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In Search of Lost Time (Remembrance of Things Past)
friend. As it happened, he came in a few minutes later and I had difficulty in recognising him. He had now adopted the name of Jacques du Rozier, under which it would have needed the nose of my grandfather to scent the sweet valley of Hebron and the bond of Israel which my friend seemed to have finally broken. A modish Englishness had completely changed his appearance and every thing that could be effaced was moulded into the semblance of a plaster cast.

His former curly hair was now smoothed out flat, was parted in the middle and shone with cosmetics. His nose was still red and prominent and appeared to be swollen by a sort of permanent catarrh which perhaps explained the nasal accent with which he lazily drawled his phrases, for, he had discovered, in addition to a way of doing his hair to suit his complexion, a voice to the former nasal tone of which he had added an air of peculiar disdain to suit the inflamed contours of his nose. And thanks to hairdressing, to the elimination of his moustache, to his smartness of style and to his will, that Jewish nose had disappeared as a hump can almost be made to look like a straight back by being carefully disguised. But the significance of Bloch’s physiognomy was changed above all by a redoubtable eyeglass. The mechanical effect produced in Bloch’s face by this monocle enabled him to dispense with all those difficult duties to which the human countenance must submit, that of looking amiable, of expressing humour, good nature and effort. Its mere presence in Bloch’s face made it unnecessary to consider whether it was good-looking or not, like when a shop-assistant shows you an English object and says it is “le grand chic”, and you don’t dare consider whether you like it or not.

And then he installed himself behind his glass in a haughty, distant and comfortable attitude as though it were an eight-fold mirror, and by making his face suit his flat hair and his eyeglass his features no longer expressed anything whatever. On that face of Bloch’s were super-imposed that vapid and self-opinionated expression, those feeble movements of the head which soon find their point of stasis, and with which I should have identified the out-worn learning of a complacent old gentleman if I had not at last recognised that the man facing me was an old friend, whom my memories had endowed with the continuous vigour of youth which he seemed now completely to lack. I had known him on the threshold of life, he had been my school-fellow and unconsciously, I was regarding him, like myself, as though we were both living in the period of our youth. I heard it said that he looked quite his age and I was surprised to notice some familiar signs of it in his face. Then I realised that, in fact, he was old and that life makes its old men out of adolescents who last many years.

Someone hearing I was not well asked if I was not afraid to catch the “grippe” which was raging at that time while another benevolent individual reassured me by remarking: “Don’t be afraid, it only attacks the young, people of your age don’t run much risk of it.” I noticed that the servants had recognised me and whispered my name, and a lady said she had heard them remark in their vernacular: “There goes old—“ (This was followed by my name.)

On hearing the Duchesse de Guermantes say, “Of course! I knew the Marshal? But I knew others who were much more representative, the Duchesse de Galliera, Pauline de Périgord, Mgr. Dupanloup,” I naively regretted not having known those she called relics of the ancien régime. I ought to have remembered that we call ancien regime what we have only known the end of; what is perceived thus on the horizon assumes a mysterious grandeur and seems the last chapter of a world we shall never see again; but as we go on it is soon we ourselves who are on the horizon for the generations behind us, the horizon continues to recede and the world which seemed finished begins again. “When I was a young girl,” added Mme de Guermantes, “I even saw the Duchesse de Dino. I’m no longer twenty-five, you know.” Her last words displeased me; she need not have said that, it would have been all right for an old woman. “As to yourself,” she continued, “you’re always the same, you haven’t, so to speak, changed at all,” and that gave me almost more pain than if she had said the contrary for it proved, by the mere fact of being remarkable, how much time had passed. “You’re astonishing, my dear friend.

You’re always youn,” a melancholy remark since there is only sense in it when we have, in fact, if not in appearance, become old. And she gave me a final blow by adding: “I’ve always regretted you did not get married. But, who knows! After all, perhaps you’re happier as it is. You would have been old enough to have sons in the war and if they had been killed like poor Robert Saint-Loup (I often think of him) with your sensitiveness, you would not have survived them.” And I could see myself as in the first truth-telling mirror I might encounter in the eyes of old men who had in their own opinion remained young as I believed I had, and who when I offered myself as an example of old age, in order that they should deny it, would by the look they gave me, show not the slightest pretence that they saw me otherwise than they saw themselves. For we do not see ourselves as we are, our age as it is, but each of us sees it in the other as though in a mirror.

And, no doubt, many would have been less unhappy than I to realise they were old. At first, some face age as they do death, with indifference, not because they have more courage than others but because they have less imagination. But a man who, since boyhood has had one single idea in his mind, whose idleness and delicate health, just because they cause the postponement of its realisation, annul each wasted day because the disease which hastens the ageing of his body retards that of his spirit, such a man is more overwhelmed when he realises that he has never ceased living in Time than another who, having no inner life, regulates himself by the calendar and does not suddenly discover the aggregate of years he has been daily though unconsciously adding up. But there .was a graver reason for my pain; I discovered that des-tructive action of Time at the very moment when I wanted to elucidate, to intellectualise extra-temporal realities in a work of art.

In the case of certain people present at this party, the successive substitution of cellules had brought about so complete a change during my absence from society, such an entire metamorphosis, that I could have dined opposite them in a restaurant a hundred times without any more imagining I had formerly known them than I could have guessed the royalty of an incognito sovereign or the vice of a stranger. The comparison is inadequate in the matter of names, for one can imagine an unknown seated in front of you being a criminal or a king whilst those I had known, or rather, the people I had known who bore their name, were so different that I could not believe them the same. Nevertheless, as I would have done in taking the idea of sovereignty or of vice as a starting-point which soon makes us discern in the stranger (whom one might so readily have treated with amiability or the reverse while one was blindfolded) a distinguished or suspicious appearance, I applied myself to introducing into the face of a woman entirely unknown to me the idea that she was Mme Sazerat. And I ended by establishing my former notion of this face which would have remained utterly unknown to me, entirely that of another woman, as it had lost as fully the human attributes I had known as though it were that of a man changed into a monkey, were it not that the name and the statement of her identity put me in the way of solving the problem in spite of its difficulty. Sometimes, however, the old picture came to life with sufficient precision for me to confront the two and like a witness in the presence of an accused person, I had to say: “No, I do not recognise her.”

A young woman asked me: “Shall we go and dine together at a restaurant?” and when I replied: “With pleasure, if you don’t mind dining alone with a young man,” I heard the people round me giggle and I added hastily, “or rather with an old one.” I realised that the words which caused the laughter were of the kind my mother might have used in speaking of me; for my mother I always remained a child and I perceived that I was looking at myself from her point of view. Had I registered, as she did, changes since my childhood, they would have been very old ones for I had stopped at the point where people once used to say, almost before it was true, “Now he really is almost a young man.” That was what I was now thinking but tremendously late. I

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friend. As it happened, he came in a few minutes later and I had difficulty in recognising him. He had now adopted the name of Jacques du Rozier, under which