Waiting for the Russian couple to recede, the King stopped beside the bench. The mosaic-faced man folded his newspaper, and one second before he spoke (in the neutral interval between smoke puff and detonation), the King knew it was Odon.
«All one could do at short notice,» said Odon, plucking at his cheek to display how the varicolored semi-transparent film adhered to his face, altering its contours according to stress. «A polite person,» he added, «does not, normally, examine too closely a poor fellow’s disfigurement.»
«I was looking for shpiks [plainclothesmen]» said the King. «All day,» said Odon, «they have been patrolling the quay. They are dining at present.»
«I’m thirsty and hungry,» said the King. «That’s young Baron Mandevil — chap who had that duel last year. Let’s go now.»
«Couldn’t we take him too?»
«Wouldn’t come — got a wife and a baby. Come on, Charlie, come on, Your Majesty.»
«He was my throne page on Coronation Day.»
Thus chatting, they reached the Rippleson Caves. I trust the reader has enjoyed this note.
Line 162: With his pure tongue, etc.
This is a singularly roundabout way of describing a country girl’s shy kiss; but the whole passage is very baroque. My own boyhood was too happy and healthy to contain anything remotely like the fainting fits experienced by Shade: It must have been with him a mild form of epilepsy, a derailment of the nerves at the same spot, on the same curve of the tracks, every day, for several weeks, until nature repaired the damage. Who can forget the good-natured faces, glossy with sweat, of copper-chested railway workers leaning upon their spades and following with their eyes the windows of the great express cautiously gliding by?
Line 167: There was a time, etc.
The poet began Canto Two (on his fourteenth card) on July 5, his sixtieth birthday (see note to line 181, «today»). My slip — change to sixty-first.
Line 169: Survival after death
See note to line 549.
Line 171: a great conspiracy
For almost a whole year after the King’s escape the Extremists remained convinced that he and Odon had not left Zembla. The mistake can be only ascribed to the streak of stupidity that fatally runs through the most competent tyranny. Airborne machines and everything connected with them cast a veritable spell over the minds of our new rulers whom kind history had suddenly given a boxful of these zipping and zooming gadgets to play with. That an important fugitive would not perform by air the act of fleeing seemed to them inconceivable. Within minutes after the King and the actor had clattered down the backstairs of the Royal Theater, every wing in the sky and on the ground had been accounted for — such was the efficiency of the government. During the next weeks not one private or commercial plane was allowed to take off, and the inspection of transients became so rigorous and lengthy that international lines decided to cancel stopovers at Onhava. There were some casualties. A crimson balloon was enthusiastically shot down and the aeronaut (a well-known meteorologist) drowned in the Gulf of Surprise. A pilot from a Lapland base flying on a mission of mercy got lost in the fog and was so badly harassed by Zemblan fighters that he settled atop a mountain peak. Some excuse for all this could be found. The illusion of the King’s presence in the wilds of Zembla was kept up by royalist plotters who decoyed entire regiments into searching the mountains and woods of our rugged peninsula. The government spent a ludicrous amount of energy on solemnly screening the hundreds of impostors packed in the country’s jails. Most of them clowned their way back to freedom; a few, alas, fell. Then, in the spring of the following year, a stunning piece of news came from abroad. The Zemblan actor Odon was directing the making of a cinema picture in Paris!
