In addition, Albertine preserved, inseparably attached to her, all my impressions of a series of seascapes of which I was particularly fond. I felt that it was possible for me, on the girl’s two cheeks, to kiss the whole of the beach at Balbec.
“If you really don’t mind my kissing you, I would 74rather put it off for a little and choose a good moment. Only you mustn’t forget that you’ve said I may. I shall want a voucher: ‘Valid for one kiss.’”
“Shall I have to sign it?”
“But if I took it now, should I be entitled to another later on?”
“You do make me laugh with your vouchers; I shall issue a new one every now and then.”
“Tell me; just one thing more. You know, at Balbec, before I had been introduced to you, you used often to have a hard, calculating look; you can’t tell me what you were thinking about when you looked like that?”
“No; I don’t remember at all.”
“Wait; this may remind you: one day your friend Gisèle put her feet together and jumped over the chair an old gentleman was sitting in. Try to remember what was in your mind at that moment.”
“Gisèle was the one we saw least of; she did belong to the band, I suppose, but not properly. I expect I thought that she was very ill-bred and common.”
“Oh, is that all?”
I should certainly have liked, before kissing her, to be able to fill her afresh with the mystery which she had had for me on the beach before I knew her, to find latent in her the place in which she had lived earlier still; for that, at any rate, if I knew nothing of it, I could substitute all my memories of our life at Balbec, the sound of the waves rolling up and breaking beneath my window, the shouts of the children. But when I let my eyes glide over the charming pink globe of her cheeks, the gently curving surfaces of which ran up to expire beneath the first foothills of her piled black tresses which 75ran in undulating mountain chains, thrust out escarped ramparts and moulded the hollows of deep valleys, I could not help saying to myself: “Now at last, after failing at Balbec, I am going to learn the fragrance of the secret rose that blooms in Albertine’s cheeks, and since the cycles through which we are able to make things and people pass in the course of our existence are comparatively few, perhaps I ought now to regard mine as nearing its end when, having made to emerge from its remoteness the flowering face that I had chosen from among all others, I shall have brought it into this new plane in which I shall at last acquire a tactual experience of it with my lips.” I told myself this because I believed that there was such a thing as knowledge acquired by the lips; I told myself that I was going to know the taste of this fleshly rose, because I had never stopped to think that man, a creature obviously less rudimentary in structure than the sea-urchin or even the whale, is nevertheless still unprovided with a certain number of essential organs, and notably possesses none that will serve for kissing. The place of this absent organ he supplies with his lips, and thereby arrives perhaps at a slightly more satisfying result than if he were reduced to caressing the beloved with a horny tusk. But a pair of lips, designed to convey to the palate the taste of whatever whets the appetite, must be content, without ever realising their mistake or admitting their disappointment, with roaming over the surface and with coming to a halt at the barrier of the impenetrable but irresistible cheek. Besides, at such moments at the actual contact between flesh and flesh, the lips, even supposing them to become more expert and better 76endowed, could taste no better probably the savour which nature prevents their ever actually grasping, for in that desolate zone in which they are unable to find their proper nourishment, they are alone; the sense of sight, then that of smell have long since deserted them. To begin with, as my mouth began gradually to approach the cheeks which my eyes had suggested to it that it should kiss, my eyes, changing their position, saw a different pair of cheeks; the throat, studied at closer range and as though through a magnifying glass shewed in its coarse grain a robustness which modified the character of the face.
Apart from the most recent applications of the art of photography—which set crouching at the foot of a cathedral all the houses which, time and again, when we stood near them, have appeared to us to reach almost to the height of the towers, drill and deploy like a regiment, in file, in open order, in mass, the same famous