Sofia Alexandrovna “Sonya” Rostova: Orphaned cousin of Vera, Nikolai, Natasha, and Petya Rostov and is in love with Nikolai.
Countess Vera Ilyinichna Rostova: Eldest of the Rostov children, she marries the German career soldier, Berg.
Pyotr Ilyich “Petya” Rostov: Youngest of the Rostov children.
The Kuragins
Prince Vasily Sergeyevich Kuragin: A ruthless man who is determined to marry his children into wealth at any cost.
Princess Elena Vasilyevna “Hélène” Kuragina: A beautiful and sexually alluring woman who has many affairs, including (it is rumoured) with her brother Anatole.
Prince Anatole Vasilyevich Kuragin: Hélène’s brother, a handsome and amoral pleasure seeker who is secretly married yet tries to elope with Natasha Rostova.
Prince Ippolit Vasilyevich (Hippolyte) Kuragin: The younger brother of Anatole and perhaps most dim-witted of the three Kuragin children.
The Drubetskoys
Prince Boris Drubetskoy: A poor but aristocratic young man driven by ambition, even at the expense of his friends and benefactors, who marries Julie Karagina for money and is rumored to have had an affair with Hélène Bezukhova.
Princess Anna Mikhailovna Drubetskaya: The impoverished mother of Boris, whom she wishes to push up the career ladder.
Other prominent characters
Fyodor Ivanovich Dolokhov: A cold, almost psychopathic officer, he ruins Nikolai Rostov by luring him into an outrageous gambling debt after unsuccessfully proposing to Sonya Rostova. He is also rumored to have had an affair with Hélène Bezukhova and he provides for his poor mother and hunchbacked sister.
Adolf Karlovich Berg: A young German officer, who desires to be just like everyone else and marries the young Vera Rostova.
Anna Pavlovna Scherer: Also known as Annette, she is the hostess of the salon that is the site of much of the novel’s action in Petersburg and schemes with Prince Vasily Kuragin.
Maria Dmitryevna Akhrosimova: An older Moscow society lady, good-humored but brutally honest.
Amalia Evgenyevna Bourienne: A Frenchwoman who lives with the Bolkonskys, primarily as Princess Maria’s companion and later at Maria’s expense.
Vasily Dmitrich Denisov: Nikolai Rostov’s friend and brother officer, who unsuccessfully proposes to Natasha.
Platon Karataev: The archetypal good Russian peasant, whom Pierre meets in the prisoner-of-war camp.
Osip Bazdeyev: a Freemason who convinces Pierre to join his mysterious group.
Bilibin: A diplomat with a reputation for cleverness, an acquaintance of Prince Andrei Bolkonsky.
In addition, several real-life historical characters (such as Napoleon and Prince Mikhail Kutuzov) play a prominent part in the book. Many of Tolstoy’s characters were based on real people. His grandparents and their friends were the models for many of the main characters; his great-grandparents would have been of the generation of Prince Vassily or Count Ilya Rostov.
Plot summary
Book One
The novel begins in July 1805 in Saint Petersburg, at a soirée given by Anna Pavlovna Scherer, the maid of honour and confidante to the dowager empress Maria Feodorovna. Many of the main characters are introduced as they enter the salon. Pierre (Pyotr Kirilovich) Bezukhov is the illegitimate son of a wealthy count. He is about to become embroiled in a struggle for his inheritance, since the count is dying after a series of strokes. Educated abroad at his father’s expense following his mother’s death, Pierre is kindhearted but socially awkward, and finds it difficult to integrate into Petersburg society. It is known to everyone at the soirée that Pierre is his father’s favorite of all the old count’s illegitimate progeny. They respect Pierre during the soirée because his father, Count Bezukhov, is a very rich man, and as Pierre is his favorite, most aristocrats think that the fortune of his father will be given to him even though he is illegitimate.
Also attending the soirée is Pierre’s friend, Prince Andrei Nikolayevich Bolkonsky, husband of Lise, a charming society favourite. He is disillusioned with Petersburg society and with married life, feeling that his wife is empty and superficial. Pierre does not quite know what to do with this and is made uncomfortable witnessing the marital discord. Pierre was sent to Petersburg by his father to choose a career but is uncomfortable because he cannot find one and people frequently ask about it. Andrei tells Pierre he has decided to become aide-de-camp to Prince Mikhail Ilarionovich Kutuzov in the coming war (the Battle of Austerlitz) against Napoleon in order to escape a life he cannot stand.
