“You haven’t seen Serjeant Saint-Loup, have you, by any chance?” I asked.
“He’s gone on parade, sir,” said the old soldier.
“I never saw him,” said the graduate.
“You never saw him,” exclaimed the old soldier, losing all interest in me, “you never saw our famous Saint-Loup, the figure he’s cutting with his new breeches! When the Capstan sees that, officer’s cloth, my word!”
“Oh, you’re a wonder, you are; officer’s cloth,” replied 185the young graduate, who, reported “sick in quarters”, was excused marching and tried, not without some misgivings, to be on easy terms with the veterans. “This officer’s cloth you speak of is cloth like that, is it?”
“Sir?” asked the old soldier angrily.
He was indignant that the young graduate should throw doubt on the breeches’ being made of officer’s cloth, but, being a Breton, coming from a village that went by the name of Penguern-Stereden, having learned French with as much difficulty as if it had been English or German, whenever he felt himself overcome by emotion he would go on saying “Sir?” to give himself time to find words, then, after this preparation, let loose his eloquence, confining himself to the repetition of certain words which he knew better than others, but without haste, taking every precaution to glose over his unfamiliarity with the pronunciation.
“Ah! It is cloth like that,” he broke out, with a fury the intensity of which increased as the speed of his utterance diminished. “Ah! It is cloth like that; when I tell.. you that it is, officer’s cloth, when-I-tell-you-a-thing, if-I-tell-you-a-thing, it’s because I know, I should think.”
“Very well, then;” replied the young graduate, overcome by the force of this argument. “Keep your hair on, old boy.”
“There, look, there’s the Capstan coming along. No, but just look at Saint-Loup; the way he throws his leg out; and his head. Would you call that a non-com? And his eyeglass; oh, he’s hot stuff, he is.”
I asked these troopers, who did not seem at all embarrassed by my presence, whether I too might look out of the window. They neither objected to my doing so 186nor moved to make room for me. I saw Captain de Borodino go majestically by, putting his horse into a trot, and apparently under the illusion that he was taking part in the Battle of Austerlitz. A few loiterers had stopped by the gate to see the regiment file out. Erect on his charger, his face inclined to plumpness, his cheeks of an Imperial fulness, his eye lucid, the Prince must have been the victim of some hallucination, as I was myself whenever, after the tramway-car had passed, the silence that followed its rumble seemed to me to throb and echo with a vaguely musical palpitation. I was wretched at not having said good-bye to Saint-Loup, but I went nevertheless, for my one anxiety was to return to my grandmother; always until then, in this little country town, when I thought of what my grandmother must be doing by herself, I had pictured her as she was when with me, suppressing my own personality but without taking into account the effects of such a suppression; now, I had to free myself, at the first possible moment, in her arms, from the phantom, hitherto unsuspected and suddenly called into being by her voice, of a grandmother really separated from me, resigned, having, what I had never yet thought of her as having, a definite age, who had just received a letter from me in an empty house, as I had once before imagined Mamma in a house by herself, when I had left her to go to Balbec.
Alas, this phantom was just what I did see when, entering the drawing-room before my grandmother had been told of my return, I found her there, reading. I was in the room, or rather I was not yet in the room since she was not aware of my presence, and, like a woman whom one surprises at a piece of work which she will lay 187aside if anyone comes in, she had abandoned herself to a train of thoughts which she had never allowed to be visible by me. Of myself—thanks to that privilege which does not last but which one enjoys during the brief moment of return, the faculty of being a spectator, so to speak, of one’s own absence,—there was present only the witness, the observer, with a hat and travelling coat, the stranger who does not belong to the house, the photographer who has called to take a photograph of places which one will never see again. The process that mechanically occurred in my eyes when I caught sight of my grandmother was indeed a photograph. We never see the people who are dear to us save in the animated system, the perpetual motion of our incessant love for them, which before allowing the images that their faces present to reach us catches them in its vortex, flings them back upon the idea that we have always had of them, makes them adhere to it, coincide with it. How, since into the forehead, the cheeks of my grandmother I had been accustomed to read all the most delicate, the most permanent qualities of her mind; how, since every casual glance is an act of necromancy, each face that we love a mirror of the past, how could I have failed to overlook what in her had become dulled and changed, seeing that in the most trivial spectacles of our daily life, our eye, charged with thought, neglects, as would a classical tragedy, every image that does not assist the action of the play and retains only those that may help to make its purpose intelligible. But if, in place of our eye, it should be a purely material object, a photographic plate, that has watched the action, then what we shall see, in the courtyard of the Institute, for example, will be, instead of the dignified emergence of an Academician 188who is going to hail a cab, his staggering gait, his precautions to avoid tumbling upon his back, the parabola of his fall, as though he were drunk, or the ground frozen over. So is it when some casual sport of chance prevents our intelligent and pious affection from coming forward in time to hide from our eyes what they ought never to behold, when it is forestalled by our eyes, and they, arising first in the field and having it to themselves, set to work mechanically, like films, and shew us, in place of the loved friend who has long ago ceased to exist but whose death our affection has always hitherto kept concealed from us, the new person whom a hundred times daily that affection has clothed with a dear and cheating likeness. And, as a sick man who for long has not looked at his own reflexion, and has kept his memory of the face that he never sees refreshed from the ideal image of himself that he carries in his mind, recoils on catching sight in the glass, in the midst of an arid waste of cheek, of the sloping red structure of a nose as huge as one of the pyramids of Egypt, I, for whom my grandmother was still myself, I who had never seen her save in my own soul, always at the same place in the past, through the transparent sheets of contiguous, overlapping memories, suddenly in our drawing-room which formed part of a new world, that of time, that in which dwell the strangers of whom we say “He’s begun to age a good deal,” for the first time and for a moment only, since she vanished at once, I saw, sitting on the sofa, beneath the lamp, red-faced, heavy and common, sick, lost in thought, following the lines of a book with eyes that seemed hardly sane, a dejected old woman whom I did not know.
My request to be allowed to inspect the Elstirs in Mme. 189de Guermantes’s collection had been met by Saint-Loup with: “I will answer for her.” And indeed, as ill luck would have it, it was he and he alone who did answer. We answer readily enough for other people when, setting our mental stage with the little puppets that represent them, we manipulate these to suit our fancy. No doubt even then we take into account the difficulties due to another person’s nature being different from our own, and we do not fail to have recourse to some plan of action likely to influence that nature, an appeal to his material interest, persuasion, the rousing of emotion, which will neutralise contrary tendencies on
