know it as well as I do, you were waiting in this room. No? Ah, then they must have put you in the blue drawing-room,” he said with an air that might have been either impertinence, on the score of my want of interest, or personal superiority, in not having taken the trouble to ask where I had been kept waiting. “Look now, in this cabinet I have all the hats worn by Mlle. Elisabeth, by the Princesse de Lamballe, and by the Queen. They don’t interest you, one would think you couldn’t see. Perhaps you are suffering from an affection of the optic nerve. If you like this kind of beauty better, here is a rainbow by Turner beginning to shine out between these two Rembrandts, as a sign of our reconciliation. You hear: Beethoven has come to join him.” And indeed one could hear the first chords of the third part of the Pastoral Symphony, ‘Joy after the Storm,’ performed somewhere not far away, on the first landing no doubt, by a band of musicians. I innocently inquired how they happened to be playing that, and who the musicians were. “Ah, well, one doesn’t know. One never does know. They are unseen music. Pretty, ain’t it?” he said to me in a slightly impertinent tone, which, nevertheless, suggested somehow the influence and accent of Swann. “But you care about as much for it as a fish does for little apples. You want to go home, regardless of any want of respect for Beethoven or for me. You are uttering your own judgment and condemnation,” he added, with an affectionate and mournful air, when the moment had come for me to go. “You will excuse my not accompanying you home, as good manners ordain that I should,” he said to me. “Since I have decided not to see you again, spending five minutes more in your company would make very little difference to me. But I am tired, and I have a great deal to do.” And then, seeing that it was a fine night: “Very well, yes, I will come in the carriage, there is a superb moon which I shall go on to admire from the Bois after I have taken you home. What, you don’t know how to shave; even on a night when you’ve been dining out, you have still a few hairs here,” he said, taking my chin between two fingers, so to speak magnetised, which after a moment’s resistance ran up to my ears, like the fingers of a barber. “Ah! It would be pleasant to look at the ‘blue light of the moon’ in the Bois with some one like yourself,” he said to me with a sudden and almost involuntary gentleness, then, in a sadder tone: “For you are nice, all the same; you could be nicer than anyone,” he went on, laying his hand in a fatherly way on my shoulder. “Originally, I must say that I found you quite insignificant.” I ought to have reflected that he must find me so still. I had only to recall the rage with which he had spoken to me, barely half an hour before. In spite of this I had the impression that he was, for the moment, sincere, that his kindness of heart was prevailing over what I regarded as an almost delirious condition of susceptibility and pride. The carriage was waiting beside us, and still he prolonged the conversation. “Come along,” he said abruptly, “jump in, in five minutes we shall be at your door. And I shall bid you a good night which will cut short our relations, and for all time. It is better, since we must part for ever, that we should do so, as in music, on a perfect chord.” Despite these solemn affirmations that we should never see one another again, I could have sworn that M. de Charlus, annoyed at having forgotten himself earlier in the evening and afraid of having hurt my feelings, would not have been displeased to see me once again. Nor was I mistaken, for, a moment later: “There, now,” he said, “if I hadn’t forgotten the most important thing of all. In memory of your grandmother, I have had bound for you a curious edition of Mme. de Sévigné. That is what is going to prevent this from being our last meeting. One must console oneself with the reflexion that complicated affairs are rarely settled in a day. Just look how long they took over the Congress of Vienna.” “But I could call for it without disturbing you,” I said obligingly. “Will you hold your tongue, you little fool,” he replied with anger, “and not give yourself a grotesque appearance of regarding as a small matter the honour of being probably (I do not say certainly, for it will perhaps be one of my servants who hands you the volumes) received by me.” Then, regaining possession of himself: “I do not wish to part from you on these words. No dissonance, before the eternal silence of the dominant.” It was for his own nerves that he seemed to dread an immediate return home after harsh words of dissension. “You would not care to come to the Bois?” he addressed me in a tone not so much interrogative as affirmative, and that not, as it seemed to me, because he did not wish to make me the offer but because he was afraid that his self-esteem might meet with a refusal. “Oh, very well,” he went on, still postponing our separation, “it is the moment when, as Whistler says, the bourgeois go to bed” (perhaps he wished now to capture me by my self-esteem) “and the right time to begin to look at things. But you don’t even know who Whistler was!” I changed the conversation and asked him whether the Princesse d’Iéna was an intelligent person. M. de Charlus stopped me, and, adopting the most contemptuous tone that I had yet heard him use, “Oh! There, Sir,” he informed me, “you are alluding to an order of nomenclature with which I have no concern. There is perhaps an aristocracy among the Tahitians, but I must confess that I know nothing about it. The name which you have just mentioned, strangely enough, did sound in my ears only a few days ago. Some one asked me whether I would condescend to allow them to present to me the young Duc de Guastalla. The request astonished me, for the Duc de Guastalla has no need to get himself presented to me, for the simple reason that he is my cousin, and has known me all his life; he is the son of the Princesse de Parme, and, as a young kinsman of good upbringing, he never fails to come and pay his respects to me on New Year’s Day. But, on making inquiries, I discovered that it was not my relative who was meant but the son of the person in whom you are interested. As there exists no Princess of that title, I supposed that my friend was referring to some poor wanton sleeping under the Pont d’Iéna, who had picturesquely assumed the title of Princesse d’Iéna, just as one talks about the Panther of the Batignolles, or the Steel King. But no, the reference was to a rich person who possesses some remarkable furniture which I had seen and admired at an exhibition, and which has this advantage over the name of its owner that it is genuine. As for this self-styled Duc de Guastalla, he, I supposed, must be my secretary’s stockbroker; one can procure so many things with money. But no; it was the Emperor, it appears, who amused himself by conferring on these people a title which simply was not his to give. It was perhaps a sign of power, or of ignorance, or of malice; in any case, I consider, it was an exceedingly scurvy trick to play on these unconscious usurpers. But really, I cannot help you by throwing any light on the matter; my knowledge begins and ends with the Faubourg Saint-Germain, where, among all the Courvoisiers and Gallardons, you will find, if you can manage to secure an introduction, plenty of mangy old cats taken straight out of Balzac who will amuse you. Naturally, all that has nothing to do with the position of the Princesse de Guermantes, but without me and my ‘Open, Sesame’ her portals are unapproachable.” “It is really very lovely, isn’t it, Sir, the Princesse de Guermantes’s mansion?” “Oh, it’s not very lovely. It’s the loveliest thing in the world. Next to the Princess herself, of course.” “The Princesse de Guermantes is better than the Duchesse de Guermantes?” “Oh! There’s no comparison.” (It is to be observed that, whenever people in society have the least touch of imagination, they will crown or dethrone, to suit their affections or their quarrels, those whose position appeared most solid and unalterably fixed.)
“The Duchesse de Guermantes” (possibly, in not calling her ‘Oriane,’ he wished to set a greater distance between her and myself) “is delightful, far superior to anything you can have guessed. But, after all, she is incommensurable with her cousin. The Princess is exactly what the people in the Markets might imagine Princess Metternich to have been, but old Metternich believed she had started Wagner, because she knew Victor Maurel. The Princesse de Guermantes, or rather her mother, knew the man himself. Which is a distinction, not to mention the incredible beauty of the lady. And the Esther gardens alone!”