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The Sweet Cheat Gone (Albertine disparue)
was precisely the perpetual resurgence, at the bidding of identical moments, of moments from the past. From the sound of the rain I recaptured the scent of the lilacs at Combray, from the shifting of the sun’s rays on the balcony the pigeons in the Champs-Elysées, from the muffling of all noise in the heat of the morning hours, the cool taste of cherries, the longing for Brittany or Venice from the sound of the wind and the return of Easter. Summer was at hand, the days were long, the weather warm. It was the season when, early in the morning, pupils and teachers resort to the public gardens to prepare for the final examinations under the trees, seeking to extract the sole drop of coolness that is let fall by a sky less ardent than in the midday heat but already as sterilely pure. From my darkened room, with a power of evocation equal to that of former days but capable now of evoking only pain, I felt that outside, in the heaviness of the atmosphere, the setting sun was plastering the vertical fronts of houses and churches with a tawny distemper.

And if Françoise, when she came in, parted, by accident, the inner curtains, I stifled a cry of pain at the gash that was cut in my heart by that ray of long-ago sunlight which had made beautiful in my eyes the modern front of Marcouville l’Orgueilleuse, when Albertine said to me:
“It is restored.” Not knowing how to account to Françoise for my groan, I said to her: “Oh, I am so thirsty.” She left the room, returned, but I turned sharply away, smarting under the painful discharge of one of the thousand invisible memories which at every moment burst into view in the surrounding darkness: I had noticed that she had brought in a jug of cider and a dish of cherries, things which a farm-lad had brought out to us in the carriage, at Balbec, ‘kinds’ in which I should have made the most perfect communion, in those days, with the prismatic gleam in shuttered dining-rooms on days of scorching heat.

Then I thought for the first time of the farm called Les Ecorres, and said to myself that on certain days when Albertine had told me, at Balbec, that she would not be free, that she was obliged to go somewhere with her aunt, she had perhaps been with one or another of her girl friends at some farm to which she knew that I was not in the habit of going, and, while I waited desperately for her at Marie-Antoinette, where they told me: “No, we have not seen her to-day,” had been using, to her friend, the same words that she used to say to myself when we went out together: “He will never think of looking for us here, so that there’s no fear of our being disturbed.” I told Françoise to draw the curtains together, so that I should not see that ray of sunlight. But it continued to filter through, just as corrosive, into my memory. “It doesn’t appeal to me, it has been restored, but we shall go to-morrow to Saint-Mars le Vêtu, and the day after to…” To-morrow, the day after, it was a prospect of life shared in common, perhaps for all time, that was opening; my heart leaped towards it, but it was no longer there, Albertine was dead.

I asked Françoise the time. Six o’clock. At last, thank God, that oppressive heat would be lifted of which in the past I used to complain to Albertine, and which we so enjoyed. The day was drawing to its close. But what did that profit me? The cool evening air came in; it was the sun setting in my memory, at the end of a road which we had taken, she and I, on our way home, that I saw now, more remote than the farthest village, like some distant town not to be reached that evening, which we would spend at Balbec, still together. Together then; now I must stop short on the brink of that same abyss; she was dead. It was not enough now to draw the curtains, I tried to stop the eyes and ears of my memory so as not to see that band of orange in the western sky, so as not to hear those invisible birds responding from one tree to the next on either side of me who was then so tenderly embraced by her that now was dead. I tried to avoid those sensations that are given us by the dampness of leaves in the evening air, the steep rise and fall of mule-tracks. But already those sensations had gripped me afresh, carried far enough back from the present moment so that it should have gathered all the recoil, all the resilience necessary to strike me afresh, this idea that Albertine was dead. Ah! never again would I enter a forest, I would stroll no more beneath the spreading trees. But would the broad plains be less cruel to me? How many times had I crossed, going in search of Albertine, how many times had I entered, on my return with her, the great plain of Cricqueville, now in foggy weather when the flooding mist gave us the illusion of being surrounded by a vast lake, now on limpid evenings when the moonlight, de-materialising the earth, making it appear, a yard away, celestial, as it is, in the daytime, on far horizons only, enshrined the fields, the woods, with the firmament to which it had assimilated them, in the moss-agate of a universal blue.

Françoise was bound to rejoice at Albertine’s death, and it should, in justice to her, be said that by a sort of tactful convention she made no pretence of sorrow. But the unwritten laws of her immemorial code and the tradition of the mediaeval peasant woman who weeps as in the romances of chivalry were older than her hatred of Albertine and even of Eulalie. And so, on one of these late afternoons, as I was not quick enough in concealing my distress, she caught sight of my tears, served by the instinct of a little old peasant woman which at one time had led her to catch and torture animals, to feel only amusement in wringing the necks of chickens and in boiling lobsters alive, and, when I was ill, in observing, as it might be the wounds that she had inflicted upon an owl, my suffering expression which she afterwards proclaimed in a sepulchral tone and as a presage of coming disaster. But her Combray ‘Customary’ did not permit her to treat lightly tears, grief, things which in her judgment were as fatal as shedding one’s flannels in spring or eating when one had no ‘stomach.’ “Oh, no. Monsieur, it doesn’t do to cry like that, it isn’t good for you.” And in her attempt to stem my tears she shewed as much uneasiness as though they had been torrents of blood. Unfortunately I adopted a chilly air that cut short the effusions in which she was hoping to indulge and which might quite well, for that matter, have been sincere. Her attitude towards Albertine had been, perhaps, akin to her attitude towards Eulalie, and, now that my mistress could no longer derive any profit from me, Françoise had ceased to hate her. She felt bound, however, to let me see that she was perfectly well aware that I was crying, and that, following the deplorable example set by my family, I did not wish to ‘let it be seen.’ “You mustn’t cry, Monsieur,” she adjured me, in a calmer tone, this time, and intending to prove her own perspicacity rather than to shew me any compassion. And she went on: “It was bound to happen; she was too happy, poor creature, she never knew how happy she was.”

How slow the day is in dying on these interminable summer evenings. A pallid ghost of the house opposite continued indefinitely to sketch upon the sky its persistent whiteness. At last it was dark indoors; I stumbled against the furniture in the hall, but in the door that opened upon the staircase, in the midst of the darkness which I had supposed to be complete, the glazed panel was translucent and blue, with the blue of a flower, the blue of an insect’s wing, a blue that would have seemed to me beautiful if I had not felt it to be a last reflexion, trenchant as a blade of steel, a supreme blow which in its indefatigable cruelty the day was still dealing me. In the end, however, the darkness became complete, but then a glimpse of a star behind one of the trees in the courtyard was enough to remind me of how we used to set out in a carriage, after dinner, for the woods of Chantepie, carpeted with moonlight. And even in the streets it would so happen that I could isolate upon the back of a seat, could gather there the natural purity of a moonbeam in the midst of the artificial lights of Paris, of that Paris over which it enthroned, by making the town return for a moment, in my imagination, to a state of nature, with the infinite silence of the suggested fields, the heartrending memory of the walks that I had taken in them with Albertine.

Ah! when would the night end? But at the first cool breath of dawn I shuddered, for it had revived in me the delight

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was precisely the perpetual resurgence, at the bidding of identical moments, of moments from the past. From the sound of the rain I recaptured the scent of the lilacs at