M. de Charlus, replied: “You must not ask me, sir, to discuss the Dreyfus case with you; it is a subject which, on principle, I never mention except to Japhetics.” Everyone smiled, except Bloch, not that he was not himself in the habit of making scathing references to his Jewish origin, to that side of his ancestry which came from somewhere near Sinai. But instead of one of these epigrams (doubtless because he had not one ready) the operation of the internal machine brought to Bloch’s lips something quite different. And we caught only: “But how on earth did you know? Who told you?” as though he had been the son of a convict. Whereas, given his name, which had not exactly a Christian sound, and his face, his surprise argued a certain simplicity of mind.
What M. de Norpois had said not having completely satisfied him, he went up to the librarian and asked him whether Mme. de Villeparisis did not sometimes have in her house M. du Paty de Clam or M. Joseph Reinach. The librarian made no reply; he was a Nationalist, and never ceased preaching to the Marquise that the social revolution might break out at any moment, and that she ought to shew more caution in the choice of her friends. He asked himself whether Bloch might not be a secret emissary of the Syndicate, come to collect information, and went off at once to repeat to Mme. de Villeparisis the questions that Bloch had put to him. She decided that, at the best, he was ill-bred and might be in a position to compromise M. de Norpois. Also, she wished to give satisfaction to the librarian, the only person of whom she went in fear, by whom she was being indoctrinated, though without any marked success (every morning he read her M. Judet’s article in the Petit Journal). She decided, therefore, to make it plain to Bloch that he need not come to the house again, and had no difficulty in finding, among her social repertory, the scene by which a great lady shows anyone her door, a scene which does not in any way involve the raised finger and blazing eyes that people imagine. As Bloch came up to her to say good-bye, buried in her deep armchair, she seemed only half-awakened from a vague somnolence. Her sunken eyes gleamed with only the feeble though charming light of a pair of pearls. Bloch’s farewell, barely pencilling on the Marquise’s face a languid smile, drew from her not a word, nor did she offer him her hand. This scene left Bloch in utter bewilderment, but as he was surrounded by a circle of spectators he felt that it could not be prolonged without disadvantage to himself, and, to force the Marquise, the hand which she had made no effort to take he himself thrust out at her. Mme. de Villeparisis was startled. But doubtless, while still bent upon giving an immediate satisfaction to the librarian and the anti-Dreyfusard clan, she wished at the same time to provide for the future, and so contented herself with letting her eyelids droop over her closing eyes.
“I believe she’s asleep,” said Bloch to the librarian who, feeling that he had the support of the Marquise, assumed an indignant air. “Good-bye madame,” snouted Bloch.
The old lady made the slight movement with her lips of a dying woman who wants to open her mouth but whose eye can no longer recognise people. Then she turned, overflowing with a restored vitality, to M. d’Argencourt, while Bloch left the room, convinced that she must be ‘soft’ in the head. Full of curiosity and anxious to have more light thrown upon so strange an incident, he came to see lier again a few days later. She received him in the most friendly fashion, because she was a good-natured woman, because the librarian was not there, because she had in mind the little play which Bloch was going to produce for her, and finally because she had acted once and for all the little scene of the indignant lady that she had wished to act, a scene that had been universally admired and discussed the same evening in various drawing-rooms, but in a version which had already ceased to bear any resemblance to the truth.
“You were speaking just now of the Seven Princesses, Duchess; you know (not that it’s anything to be proud of) that the author of that — what shall I call it? — that production is a compatriot of mine,” said M. d’Argencourt with a fine scorn blended with satisfaction at knowing more than anyone else in the room about the author of a work which had been under discussion. “Yes, he’s a Belgian, by nationality,” he went on.
“Indeed! No, we don’t accuse you of any responsibility for the Seven Princesses. Fortunately for yourself and your compatriots you are not like the author of that absurdity. I know several charming Belgians, yourself, your King, who is inclined to be shy, but full of wit, my Ligne cousins, and heaps of others, but you, I am thankful to say, do not speak the same language as the author of the Seven Princesses. Besides, if you want to know, it’s not worth talking about, because really there is absolutely nothing in it. You know the sort of people who are always trying to seem obscure, and even plan to make themselves ridiculous to conceal the fact that they have not an idea in their heads. If there was anything behind it all, I may tell you that I’m not in the least afraid of a little daring,” she added in a serious tone, “provided that there is some idea in it. I don’t know if you’ve seen Borelli’s piece. Some people seem to have been shocked by it, but I must say, even if they stone me through the streets for saying it,” she went on, without stopping to think that she ran no very great risk of such a punishment, “I found it immensely interesting. But the Seven Princesses! It’s all very well, one of them having a fondness for my nephew, I cannot carry family feeling quite…”
The Duchess broke off abruptly, for a lady came in who was the Comtesse de Marsantes, Robert’s mother. Mme. de Marsantes was regarded in the Faubourg Saint-Germain as a superior being, of a goodness, a resignation that were positively angelic. So I had been told, and had had no particular reason to feel surprised, not knowing at the same time that she was the sister of the Duc de Guermantes. Later, I have always been taken aback, whenever I have learned that such women, melancholy, pure, victimised, venerated like the ideal forms of saints in church windows, had flowered from the same genealogical stem as brothers brutal, debauched and vile. Brothers and sisters, when they are closely alike in features as were the pue de Guermantes and Mme. de Marsantes, ought (I felt) to have a single intellect in common, the same heart, as a person would have who might vary between good and evil moods but in whom one could not, for all that, expect to find a vast breadth of outlook if he had a narrow mind, or a sublime abnegation if his heart was hard.
Mme. de Marsantes attended Brunetière’s lectures. She fascinated the Faubourg Saint-Germain and, by her saintly life, edified it as well. But the morphological link of handsome nose and piercing gaze led one, nevertheless, to classify Mme. de Marsantes in the same intellectual and moral family as her brother the Duke. I could not believe that the mere fact of her being a woman, and perhaps those of her having had an unhappy life and won everyone’s sympathy, could make a person be so different from the rest of her family, as in the old romances, where all the virtues and graces are combined in the sister of wild and lawless brothers. It seemed to me that nature, less unconventional than the old poets, must make use almost exclusively of the elements common to the family, and I was unable to credit her with enough power of invention to construct, out of materials analogous to those that composed a fool and clod, a lofty mind without the least strain of clownishness, a saint unsoiled by any brutality. Mme. de Marsantes was wearing a gown of white surah embroidered with large palms, on which stood out flowers of a different material, these being black. This was because, three weeks earlier, she had lost her cousin, M. de Montmorency, a bereavement which did not prevent her from paying calls or even from going to small dinners, but always in mourning. She was a great lady. Atavism had filled her with the frivolity of generations of life at court, with all the superficial, rigorous duties that that implies. Mme. de Marsantes had not had the strength of character to regret for any length of time the death of her father and mother, but she would not for anything in the world have appeared in colours in the month following that of a cousin. She was more than pleasant to me, both because I was Robert’s friend and because I did not move in the same world as he. This pleasantness was accompanied by a pretence of shyness, by that sort of intermittent withdrawal of the voice, the eyes, the mind which a woman draws back to her like a skirt that has indiscreetly spread, so as not to take up too much room,