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In Search of Lost Time (Remembrance of Things Past)
the palaces reduced to their constituent parts, lifeless heaps of marble with nothing to choose between them, and the water as a combination of hydrogen and oxygen, eternal, blind, anterior and exterior to Venice, unconscious of Doges or of Turner. And yet this unremarkable place was as strange as a place at which we have just arrived, which does not yet know us—as a place which we have left and which has forgotten us already.

I could not tell it anything more about myself, I could leave nothing of myself imprinted upon it, it left me diminished, I was nothing more than a heart that throbbed, and an attention strained to follow the development of ‘sole mio.’ In vain might I fix my mind despairingly upon the beautiful and characteristic arch of the Rialto, it seemed to me, with the mediocrity of the obvious, a bridge not merely inferior to but as different from the idea that I possessed of it as an actor with regard to whom, notwithstanding his fair wig and black garments, we know quite well that in his essential quality he is not Hamlet. So the palaces, the canal, the Rialto became divested of the idea that created their individuality and disintegrated into their common material elements.

But at the same time this mediocre place seemed to me remote. In the basin of the arsenal, because of an element which itself also was scientific, namely latitude, there was that singularity in things which, even when similar in appearance to those of our own land, reveal that they are aliens, in exile beneath a foreign sky; I felt that that horizon so close at hand, which I could have reached in an hour, was a curve of the earth quite different from those made by the seas of France, a remote curve which, by the accident of travel, happened to be moored close to where I was; so that this arsenal basin, at once insignificant and remote, filled me with that blend of disgust and alarm which I had felt as a child when I first accompanied my mother to the Deligny baths; indeed in that fantastic place consisting of a dark water reflecting neither sky nor sun, which nevertheless amid its fringe of cabins one felt to be in communication with invisible depths crowded with human bodies in bathing dresses, I had asked myself whether those depths, concealed from mortal eyes by a row of cabins which prevented anyone in the street from suspecting that they existed, were not the entry to arctic seas which began at that point, whether the Poles were not comprised in them and whether that narrow space was not indeed the open water that surrounds the Pole. This Venice without attraction for myself in which I was going to be left alone, seemed to me no less isolated, no less unreal, and it was my distress which the sound of ‘sole mio,’ rising like a dirge for the Venice that I had known, seemed to be calling to witness. No doubt I ought to have ceased to listen to it if I wished to be able to overtake my mother and to join her on the train, I ought to have made up my mind without wasting another instant that I was going, but this is just what I was powerless to do; I remained motionless, incapable not merely of rising, but even of deciding that I would rise from my chair.

My mind, doubtless in order not to have to consider the question of making a resolution, was entirely occupied in following the course of the successive lines of ‘sole mio,’ singing them mentally with the singer, in anticipating for each of them the burst of melody that would carry it aloft, in letting myself soar with it, and fall to earth again with it afterwards.
No doubt this trivial song which I had heard a hundred times did not interest me in the least degree. I could afford no pleasure to anyone else, or to myself, by listening to it religiously like this to the end. In fact, none of the elements, familiar beforehand, of this popular ditty was capable of furnishing me with the resolution of which I stood in need; what was more, each of these phrases when it came and passed in its turn, became an obstacle in the way of my making that resolution effective, or rather it forced me to adopt the contrary resolution not to leave Venice, for it made me too late for the train. Wherefore this occupation, devoid of any pleasure in itself, of listening to ‘sole mio,’ was charged with a profound, almost despairing melancholy. I knew very well that in reality it was the resolution not to go that I had adopted by the mere act of remaining where I was; but to say to myself: “I am not going,” a speech which in that direct form was impossible, became possible in this indirect form: “I am going to listen to one more line of ‘sole mio’”; but the practical significance of this figurative language did not escape me and, while I said to myself: “After all, I am only listening to another line,” I knew that the words meant: “I shall remain by myself at Venice.” And it was perhaps this melancholy, like a sort of numbing cold, that constituted the desperate but fascinating charm of the song. Each note that the singer’s voice uttered with a force and ostentation that were almost muscular came and pierced my heart; when he had uttered his last flourish and the song seemed to be at an end, the singer had not had enough and repeated it an octave higher as though he needed to proclaim once again my solitude and despair.

My mother must by now have reached the station. In a little while she would be gone. My heart was wrung by the anguish that was caused me by—with the view of the canal that had become quite tiny now that the soul of Venice had escaped from it, of that commonplace Rialto which was no longer the Rialto,–the wail of despair that ‘sole mio’ had become, which, declaimed thus before the unsubstantial palaces, reduced them to dust and ashes and completed the ruin of Venice; I looked on at the slow realisation of my misery built up artistically, without haste, note by note, by the singer as he stood beneath the astonished gaze of the sun arrested in its course beyond San Giorgio Maggiore, [Translator’s footnote: The geography of this chapter is confusing, but it is evident that Proust has transferred the name of San Giorgio Maggiore to one of the churches on the Grand Canal. Compare also page 822.] with the result that the fading light was to combine for ever in my memory with the throb of my emotion and the bronze voice of the singer in a dubious, unalterable and poignant alloy.

Thus I remained motionless with a disintegrated will power, with no apparent decision; doubtless at such moments our decision has already been made: our friends can often predict it themselves. But we, we are unable to do so, otherwise how much suffering would we be spared!

But at length, from caverns darker than that from which flashes the comet which we can predict,–thanks to the unimaginable defensive force of inveterate habit, thanks to the hidden reserves which by a sudden impulse habit hurls at the last moment into the fray—my activity was roused at length; I set out in hot haste and arrived, when the carriage doors were already shut, but in time to find my mother flushed with emotion, overcome by the effort to restrain her tears, for she thought that I was not coming. Then the train started and we saw Padua and Verona come to meet us, to speed us on our way, almost on to the platforms of their stations, and, when we had drawn away from them, return—they who were not travelling and were about to resume their normal life—one to its plain, the other to its hill.

The hours went by. My mother was in no hurry to read two letters which she had in her hand and had merely opened, and tried to prevent me from pulling out my pocket-book at once so as to take from it the letter which the hotel porter had given me. My mother was always afraid of my finding journeys too long, too tiring, and put off as long as possible, so as to keep me occupied during the final hours, the moment at which she would seek fresh distractions for me, bring out the hard-boiled eggs, hand me newspapers, untie the parcel of books which she had bought without telling me. We had long passed Milan when she decided to read the first of her two letters. I began by watching my mother who sat reading it with an air of astonishment, then raised her head, and her eyes seemed to come to rest upon a succession of distinct, incompatible memories, which she could not succeed in bringing together. Meanwhile I had recognised Gilberte’s hand on the envelope which I had just taken from my pocket-book. I opened it. Gilberte wrote to inform me that she was marrying Robert de Saint-Loup. She told me that she had sent me a telegram about it to Venice but had had no reply. I remembered that I had been told that the telegraphic service there was inefficient, I had never received her telegram. Perhaps, she would refuse to believe this.

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the palaces reduced to their constituent parts, lifeless heaps of marble with nothing to choose between them, and the water as a combination of hydrogen and oxygen, eternal, blind, anterior