curiosity to which, contrary to what I had supposed, death had not put an end—what I found was a different girl, heaping up lies and deceits one upon another, in the place where the former had so sweetly reassured me by swearing that she had never tasted those pleasures which, in the intoxication of her recaptured liberty, she had gone down to enjoy to the point of swooning, of biting that young laundress whom she used to meet at sunrise on the bank of the Loire, and to whom she used to say: “Oh, it’s just heavenly.” A different Albertine, not only in the sense in which we understand the word different when it is used of other people. If people are different from what we have supposed, as this difference cannot affect us profoundly, as the pendulum of intuition cannot move outward with a greater oscillation than that of its inward movement, it is only in the superficial regions of the people themselves that we place these differences. Formerly, when I learned that a woman loved other women, she did not for that reason seem to me a different woman, of a peculiar essence. But when it is a question of a woman with whom we are in love, in order to rid ourselves of the grief that we feel at the thought that such a thing is possible, we seek to find out not only what she has done, but what she felt while she was doing it, what idea she had in her mind of the thing that she was doing; then descending and advancing farther and farther, by the profundity of our grief we attain to the mystery, to the essence. I was pained internally, in my body, in my heart—far more than I should have been pained by the fear of losing my life—by this curiosity with which all the force of my intellect and of my subconscious self collaborated; and similarly it was into the core of Albertine’s own being that I now projected everything that I learned about her.

And the grief that had thus caused to penetrate to so great a depth in my own being the fact of Albertine’s vice, was to render me later on a final service. Like the harm that I had done my grandmother, the harm that Albertine had done me was a last bond between her and myself which outlived memory even, for with the conservation of energy which belongs to everything that is physical, suffering has no need of the lessons of memory. Thus a man who has forgotten the charming night spent by moonlight in the woods, suffers still from the rheumatism which he then contracted. Those tastes which she had denied but which were hers, those tastes the discovery of which had come to me not by a cold process of reasoning but in the burning anguish that I had felt on reading the words: “Oh, it’s just heavenly,” a suffering which gave them a special quality of their own, those tastes were not merely added to the image of Albertine as is added to the hermit-crab the new shell which it drags after it, but, rather, like a salt which comes in contact with another salt, alters its colour, and, what is more, its nature. When the young laundress must have said to her young friends: “Just fancy, I would never have believed it, well, the young lady is one too!” to me it was not merely a vice hitherto unsuspected by them that they added to Albertine’s person, but the discovery that she was another person, a person like themselves, speaking the same language, which, by making her the compatriot of other women, made her even more alien to myself, proved that what I had possessed of her, what I carried in my heart, was only quite a small part of her, and that the rest which was made so extensive by not being merely that thing so mysteriously important, an. individual desire, but being shared with others, she had always concealed from me, she had kept me aloof from it, as a woman might have concealed from me that she was a native of an enemy country and a spy; and would indeed have been acting even more treacherously than a spy, for a spy deceives us only as to her nationality, whereas Albertine had deceived me as to her profoundest humanity, the fact that she did not belong to the ordinary human race, but to an alien race which moves among it, conceals itself among it and never blends with it. I had as it happened seen two paintings by Elstir shewing against a leafy background nude women. In one of them, one of the girls is raising her foot as Albertine must have raised hers when she offered it to the laundress. With her other foot she is pushing into the water the other girl, who gaily resists, her hip bent, her foot barely submerged in the blue water.

I remembered now that the raising of the thigh made the same swan’s-neck curve with the angle of the knee that was made by the droop of Albertine’s thigh when she was lying by my side on the bed, and I had often meant to tell her that she reminded me of those paintings. But I had refrained from doing so, in order not to awaken in her mind the image of nude female bodies. Now I saw her, side by side with the laundress and her friends, recomposing the group which I had so admired when I was seated among Albertine’s friends at Balbec. And if I had been an enthusiast sensitive to absolute beauty, I should have recognised that Albertine re-composed it with a thousand times more beauty, now that its elements were the nude statues of goddesses like those which consummate sculptors scattered about the groves of Versailles or plunged in the fountains to be washed and polished by the caresses of their eddies. Now I saw her by the side of the laundress, girls by the water’s edge, in their twofold nudity of marble maidens in the midst of a grove of vegetation and dipping into the water like bas-reliefs of Naiads. Remembering how Albertine looked as she lay upon my bed, I thought I could see her bent hip, I saw it, it was a swan’s neck, it was seeking the lips of the other girl. Then I beheld no longer a leg, but the bold neck of a swan, like that which in a frenzied sketch seeks the lips of a Leda whom we see in all the palpitation peculiar to feminine pleasure, because there is nothing else but a swan, and she seems more alone, just as we discover upon the telephone the inflexions of a voice which we do not distinguish so long as it is not dissociated from a face in which we materialise its expression. In this sketch, the pleasure, instead of going to seek the face which inspires it and which is absent, replaced by a motionless swan, is concentrated in her who feels it. At certain moments the communication was cut between my heart and my memory. What Albertine had done with the laundress was indicated to me now only by almost algebraical abbreviations which no longer meant anything to me; but a hundred times in an hour the interrupted current was restored, and my heart was pitilessly scorched by a fire from hell, while I saw Albertine, raised to life by my jealousy, really alive, stiffen beneath the caresses of the young laundress, to whom she was saying: “Oh, it’s just heavenly.” As she was alive at the moment when she committed her misdeeds, that is to say at the moment at which I myself found myself placed, it was not sufficient to know of the misdeed, I wished her to know that I knew. And so, if at those moments I thought with regret that I should never see her again, this regret bore the stamp of my jealousy, and, very different from the lacerating regret of the moments in which I loved her, was only regret at not being able to say to her: “You thought that I should never know what you did after you left me, well, I know everything, the laundress on the bank of the Loire, you said to her: ‘Oh, it’s just heavenly,’ I have seen the bite.” No doubt I said to myself: “Why torment myself? She who took her pleasure with the laundress no longer exists, and consequently was not a person whose actions retain any importance. She is not telling herself that I know.

But no more is she telling herself that I do not know, since she tells herself nothing.” But this line of reasoning convinced me less than the visual image of her pleasure which brought me back to the moment in which she had tasted it. What we feel is the only thing that exists for us, and we project it into the past, into the future, without letting ourselves be stopped by the fictitious barriers of death. If my regret that she was dead was subjected at such moments to the influence of my jealousy and assumed this so peculiar form, that influence extended over my dreams of occultism, of immortality, which were no more than an effort to realise what I desired. And so at those moments if I could have succeeded in evoking her by turning a table as Bergotte had at one