It may be added that for some little time, the versatile Duchesse had felt a strong antipathy towards Gilberte which might make her take particular pleasure in receiving Rachel, which moreover enabled her to proclaim one of the Guermantes’ maxims, namely, that they were too numerous to take up a quarrel or to go into mourning among themselves, a sort of “it’s not my business” independence which it had been expedient to adopt in regard to M. de Charlus who, had they espoused his cause, would have made them quarrel with everybody. As to Rachel, if she had actually taken a good deal of trouble to make friends with the Duchesse (trouble which the Duchesse had been unable to detect in the affected disdain and pretentious rudeness which made her believe the actress was not at all a snob) doubtless it came about from the fascination exercised upon society people by hardened bohemians which is parallel to that which bohemians feel about people in society, a double reaction which corresponds, in the political order, to the reciprocal curiosity and desire to be allies displayed by nations who have fought against each other. But Rachel’s wish to be friends with the Duchesse might have a more peculiar reason. It was at the house of Mme de Guermantes and from Mme de Guermantes herself that she once suffered her greatest humiliation. Rachel had not forgotten though, little by little, she had pardoned it but the singular prestige the Duchesse had derived from it in her eyes, would never be effaced. The colloquy from which I wanted to draw Gilberte’s attention was fortunately interrupted, for the mistress of the house came to fetch Rachel, the moment having come for her recitation, so she left the Duchesse and appeared upon the platform.
While these incidents were taking place a spectacle of a very different kind was to be seen at the other end of Paris. La Berma had asked some people to come to tea with her in honour of her daughter and her son-in-law but the guests were apparently in no hurry to arrive. Having learned that Rachel was to recite poems at the Princesse de Guermantes’ (which greatly shocked la Berma, a great artist to whom Rachel was still a courtesan given minor parts, because Saint-Loup paid for her stage-wardrobe, in plays in which la Berma took the principal rôle, more shocked still by the report in town that though the invitations were sent in the name of the Princesse de Guermantes, it was Rachel who was receiving there) la Berma had written insistently to some of her faithful friends not to fail to come to her tea party, knowing they were also friends of the Princesse de Guermantes when she was Mme Verdurin.
But the hours passed and no one arrived. When Bloch was asked to go he replied naively: “No, I prefer going to the Princesse de Guermantes’.” And, alas, everyone else had made up his mind to do likewise. La Berma, attacked by a mortal disease which prevented her from going into society except on rare occasions, had become worse, since, in order to satisfy her daughter’s demand for luxuries which her ailing and idle son-in-law could not provide, she had again gone on the stage. She knew she was shortening her life, but only cared to please her daughter to whom she brought the great prestige of her fame as to her son-in-law whom she detested but flattered because, as she knew her daughter adored him, she feared, if she did not conciliate him, he would, out of spite, keep them apart. La Berma’s daughter, who was not entirely cruel and was secretly loved by the doctor who was attending her mother, allowed herself to be persuaded that these performances of Phèdre were not very dangerous to the invalid.
In a measure she had forced the doctor to say so and had retained only that out of the many things he forbade and which she ignored; in reality the doctor had said that there was no harm in la Berma’s performances, to please the young woman whom he loved, and perhaps through ignorance as well, knowing that the disease was incurable anyhow, on the principle that one readily accepts the shortening of the sufferings of invalids when in doing so one is the gainer, perhaps also through stupidly supposing it would please la Berma herself and must, therefore, do her good, a foolish notion in which he felt justified when, a box being sent him by la Berma’s children for which he left all his patients in the lurch, he had found her as full of life on the stage as she had appeared moribund in her own house.
And our habits do, indeed, in large measure, enable even our organisms to accommodate themselves to an existence which at first seemed impossible. We have all seen an old circus performer with a weak heart accomplish acrobatic tricks which no one would believe his heart could stand. La Berma was in the same degree a stage veteran to whose exactions her organs so much adapted themselves that forfeiting prudence, she could, without the public discerning it, produce the illusion of health only affected by an imaginary nervous ailment. After the scene of Hippolyte’s declaration, though la Berma well knew the terrible night to which she was returning, her admirers applauded her to the echo and declared her more beautiful than ever. She went back in a state of horrible suffering but happy to bring her daughter the bank-notes which, with the playfulness of a former child of the streets, she was in the habit of tucking into her stocking whence she proudly extracted them, hoping for a smile or a kiss. Unhappily, these notes only enabled son-in-law and daughter to add new decorations to their house adjoining that of their mother, in consequence of which, incessant hammering interrupted the sleep which the great tragedian so much needed. To conform to changes of fashion and to the taste of Messrs, de X or de Y, whom they hoped to entertain, they redecorated every room in the house.
La Berma, realising that the sleep which alone could have calmed her suffering, had fled, resigned herself to not sleeping any more, not without a secret contempt for elegancies which were hastening her death and making her last days a torture. Doubtless she despised such decrees of fashion owing to a natural resentment of things that injure us which we are powerless to avoid. But it was also because, conscious of the genius within her, she had acquired in her early youth the realisation of their futility and had remained faithful to the tradition she had always reverenced and of which she was the incarnation, which made her judge things and people as she would have done thirty years earlier—Rachel, for instance, not as the fashionable actress she had become but as the little prostitute she had been. In truth, la Berma was no better than her daughter; it was from her heredity and from the contagion of example which admiration had rendered more, effective, that her daughter had derived her egotism, her pitiless raillery, her unconscious cruelty. But, la Berma, in thus saturating her daughter with her own defects, had delivered herself. And even if la Berma’s daughter had not had workmen in her house she would have exhausted her mother through the ruthless and irresponsible force of attraction of youth which infects old age with the madness of trying to assimilate it. Every day there was a luncheon party and they would have considered la Berma selfish to deny them that pleasure, or even not to be there as they counted on the magical presence of the illustrious mother to attract, not without difficulty, new social relationships which had to be hauled in by the ears. They “promised” her to these new acquaintances for some party elsewhere so as to show them “civility”.
And the poor mother, engaged in a grave colloquy with death who had taken up his abode in her, had to get up and go out. The more so that, at this period, Réjane, in all the lustre of her talent, was giving performances abroad with enormous success and the son-in-law anxious that la Berma should not be eclipsed, wanted as profuse an effulgence for the family and forced la Berma to make tours during which she had to have injections of morphia which might cause her death at any moment because of the state of her kidneys. The same magnet of fashion and social prestige had on the day of the Princesse de Guermantes’ party, acted as an air-pump and had drawn la Berma’s most faithful habitués there with the power of hydraulic suction, while at her own house there was absolute void and death. One young man had come, being uncertain whether the party at la Berma’s would be equally brilliant or not. When she saw the time pass and realised
