The board was bathed in fragrance. The old man called the Officer a Bishop and the Tower, a Rook, and whenever he made a move that was fatal for his opponent he would immediately take it back, and as if disclosing the mechanism of an expensive instrument he would show the way his Opponent should have played in order to avert disaster.
He won the first fifteen games without the slightest effort, not pondering his moves for a moment, but during the sixteenth game he suddenly began to think and won with difficulty, while on the last day, the day he drove up with a whole bush of lilac for which no place could be found, and the boy’s aunt darted about on tiptoe in her bedroom and then, presumably, left by the back door—on this last day, after a long exciting struggle during which the old man revealed a capacity for breathing hard through the nose—Luzhin perceived something, something was set free within him, something cleared up, and the mental myopia that had been painfully beclouding his chess vision disappeared. “Well, well, it’s a draw” said the old man.
He moved his Queen back and forth a few times the way you move the lever of a broken machine and repeated: “A draw. Perpetual check.” Luzhin also tried the lever to see if it would work, wiggled it, wiggled it, and then sat still, staring stiffly at the board. “You’ll go far,” said the old man. “You’ll go far if you continue on the same lines. Tremendous progress! Never saw anything like it before.… Yes, you’ll go very, very far.…”
It was this old man who explained to Luzhin the simple method of notation in chess, and Luzhin, replaying the games given in the magazine, soon discovered in himself a quality he had once envied when his father used to tell somebody at table that he personally was unable to understand how his father-in-law could read a score for hours and hear in his mind all the movements of the music as he ran his eye over the notes, now smiling, now frowning, and sometimes turning back like a reader checking a detail in a novel—a name, the time of the year. “It must be a great pleasure,” his father had said, “to assimilate music in its natural state.” It was a similar pleasure that Luzhin himself now began to experience as he skimmed fluently over the letters and numbers representing moves.
At first he learned to replay the immortal games that remained from former tournaments—he would rapidly glance over the notes of chess and silently move the pieces on his board. Now and then this or that move, provided in the text with an exclamation or a question mark (depending upon whether it had been beautifully or wretchedly played), would be followed by several series of moves in parentheses, since that remarkable move branched out like a river and every branch had to be traced to its conclusion before one returned to the main channel. These possible continuations that explained the essence of blunder or foresight Luzhin gradually ceased to reconstruct actually on the board and contented himself with perceiving their melody mentally through the sequence of symbols and signs.
Similarly he was able to “read” a game already perused once without using the board at all; and this was all the more pleasant in that he did not have to fiddle about with chessmen while constantly listening for someone coming; the door, it is true, was locked, and he would open it unwillingly, after the brass handle had been jiggled many times—and Luzhin senior, coming to see what his son was doing in that damp uninhabited room, would find his son restless and sullen with red ears; on the desk lay the bound volumes of the magazine and Luzhin senior would be seized by the suspicion that his son might have been looking for pictures of naked women. “Why do you lock yourself up?” he would ask (and little Luzhin would draw his head into his shoulders and with hideous clarity imagine his father looking under the sofa and finding the chess set). “The air in here’s really icy. And what’s so interesting about these old magazines? Let’s go and see if there are any red mushrooms under the fir trees.”
Yes, they were there, those edible red boletes. Green needles adhered to their delicately brick-colored caps and sometimes a blade of grass would leave on one of them a long narrow trace. Their undersides might be holey, and occasionally a yellow slug would be sitting there—and Luzhin senior would use his pocketknife to clean moss and soil from the thick speckled-gray root of each mushroom before placing it in the basket. His son followed behind him at a few paces’ distance, with his hands behind his back like a little old man, and not only did he not look for mushrooms but even refused to admire those his father, with little quacks of pleasure, unearthed himself.
And sometimes, plump and pale in a dreary white dress that did not become her, Mrs. Luzhin would appear at the end of the avenue and hurry toward them, passing alternately through sunlight and shadow, and the dry leaves that never cease to occur in northern woods, would rustle beneath the slightly skewed high heels of her white slippers. One July day, she slipped on the veranda steps and sprained her foot, and for a long time afterwards she lay in bed—either in her darkened bedroom or on the veranda—wearing a pink negligee, her face heavily powdered, and there would always be a small silver bowl with boules-de-gomme—balls of hard candy standing on a little table beside her. The foot was soon better but she continued to recline as if having made up her mind that this was to be her lot, that this precisely was her destiny in life.
Summer was unusually hot, the mosquitoes gave no peace, all day long the shrieks of peasant girls bathing could be heard from the river, and on one such oppressive and voluptuous day, early in the morning before the gadflies had yet begun to torment the black horse daubed with pungent ointment, Luzhin senior stepped into the calash and was taken to the station to spend the day in town. “At least be reasonable, it’s essential for me to see Silvestrov,” he had said to his wife the night before, pacing about the bedroom in his mouse-colored dressing gown.
“Really, how queer you are. Can’t you see this is important? I myself would prefer not to go.” But his wife continued to lie with her face thrust into the pillow, and her fat helpless back shook with sobs. Nonetheless, in the morning he left—and his son standing in the garden saw the top part of the coachman and his father’s hat skim along the serrated line of young firs that fenced off the garden from the road.
That day Luzhin junior was in low spirits. All the games in the old magazine had been studied, all the problems solved, and he was forced to play with himself, but this ended inevitably in an exchange of all the pieces and a dull draw.
And it was unbearably hot. The veranda cast a black triangular shadow on the bright sand. The avenue was paved with sunflecks, and these spots, if you slitted your eyes, took on the aspect of regular light and dark squares. An intense latticelike shadow lay flat beneath a garden bench. The urns that stood on stone pedestals at the four corners of the terrace threatened one another across their diagonals. Swallows soared: their flight recalled the motion of scissors swiftly cutting out some design. Not knowing what to do with himself he wandered down the footpath by the river, and from the opposite bank came ecstatic squeals and glimpses of naked bodies. He stole behind a tree trunk and with beating heart peered at these flashes of white.
A bird rustled in the branches, and taking fright he quickly left the river and went back. He had lunch alone with the housekeeper, a taciturn sallow-faced old woman who always gave off a slight smell of coffee. Afterwards, lolling on the drawing room couch, he drowsily listened to all manner of slight sounds, to an oriole’s cry in the garden, to the buzzing of a bumblebee that had flown in the window, to the tinkle of dishes on a tray being carried down from his mother’s bedroom—and these limpid sounds were strangely transformed in his reverie and assumed the shape of bright intricate patterns on a dark background; and in trying to unravel them he fell asleep.
He was wakened by the steps of the maid dispatched by his mother.… It was dim and cheerless in the bedroom; his mother drew him to her but he braced himself and turned away so stubbornly that she had to let him go. “Come, tell me something,” she said softly.
He shrugged his shoulders and picked at his knee with one finger. “Don’t you want to tell me anything?” she asked still more softly. He looked at the bedside table, put a boule-de-gomme in his mouth and began to suck—he took a second, a third, another and another until his mouth was full of sweet-thudding and bumping balls. “Take some more, take as many as you wish,” she murmured,
