I watched the trees gradually withdraw, waving their despairing arms, seeming to say to me: “What you fail to learn from us to-day, you will never know. If you allow us to drop back into the hollow of this road from which we sought to raise ourselves up to you, a whole part of yourself which we were bringing to you will fall for ever into the abyss.” And indeed if, in the course of time, I did discover the kind of pleasure and of disturbance which I had just been feeling once again, and if one evening—too late, but then for all time—I fastened myself to it, of those trees themselves I was never to know what they had been trying to give me nor where else I had seen them. And when, the road having forked and the carriage with it, I turned my back on them and ceased to see them, with Mme. de Villeparisis asking me what I was dreaming about, I was as wretched as though I had just lost a friend, had died myself, had broken faith with the dead or had denied my God.
It was time to be thinking of home. Mme. de Villeparisis, who had a certain feeling for nature, colder than that of my grandmother but capable of recognising, even outside museums and noblemen’s houses, the simple and majestic beauty of certain old and venerable things, told her coachman to take us back by the old Balbec road, a road little used but planted with old elm-trees which we thought quite admirable.
Once we had got to know this road, for a change we would return—that is, if we had not taken it on the outward journey—by another which ran through the woods of Chantereine and Canteloup. The invisibility of the numberless birds that took up one another’s song close beside us in the trees gave me the same sense of being at rest that one has when one shuts one’s eyes. Chained to my back-seat like Prometheus on his rock I listened to my Oceanides. And when it so happened that I caught a glimpse of one of those birds as it passed from one leaf to another, there was so little apparent connexion between it and the songs that I heard that I could not believe that I was beholding their cause in that little body, fluttering, startled and unseeing.
This road was like many others of the same kind which are to be found in France, climbing on a fairly steep gradient to its summit and then gradually falling for the rest of the way. At the time, I found no great attraction in it, I was only glad to be going home. But it became for me later on a frequent source of joy by remaining in my memory as a lodestone to which all the similar roads that I was to take, on walks or drives or journeys, would at once attach themselves without breach of continuity and would be able, thanks to it, to communicate directly with my heart. For as soon as the carriage or the motor-car turned into one of these roads that seemed to be merely the continuation of the road along which I had driven with Mme. de Villeparisis, the matter to which I found my consciousness directly applying itself, as to the most recent event in my past, would be (all the intervening years being quietly obliterated) the impressions that I had had on those bright summer afternoons and evenings, driving round Balbec, when the leaves smelt good, a mist rose from the ground, and beyond the village close at hand one could see through the trees the sun setting as though it had been merely some place farther along the road, a forest place and distant, which we should not have time to reach that evening. Harmonised with what I was feeling now in another place, on a similar road, surrounded by all the accessory sensations of breathing deep draughts of air, of curiosity, indolence, appetite, lightness of heart which were common to them both, and excluding all others, these impressions would be reinforced, would take on the consistency of a particular type of pleasure, and almost of a setting of life which, as it happened, I rarely had the luck to come across, but in which these awakened memories placed, amid the reality that my senses could perceive, no small part of a reality suggested, dreamed, unseizable, to give me, among those regions through which I was passing, more than an aesthetic feeling, a transient but exalted ambition to stay there and to live there always. How often since then, simply because I could smell green leaves, has not being seated on a back-seat opposite Mme. de Villeparisis, meeting the Princesse de Luxembourg who waved a greeting to her from her own carriage, coming back to dinner at the Grand Hotel appeared to me as one of those indescribable happinesses which neither the present nor the future can restore to us, which we may taste once only in a lifetime.
Often dusk would have fallen before we reached the hotel. Timidly I would quote to Mme. de Villeparisis, pointing to the moon in the sky, some memorable expression of Chateaubriand or Vigny or Victor Hugo: “Shedding abroad that ancient secret of melancholy” or “Weeping like Diana by the brink of her streams” or “The shadows nuptial, solemn and august.”
“And so you think that good, do you?” she would ask, “inspired, as you call it. I must confess that I am always surprised to see people taking things seriously nowadays which the friends of those gentlemen, while doing ample justice to their merits, were the first to laugh at. People weren’t so free then with the word ‘inspired’ as they are now, when if you say to a writer that he has mere talent he thinks you’re insulting him. You quote me a fine passage from M. de Chateaubriand about moonlight. You shall see that I have my own reasons for being refractory. M. de Chateaubriand used constantly to come to see my father. He was quite a pleasant person when you were alone with him, because then he was simple and amusing, but the moment he had an audience he would begin to pose, and then he became absurd; when my father was in the room, he pretended that he had flung his resignation in the King’s face, and that he had controlled the voting in the Conclave, forgetting that it was my father whom he had asked to beg the King to take him back, and that my father had heard him make the most idiotic forecasts of the Papal election. You ought to have heard M. de Blacas on that famous Conclave; he was a very different kind of man from M. de Chateaubriand. As to his fine phrases about the moon, they became part of our regular programme for entertaining our guests. Whenever there was any moonlight about the house, if there was anyone staying with us for the first time he would be told to take M. de Chateaubriand for a stroll after dinner. When they came in, my father would take his guest aside and say: ‘Well, and was M. de Chateaubriand very eloquent?’—’Oh, yes.’ ‘He’s been talking about the moon?’—’Yes, how did you know?’—’One moment, didn’t he say——’ and then my father would quote the passage. ‘He did; but how in the world . . .?’—’And he spoke to you of the moonlight on the Roman Campagna?’—’But, my dear sir, you’re a magician.’ My father was no magician, but M. de Chateaubriand had the same little speech about the moon which he served up every time.”
At the mention of Vigny she laughed: “The man who said: ‘I am the Comte Alfred de Vigny!’ One either is a Comte or one isn’t; it is not of the slightest importance.” And then perhaps she discovered that it was after all, of some slight importance, for she went on: “For one thing I am by no means sure that he was, and in any case he was of the humblest origin, that gentleman who speaks in his verses of his ‘Esquire’s crest’. In such charming taste, is it not, and so interesting to his readers! Like Musset, a plain Paris cit, who laid so much stress on ‘The golden falcon that surmounts my helm’.