It was now correctly conjectured that if Odon had fled, the King had fled too: At an extraordinary session of the Extremist government there was passed from hand to hand, in grim silence, a copy of a French newspaper with the headline: L’EN-ROI DE ZEMBLA EST-IL À PARIS? Vindictive exasperation rather than state strategy moved the secret organization of which Gradus was an obscure member to plot the destruction of the royal fugitive. Spiteful thugs! They may be compared to hoodlums who itch to torture the invulnerable gentleman whose testimony clapped them in prison for life. Such convicts have been known to go berserk at the thought that their elusive victim whose very testicles they crave to twist and tear with their talons, is sitting at a pergola feast on a sunny island or fondling some pretty young creature between his knees in serene security — and laughing at them! One supposes that no hell can be worse than the helpless rage they experience as the awareness of that implacable sweet mirth reaches them and suffuses them, slowly destroying their brutish brains. A group of especially devout Extremists calling themselves the Shadows had got together and swore to hunt down the King and kill him wherever he might be. They were, in a sense, the shadow twins of the Karlists and indeed several had cousins or even brothers among the followers of the King. No doubt, the origin of either group could be traced to various reckless rituals in student fraternities and military clubs, and their development examined in terms of fads and anti-fads; but, whereas an objective historian associates a romantic and noble glamor with Karlism, its shadow group must strike one as something definitely Gothic and nasty. The grotesque figure of Gradus, a cross between bat and crab, was not much odder than many other Shadows, such as, for example, Nodo, Odon’s epileptic half-brother who cheated at cards, or a mad Mandevil who had lost a leg in trying to make anti-matter. Gradus had long been a member of all sorts of jejune leftist organizations. He had never killed, though coming rather close to it several times in his gray life. He insisted later that when he found himself designated to track down and murder the King, the choice was decided by a show of cards — but let us not forget that it was Nodo who shuffled and dealt them out. Perhaps our man’s foreign origin secretly prompted a nomination that would not cause any son of Zembla to incur the dishonor of actual regicide. We can well imagine the scene: the ghastly neon lights of the laboratory, in an annex of the Glass Works, where the Shadows happened to hold their meeting that night; the ace of spades lying on the tiled floor, the vodka gulped down out of test tubes; the many hands clapping Gradus on his round back, and the dark exultation of the man as he received those rather treacherous congratulations. We place this fatidic moment at 0:05, July 2, 1959 — which happens to be also the date upon which an innocent poet penned the first lines of his last poem.
Was Gradus really a suitable person for the job? Yes and no. One day in his early youth, when he worked as a messenger boy for a large and depressing firm of cardboard box manufacturers, he quietly helped three companions to ambush a local lad whom they wished to beat up for winning a motorcycle at a fair. Young Gradus obtained an axe and directed the felling of a tree: it crashed improperly, though, not quite blocking the country lane down which their carefree prey used to ride in the growing dusk. The poor lad whizzing along toward the spot where those roughs crouched was a slim delicate-looking Lorrainer, and one must have been vile indeed to begrudge him his harmless enjoyment. Curiously enough, while they were lying in wait, our future regicide fell asleep in a ditch and thus missed the brief affray during which two of the attackers were knuckledusted and knocked out by the brave Lorrainer, and the third run over and crippled for life.
Gradus never became a real success in the glass business to which he turned again and again between his wine-selling and pamphlet-printing jobs. He started as a maker of Cartesian devils — imps of bottle glass bobbing up and down in methylate-filled tubes hawked during Catkin Week on the boulevards. He also worked as teazer, and later as flasher, at governmental factories — and was, I believe, more or less responsible for the remarkably ugly red-and-amber windows in the great public lavatory at rowdy but colorful Kalixhaven where the sailors are. He claimed to have improved the glitter and rattle of the so-called feuilles-d’alarme used by grape growers and orchardmen to scare the birds. I have staggered the notes referring to him in such a fashion that the first (see note to line 17 where some of this other activities are adumbrated) is the vaguest while those that follow become gradually clearer as gradual Gradus approaches in space and time.
Mere springs and coils produced the inward movements of our clockwork man. He might be termed a Puritan. One essential dislike, formidable in its simplicity, pervaded his dull soul: he disliked injustice and deception. He disliked their union — they were always together — with a wooden passion that neither had, nor needed, words to express itself. Such a dislike should have deserved praise had it not been a by-product of the man’s hopeless stupidity. He called unjust and deceitful everything that surpassed his understanding. He worshiped general ideas
