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The Guermantes Way (Le côté de Guermantes)
forth, which one finds to-day only among those people who have constituted themselves the friendly and benevolent custodians of the past. The pleasure that a writer, more than among other writers, feels among them is not without danger, for there is a risk of his coming to believe that the things of the past have a charm in themselves, of his transferring them bodily into his work, still-born in that case, exhaling a tedium for which he consoles himself with the reflexion: “It is attractive because it’s true; that is how people do talk.” These aristocratic conversations had moreover the charm, with Mme. de Guermantes, of being couched in excellent French. For this reason they made permissible on the Duchess’s part her hilarity at the words ‘viaticum,’ ‘cosmic,’ ‘pythian,’ ‘pre-eminent,’ which Saint-Loup used to employ — as, similarly, at his Bing furniture.
When all was said, very different in this respect from what I had been able to feel before the hawthorns, or when I tasted a crumb of madeleine, the stories that I had heard at Mme. de Guermantes’s remained alien to me. Entering for a moment into me, who was only physically possessed by them, one would have said that, being of a social, not an individual nature, they were impatient to escape. I writhed in my seat in the carriage like the priestess of an oracle. I looked forward to another dinner-party at which I might myself become a sort of Prince Von to Mme. de Guermantes, and repeat them. In the meantime they made my lips quiver as I stammered them to myself, and I tried in vain to bring back and concentrate a mind that was carried away by a centrifugal force. And so it was with a feverish impatience not to have to bear the whole weight of them any longer by myself in a carriage where, for that matter, I atoned for the lack of conversation by soliloquising aloud, that I rang the bell at M. de Charlus’s door, and it was in long monologues with myself, in which I rehearsed everything that I was going to tell him and gave scarcely a thought to what he might have to say to me, that I spent the whole of the time during which I was kept waiting in a drawing-room into which a footman shewed me and where I was incidentally too much excited to look at what it contained. I felt so urgent a need that M. de Charlus should listen to the stories which I was burning to tell him that I was bitterly disappointed to think that the master of the house was perhaps in bed, and that I might have to go home to sleep off by myself my drunkenness of words. I had just noticed, in fact, that I had been twenty-five minutes — that they had perhaps forgotten about me — in this room of which, despite this long wait, I could at the most have said that it was very big, greenish in colour, and contained a large number of portraits. The need to speak prevents one not merely from listening but from seeing things, and in this case the absence of any description of my external surroundings is tantamount to a description of my internal state. I was preparing to leave the room to try to get hold of some one, and if I found no one to make my way back to the hall and have myself let out, when, just as I had risen from my chair and taken a few steps across the mosaic parquet of the floor, a manservant came in, with a troubled expression: “Monsieur le Baron has been engaged all evening, Sir,” he told me. “There are still several people waiting to see him. I am doing everything I possibly can to get him to receive you, I have already telephoned up twice to the secretary.” “No; please don’t bother. I had an appointment with M. le Baron, but it is very late already, and if he is busy this evening I can come back another day.” “Oh no, Sir, you must not go away,” cried the servant. “M. le Baron might be vexed. I will try again.” I was reminded of the things I had heard about M. de Charlus’s servants and their devotion to their master. One could not quite say of him as of the Prince de Conti that he sought to give pleasure as much to the valet as to the Minister, but he had shewn such skill in making of the least thing that he asked of them a sort of personal favour that at night, when, his body-servants assembled round him at a respectful distance, after running his eye over them he said: “Coignet, the candlestick!” or “Ducret, the nightshirt!” it was with an envious murmur that the rest used to withdraw, jealous of him who had been singled out by his master’s favour. Two of them, indeed, who could not abide one another, used to try to snatch the favour each from his rival by going on the most flimsy pretext with a message to the Baron, if he had gone upstairs earlier than usual, in the hope of being invested for the evening with the charge of candlestick or nightshirt. If he addressed a few words directly to one of them on some subject outside the scope of his duty, still more if in winter, in the garden, knowing that one of his coachmen had caught cold, he said to him, after ten minutes: “Put your cap on!” the others would not speak to the fellow again for a fortnight, in their jealousy of the great distinction that had been conferred on him. I waited ten minutes more, and then, after requesting me not to stay too long as M. le Baron was tired and had had to send away several most important people who had made appointments with him many days before, they admitted me to his presence. This setting with which M. de Charlus surrounded himself seemed to me a great deal less impressive than the simplicity of his brother Guermantes, but already the door stood open, I could see the Baron, in a Chinese dressing-gown, with his throat bare, lying upon a sofa. My eye was caught at the same moment by a tall hat, its nap flashing like a mirror, which had been left on a chair with a cape, as though the Baron had but recently come in. The valet withdrew. I supposed that M. de Charlus would rise to greet me. Without moving a muscle he fixed on me a pair of implacable eyes. I went towards him, I said good evening; he did not hold out his hand, made no reply, did not ask me to take a chair. After a moment’s silence I asked him, as one would ask an ill-mannered doctor, whether it was necessary for me to remain standing. I said this without any evil intention, but my words seemed only to intensify the cold fury on M. de Charlus’s face. I was not aware, as it happened, that at home, in the country, at the Château de Charlus, he was in the habit, after dinner (so much did he love to play the king) of sprawling in an armchair in the smoking-room, letting hi3 guests remain standing round him. He would ask for a light from one, offer a cigar to another and then, after a few minutes’ interval, would say: “But Argencourt, why don’t you sit down? Take a chair, my dear fellow,” and so forth, having made a point of keeping them standing simply to remind them that it was from himself that permission came to them to be seated. “Put yourself in the Louis XIV seat,” he answered me with an imperious air, as though rather to force me to move away farther from himself than to invite me to be seated. I took an armchair which was comparatively near. “Ah! so that is what you call a Louis XIV seat, is it? I can see you have been well educated,” he cried in derision. I was so much taken aback that I did not move, either to leave the house, as I ought to have done, or to change my seat, as he wished. “Sir,” he next said to me, weighing each of his words, to the more impertinent of which he prefixed a double yoke of consonants, “the interview which I have condescended to grant you at the request of a person who desires to be nameless, will mark the final point in our relations. I shall not conceal from you that I had hoped for better things! I should perhaps be forcing the sense of the words a little, which one ought not to do, even with people who are ignorant of their value, simply out of the respect due to oneself, were I to tell you that I had felt a certain attraction towards you. I think, however, that benevolence, in its most actively protecting sense, would exceed neither what I felt nor what I was proposing to display. I had, immediately on my return to Paris, given you to understand, while you were still at Balbec, that you could count upon me.” I who remembered with what a torrent of abuse M. de Charlus had parted from me at Balbec made an instinctive gesture of contradiction. “What!” he cried with fury, and indeed his face, convulsed and white, differed as much from his
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forth, which one finds to-day only among those people who have constituted themselves the friendly and benevolent custodians of the past. The pleasure that a writer, more than among other