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The Sweet Cheat Gone (Albertine disparue)
deity by the man who is in love with her, appears as a person of no importance, only too glad to do anything that he may require of her, in the eyes of the man who is not in love with her, as Saint-Loup’s mistress appeared to me who saw in her nothing more than that ‘Rachel, when from the Lord’ who had so repeatedly been offered me. I recalled my own stupefaction, that first time that I met her with Saint-Loup, at the thought that anybody could be tormented by not knowing what such a woman had been doing, by the itch to know what she might have said in a whisper to some other man, why she had desired a rupture. And I felt that all this past existence—but, in this case, Albertine’s—toward which every fibre of my heart, of my life was directed with a throbbing, clumsy pain, must appear just as insignificant to Saint-Loup as it would one day, perhaps, appear to myself. I felt that I would pass perhaps gradually, so far as the insignificance or gravity of Albertine’s past was concerned, from the state of mind in which I was at the moment to that of Saint-Loup, for I was under no illusion as to what Saint-Loup might be thinking, as to what anyone else than the lover himself might think.

And I was not unduly distressed. Let us leave pretty women to men devoid of imagination. I recalled that tragic explanation of so many of us which is furnished by an inspired but not lifelike portrait, such as Elstir’s portrait of Odette, which is a portrait not so much of a mistress as of our degrading love for her. There was lacking only what we find in so many portraits—that the painter should have been at once a great artist and a lover (and even then it was said that Elstir had been in love with Odette). This disparity, the whole life of a lover—of a lover whose acts of folly nobody understands—the whole life of a Swann goes to prove. But let the lover be embodied in a painter like Elstir and then we have the clue to the enigma, we have at length before our eyes those lips which the common herd have never perceived, that nose which nobody has ever seen, that unsuspected carriage.

The portrait says: “What I have loved, what has made me suffer, what I have never ceased to behold is this.” By an inverse gymnastic, I who had made a mental effort to add to Rachel all that Saint-Loup had added to her of himself, I attempted to subtract the support of my heart and mind from the composition of Albertine and to picture her to myself as she must appear to Saint-Loup, as Rachel had appeared to me. Those differences, even though we were to observe them ourselves, what importance would we attach to them? When, in the summer at Balbec, Albertine used to wait for me beneath the arcades of Incarville and spring into my carriage, not only had she not yet put on weight, she had, as a result of too much exercise, begun to waste; thin, made plainer by an ugly hat which left visible only the tip of an ugly nose, and a side-view, pale cheeks like white slugs, I recognised very little of her, enough however to know, when she sprang into the carriage, that it was she, that she had been punctual in keeping our appointment and had not gone somewhere else; and this was enough; what we love is too much in the past, consists too much in the time that we have spent together for us to require the whole woman; we wish only to be sure that it is she, not to be mistaken as to her identity, a thing far more important than beauty to those who are in love; her cheeks may grow hollow, her body thin, even to those who were originally most proud, in the eyes of the world, of their domination over beauty, that little tip of a nose, that sign in which is summed up the permanent personality of a woman, that algebraical formula, that constant, is sufficient to prevent a man who is courted in the highest society and is in love with her from being free upon a single evening because he is spending his evenings in brushing and entangling, until it is time to go to bed, the hair of the woman whom he loves, or simply in staying by her side, so that he may be with her or she with him, or merely that she may not be with other people.

“You are sure,” Robert asked me, “that I can begin straight away by offering this woman thirty thousand francs for her husband’s constituency? She is as dishonest as all that? You’re sure you aren’t exaggerating and that three thousand francs wouldn’t be enough?” “No, I beg of you, don’t try to be economical about a thing that matters so much to me. This is what you are to say to her (and it is to some extent true): ‘My friend borrowed these thirty thousand francs from a relative for the election expenses of the uncle of the girl he was engaged to marry. It was because of this engagement that the money was given him. And he asked me to bring it to you so that Albertine should know nothing about it. And now Albertine goes and leaves him. He doesn’t know what to do. He is obliged to pay back the thirty thousand francs if he does not marry Albertine. And if he is going to marry her, then if only to keep up appearances she ought to return immediately, because it will look so bad if she stays away for long.’ You think I’ve made all this up?” “Not at all,” Saint-Loup assured me out of consideration for myself, out of discretion, and also because he knew that truth is often stranger than fiction. After all, it was by no means impossible that in this tale of the thirty thousand francs there might be, as I had told him, a large element of truth. It was possible, but it was not true and this element of truth was in fact a lie. But we lied to each other, Robert and I, as in every conversation when one friend is genuinely anxious to help another who is desperately in love. The friend who is being counsellor, prop, comforter, may pity the other’s distress but cannot share it, and the kinder he is to him the more he has to lie.

And the other confesses to him as much as is necessary in order to secure his help, but, simply perhaps in order to secure that help, conceals many things from him. And the happy one of the two is, when all is said, he who takes trouble, goes on a journey, executes a mission, but feels no anguish in his heart. I was at this moment the person that Robert had been at Doncières when he thought that Rachel had abandoned him. “Very well, just as you like; if I get my head bitten off, I accept the snub in advance for your sake. And even if it does seem a bit queer to make such an open bargain, I know that in our own set there are plenty of duchesses, even the most stuffy of them, who if you offered them thirty thousand francs Would do things far more difficult than telling their nieces not to stay in Touraine. Anyhow I am doubly glad to be doing you a service, since that is the only reason that will make you consent to see me. If I marry,” he went on, “don’t you think we might see more of one another, won’t you look upon my house as your own….” He stopped short, the thought having suddenly occurred to him (as I supposed at the time) that, if I too were to marry, his wife would not be able to make an intimate friend of Albertine. And I remembered what the Cambremers had said to me as to the probability of his marrying a niece of the Prince de Guermantes. He consulted the time-table, and found that he could not leave Paris until the evening. Françoise inquired: “Am I to take Mlle. Albertine’s bed out of the study?” “Not at all,” I said, “you must leave everything ready for her.” I hoped that she would return any day and did not wish Françoise to suppose that there could be any doubt of her return. Albertine’s departure must appear to have been arranged between ourselves, and not in any way to imply that she loved me less than before. But Françoise looked at me with an air, if not of incredulity, at any rate of doubt.

She too had her alternative hypotheses. Her nostrils expanded, she could scent the quarrel, she must have felt it in the air for a long time past. And if she was not absolutely sure of it, this was perhaps because, like myself, she would hesitate to believe unconditionally what would have given her too much pleasure. Now the burden of the affair rested no longer upon my overwrought mind, but upon Saint-Loup. I became quite light-hearted because I had made a decision, because I could say to myself: “I haven’t lost any time, I have acted.” Saint-Loup can barely have been in the train when in the hall I ran into Bloch, whose

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deity by the man who is in love with her, appears as a person of no importance, only too glad to do anything that he may require of her, in