It was not so difficult as I supposed to secure M. de Charlus’s consent to my request that he should introduce me to the Prince de Guermantes. For one thing, in the course of the last twenty years, this Don Quixote had tilted against so many windmills (often relatives who, he imagined, had behaved badly to him), he had so frequently banned people as being ‘impossible to have in the house’ from being invited by various male or female Guermantes, that these were beginning to be afraid of quarrelling with all the people they knew and liked, of condemning themselves to a lifelong deprivation of the society of certain newcomers whom they were curious to meet, by espousing the thunderous but unexplained rancours of a brother-in-law or cousin who expected them to abandon for his sake, wife, brother, children.
More intelligent than the other Guermantes, M. de Charlus realised that people were ceasing to pay any attention, save once in a while, to his veto, and, looking to the future, fearing lest one day it might be with his society that they would dispense, he had begun to make allowances, to reduce, as the saying is, his terms. Furthermore, if he had the faculty of ascribing for months, for years on end, an identical life to a detested person—to such an one he would not have tolerated their sending an invitation, and would have fought, rather, like a trooper, against a queen, the status of the person who stood in his way ceasing to count for anything in his eyes; on the other hand, his explosions of wrath were too frequent not to be somewhat fragmentary. “The imbecile, the rascal!
We shall have to put him in his place, sweep him into the gutter, where unfortunately he will not be innocuous to the health of the town,” he would scream, even when he was alone in his own room, while reading a letter that he considered irreverent, or upon recalling some remark that had been repeated to him. But a fresh outburst against a second imbecile cancelled the first, and the former victim had only to shew due deference for the crisis that he had occasioned to be forgotten, it not having lasted long enough to establish a foundation of hatred upon which to build.
And so, I might perhaps—despite his ill-humour towards me—have been successful when I asked him to introduce me to the Prince, had I not been so ill-inspired as to add, from a scruple of conscience, and so that he might not suppose me guilty of the indelicacy of entering the house at a venture, counting upon him to enable me to remain there:
“You are aware that I know them quite well, the Princess has been very kind to me.” “Very well, if you know them, why do you need me to introduce you?” he replied in a sharp tone, and, turning his back, resumed his make-believe game with the Nuncio, the German Ambassador and another personage whom I did not know by sight.
Then, from the depths of those gardens where in days past the Duc d’Aiguillon used to breed rare animals, there came to my ears, through the great, open doors, the sound of a sniffing nose that was savouring all those refinements and determined to miss none of them. The sound approached, I moved at a venture in its direction, with the result that the words good evening were murmured in my ear by M. de Bréauté, not like the rusty metallic-sound of a knife being sharpened on a grindstone, even less like the cry of the wild boar, devastator of tilled fields, but like the voice of a possible saviour.
Less influential than Mme. de Souvré, but less deeply ingrained than she with the incapacity to oblige, far more at his ease with the Prince than was Mme. d’Arpajon, entertaining some illusion perhaps as to my position in the Guermantes set, or perhaps knowing more about it than myself, I had nevertheless for the first few moments some difficulty in arresting his attention, for, with fluttering, distended nostrils, he was turning in every direction, inquisitively protruding his monocle, as though he found himself face to face with five hundred matchless works of art.
But, having heard my request, he received it with satisfaction, led me towards the Prince and presented me to him with a relishing, ceremonious, vulgar air, as though he had been handing him, with a word of commendation, a plate of cakes. Just as the greeting of the Duc de Guermantes was, when he chose, friendly, instinct with good fellowship, cordial and familiar, so I found that of the Prince stiff, solemn, haughty. He barely smiled at me, addressed me gravely as ‘Sir.’ I had often heard the Duke make fun of his cousin’s stiffness.
But from the first words that he addressed to me, which by their cold and serious tone formed the most entire contrast with the language of Basin, I realised at once that the fundamentally disdainful man was the Duke, who spoke to you at your first meeting with him as ‘man to man,’ and that, of the two cousins, the one who was really simple was the Prince.
I found in his reserve a stronger feeling, I do not say of equality, for that would have been inconceivable to him, but at least of the consideration which one may shew for an inferior, such as may be found in all strongly hierarchical societies; in the Law Courts, for instance, in a Faculty, where a public prosecutor or dean, conscious of their high charge, conceal perhaps more genuine simplicity, and, when you come to know them better, more kindness, true simplicity, cordiality, beneath their traditional aloofness than the more modern brethren beneath their jocular affectation of comradeship.
“Do you intend to follow the career of Monsieur, your father?” he said to me with a distant but interested air. I answered his question briefly, realising that he had asked it only out of politeness, and moved away to allow him to greet the fresh arrivals.
I caught sight of Swann, and meant to speak to him, but at that moment I saw that the Prince de Guermantes, instead of waiting where he was to receive the greeting of—Odette’s husband, had immediately, with the force of a suction pump, carried him off to the farther end of the garden, in order, as some said, ‘to shew him the door.’
So entirely absorbed in the company that I did not learn until two days later, from the newspapers, that a Czech orchestra had been playing throughout the evening, and that Bengal lights had been burning in constant succession, I recovered some power of attention with the idea of going to look at the celebrated fountain of Hubert Robert.
In a clearing surrounded by fine trees several of which were as old as itself, set in a place apart, one could see it in the distance, slender, immobile, stiffened, allowing the breeze to stir only the lighter fall of its pale and quivering plume. The eighteenth century had refined the elegance of its lines, but, by fixing the style of the jet, seemed to have arrested its life; at this distance one had the impression of a work of art rather than the sensation of water.
The moist cloud itself that was perpetually gathering at its crest preserved the character of the period like those that in the sky assemble round the palaces of Versailles. But from a closer view one realised that, while it respected, like the stones of an ancient palace, the design traced for it beforehand, it was a constantly changing stream of water that, springing upwards and seeking to obey the architect’s traditional orders, performed them to the letter only by seeming to infringe them, its thousand separate bursts succeeding only at a distance in giving the impression of a single flow.
This was in reality as often interrupted as the scattering of the fall, whereas from a distance it had appeared to me unyielding, solid, unbroken in its continuity. From a little nearer, one saw that this continuity, apparently complete, was assured, at every point in the ascent of the jet, wherever it must otherwise have been broken, by the entering into line, by the lateral incorporation of a parallel jet which mounted higher than the first and was itself, at an altitude greater but already a strain upon its endurance, relieved by a third.
Seen close at hand, drops without strength fell back from the column of water crossing on their way their climbing sisters and, at times, torn, caught in an eddy of the night air, disturbed by this ceaseless flow, floated awhile before being drowned in the basin.
They teased with their hesitations, with their passage