The plot moves to Moscow, Russia’s former capital, contrasting its provincial, more Russian ways to the more European society of Saint Petersburg. The Rostov family is introduced. Count Ilya Andreyevich Rostov and Countess Natalya Rostova are an affectionate couple but worried about their disordered finances. They have four children. Thirteen-year-old Natasha (Natalia Ilyinichna) believes herself in love with Boris Drubetskoy, a young man who is about to join the army as an officer. Boris’s mother is Anna Mikhaylovna Drubetskaya, a childhood friend of the countess Natalya Rostova. Boris is also the godson of Pierre’s father, Count Bezukhov. Twenty-year-old Nikolai Ilyich pledges his love to Sonya (Sofia Alexandrovna), his fifteen-year-old cousin, an orphan who has been brought up by the Rostovs. The eldest child, Vera Ilyinichna, is cold and somewhat haughty but has a good prospective marriage to a Russian-German officer, Adolf Karlovich Berg. Petya (Pyotr Ilyich) at nine is the youngest; like his brother, he is impetuous and eager to join the army when of age.
At Bald Hills, the Bolkonskys’ country estate, Prince Andrei departs for war and leaves his terrified, pregnant wife Lise with his eccentric father Prince Nikolai Andreyevich and devoutly religious sister Maria Nikolayevna Bolkonskaya, who refuses to marry the son of a wealthy aristocrat on account of her devotion to her father and suspicion that the young man would be unfaithful to her.
The second part opens with descriptions of the impending Russian-French war preparations. At the Schöngrabern engagement, Nikolai Rostov, now an ensign in the hussars, has his first taste of battle. Boris Drubetskoy introduces him to Prince Andrei, whom Rostov insults in a fit of impetuousness. He is deeply attracted by Tsar Alexander’s charisma. Nikolai gambles and socializes with his officer, Vasily Dmitrich Denisov, and befriends the ruthless Fyodor Ivanovich Dolokhov. Bolkonsky, Rostov, and Denisov are involved in the disastrous Battle of Austerlitz, in which Prince Andrei is badly wounded as he attempts to rescue a Russian standard.
The Battle of Austerlitz is a major event in the book. As the battle is about to start, Prince Andrei thinks the approaching “day will be his Toulon, or his Arcola”, references to Napoleon’s early victories. Later in the battle, however, Andrei falls into enemy hands and even meets his hero, Napoleon. But his previous enthusiasm has been shattered; he no longer thinks much of Napoleon, “so petty did his hero with his paltry vanity and delight in victory appear, compared to that lofty, righteous and kindly sky which he had seen and comprehended”. Tolstoy portrays Austerlitz as an early test for Russia, one which ended badly because the soldiers fought for irrelevant things like glory or renown rather than the higher virtues which would produce, according to Tolstoy, a victory at Borodino during the 1812 invasion.
Book Two
Book Two begins with Nikolai Rostov returning on leave to Moscow accompanied by his friend Denisov, his officer from his Pavlograd Regiment. He spends an eventful winter at home. Natasha has blossomed into a beautiful young woman. Denisov falls in love with her and proposes marriage but is rejected. Nikolai meets Dolokhov, and they grow closer as friends. Dolokhov falls in love with Sonya, Nikolai’s cousin, but as she is in love with Nikolai, she rejects Dolokhov’s proposal. Nikolai meets Dolokhov sometime later. The resentful Dolokhov challenges Nikolai at cards, and Nikolai loses every hand until he sinks into a 43,000-ruble debt. Although his mother pleads with Nikolai to marry a wealthy heiress to rescue the family from its dire financial straits, he refuses. Instead, he promises to marry his childhood crush and orphaned cousin, the dowry-less Sonya.
Pierre Bezukhov, upon finally receiving his massive inheritance, is suddenly transformed from a bumbling young man into the most eligible bachelor in Russian society. Despite knowing that it is wrong, he is convinced into marriage with Prince Kuragin’s beautiful and immoral daughter Hélène (Elena Vasilyevna Kuragina). Hélène, who is rumored to be involved in an incestuous affair with her brother Anatole, tells Pierre that she will never have children with him. Hélène is also rumored to be having an affair with Dolokhov, who mocks Pierre in public. Pierre loses his temper and challenges Dolokhov to a duel. Unexpectedly (because Dolokhov is a seasoned dueller), Pierre wounds Dolokhov. Hélène denies her affair, but Pierre is convinced of her guilt and leaves her. In his moral and spiritual confusion, Pierre joins the Freemasons. Much of Book Two concerns his struggles with his passions and his spiritual conflicts. He abandons his former carefree behavior and enters upon a philosophical quest particular to Tolstoy: how should one live a moral life in an ethically imperfect world? The question continually baffles Pierre. He attempts to liberate his serfs, but ultimately achieves nothing of note.
Pierre is contrasted with Prince Andrei Bolkonsky. Andrei recovers from his near-fatal wound in a military hospital and returns home, only to find Lise dying in childbirth. He is stricken by his guilty conscience for not treating her better. His child, Nikolai, survives.
Burdened with nihilistic disillusionment, Prince Andrei does not return to the army but remains on his estate, working on a project that would codify military behavior to solve problems of disorganization responsible for the loss of life on the Russian side. Pierre visits him and brings new questions: