But most important, of course, are the legs: a glistening white thigh, an enormous scarred knee, boots swollen with dark mud, thick and shapeless, but nevertheless marked by an extraordinarily precise and powerful grace. The stocking has slipped down one vigorously twisted calf, one foot is buried in rich mud, the other is about to kick—and how!—the hideous, tar-black ball—and all this against a dark gray background saturated with rain and snow. Looking at this picture one could already hear the whiz of the leather missile, already see the goalkeeper’s desperate dive.
“And I know something else,” said Zina. “You were supposed to help me with a translation, Charski told you about it, but for some reason you didn’t turn up.”
“How queer,” repeated Fyodor.
There was a bang in the hall—that was Marianna Nikolavna returning—and Zina deliberately got up, gathered the cuttings together and went to her room—only later did Fyodor understand why she considered it necessary to act that way, but at the moment it seemed to him like discourtesy—and when Mrs. Shchyogolev came into the dining room the result was as if he had been stealing sugar out of the sideboard.
One evening a few days later he overheard an angry conversation from his room—the gist of which was that guests were due to arrive and that it was time for Zina to go downstairs with the key. He heard her go, and after a brief inner struggle, he thought himself up a walk—say to the slot machine by the public garden for a postage stamp. To complete the illusion, he put on a hat, although he practically never wore one. The minute light went out while he was on his way down but immediately there was a click and it went on again: that was she downstairs who had pressed the button. He found her standing by the glass door, playing with the key looped on her finger, the whole of her brightly illuminated, everything glistened—the turquoise knit of her jumper, her fingernails and the even little hairs on her forearm.
“It’s unlocked,” she said, but he stopped, and both of them began to look through the glass at the dark, mobile night, at the gas lamp, at the shadow of the railings.
“It doesn’t look as if they’re coming,” she muttered, softly clinking the keys.
“Have you been waiting long?” he asked. “If you like I’ll take a turn,” and at that moment the light went out. “If you like I’ll stay here all night.” he added in the darkness.
She laughed, and then sighed abruptly, as if fed up with waiting. Through the glass the ashen light from the street fell on both of them and the shadow of the iron design on the door undulated over her and continued obliquely over him, like a shoulder-belt, while a prismatic rainbow lay on the wall.
And, as often happened with him—though it was deeper this time than ever before—Fyodor suddenly felt—in this glassy darkness—the strangeness of life, the strangeness of its magic, as if a corner of it had been turned back for an instant and he had glimpsed its unusual lining. Close to his face there was her soft cinereous cheek cut across by a shadow, and when Zina suddenly, with mysterious bewilderment and a mercurial sparkle in her eyes, turned toward him and the shadow lay across her lips, oddly changing her, he took advantage of the absolute freedom in this world of shadows to take her by her ghostly elbows; but she slipped out of the pattern and with a quick jab of her finger restored the light.
“Why?” he asked.
“I’ll explain it some other time,” replied Zina, not taking her eyes off him.
“Tomorrow,” said Fyodor.
“All right, tomorrow. Only I want to warn you that there is not going to be any conversation between you and me at home. That’s final and for good.”
“Then let’s …” he began, but at this point stocky Colonel Kasatkin and his tall, faded wife loomed on the other side of the door.
“A very good evening to you, my pretty,” said the colonel, cleaving the night at a single stroke. Fyodor went out into the street.
The next day he contrived to catch her on the corner as she returned from work. They arranged to meet after supper by a bench which he had spied out the night before.
“Well, why?” he asked when they had sat down.
“For five reasons,” she said. “In the first place because I’m not a German girl, in the second place because only last Wednesday I broke up with my fiancé, in the third place because it would be—well, pointless, in the fourth place because you don’t know me at all, and in the fifth place …” She fell silent, and Fyodor cautiously kissed her burning, melting, sorrowing lips. “That’s why,” she said, her fingers running over his and strongly compressing them.
Thereforth they met every evening. Marianna Nikolavna, who never dared to ask her about anything (the very hint of a question would draw forth the familiar storm), guessed that her daughter was meeting someone, the more so since she knew of the mysterious fiancé. He was a strange, sickly, unbalanced person (that, at least, is how Fyodor imagined him from Zina’s description—and, of course, those described people are usually endowed with one basic characteristic: they never smile) whom she had met when she was sixteen, three years before, he being twelve years older than she, and in this seniority there was also something dark, unpleasant and embittered. Then again, according to her account, their meetings had taken place without any sentiments of love being expressed, and because she never made reference to even a single kiss, the impression was given that this had been simply an endless succession of tedious conversations.
She resolutely refused to reveal his name or even his type of work (although she gave him to understand that he had been, in a sense, a man of genius) and Fyodor was secretly grateful to her for this, realizing that a ghost with neither name nor environment would fade out more easily—but neverthless he experienced pangs of disgusting jealousy which he strove not to probe, but this jealousy was always present just around the corner, and the thought that somewhere, somewhen, for all he knew, he might meet the anxious, mournful eyes of this gentleman, caused everything around him to assume nocturnal habits of life, like nature during an eclipse.
Zina swore that she had never loved him, that from lack of willpower she had been dragging out a tired romance with him and would have continued to do so had it not been for Fyodor coming along; but he was unable to discern any particular lack of willpower in her, rather he noticed a mixture of feminine shyness and unfeminine resoluteness in everything. Despite the complexity of her mind, a most convincing simplicity was natural to her, so that she could permit herself much that others would be unable to get away with, and the very speed of their coming together seemed to Fyodor completely natural in the sharp light of her directness.
At home she behaved in such a way that it was monstrous to imagine an evening rendezvous with this alien, sullen young lady; but it was not pretense, rather it was also an idiosyncratic form of directness. When he once jokingly stopped her in the little corridor she paled with anger and did not come to meet him that evening, and later she forced him to swear on oath that he would never do that again. Very soon he understood why this was so: the domestic situation was of such a low-grade variety that with it as a background the fugitive touching of hands between a boarder and the landlord’s daughter would have been turned simply into “goings on.”
Zina’s father, Oscar Grigorievich Mertz, had died of angina pectoris in Berlin four years ago, and immediately after his death Marianna Nikolavna had married a man whom Mertz would not have allowed over his threshold, one of those cocky and corny Russians who, when the occasion presents itself, savor the word “Yid” as if it were a fat fig. But whenever good Shchyogolev was away, there quite simply appeared in the house one of his fishy business friends, a skinny Baltic baron with whom Marianna Nikolavna deceived him—and Fyodor, who had happened to see the baron once or twice, could not help wondering with a shudder of disgust what they could find in one another, and, if they found anything, what procedure did they adopt, this elderly, fleshy woman with a toad’s face and this old skeleton with decaying teeth.
If it was sometimes agonizing to know that Zina was alone in the flat and that their agreement prevented him talking to her, it was agonizing in a totally different way when Shchyogolev remained alone at home. No lover of solitude, Boris Ivanovich would soon begin to get bored, and from his room Fyodor would hear the rustling growth of this boredom, as if the flat were slowly being overgrown with burdocks—which had now grown up to his door. He would pray to fate that something might distract Shchyogolev, but (until he got the radio) salvation was not forthcoming.
Inevitably came the ominous, tactful knock and Boris Ivanovich, horribly smiling, squeezed sideways into the room. “Were you asleep? Did I disturb you?” he would ask, seeing Fyodor flat on his back on the sofa, and then, ingressing entirely, he would shut the door tightly behind him and sit by Fyodor’s feet, sighing. “It’s deadly dull, deadly dull,” he
