled by air to Switzerland for an ‘exploratory interview’ with fifty-two-year-old Van Veen.
Part Four
Here a heckler asked, with the arrogant air of one wanting to see a gentleman’s driving license, how did the ‘Prof’ reconcile his refusal to grant the future the status of Time with the fact that it, the future, could hardly be considered nonexistent, since ‘it possessed at least one future, I mean, feature, involving such an important idea as that of absolute necessity.’
Throw him out. Who said I shall die?
Refuting the determinist’s statement more elegantly: unconsciousness, far from awaiting us, with flyback and noose, somewhere ahead, envelops both the Past and the Present from all conceivable sides, being a character not of Time itself but of organic decline natural to all things whether conscious of Time or not. That I know others die is irrelevant to the case. I also know that you, and, probably, I, were born, but that does not prove we went through the chronal phase called the Past: my Present, my brief span of consciousness, tells me I did, not the silent thunder of the infinite unconsciousness proper to my birth fifty-two years and 195 days ago. My first recollection goes back to mid-July, 1870, i.e., my seventh month of life (with most people, of course, retentive consciousness starts somewhat later, at three or four years of age) when, one morning, in